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"15 Minutes," "Bar Hopping"
and CBS Among Those Utilizing Online Talent Pool
Anthony Marinelli (www.mp3.com/anthonymarinelli),
an artist on MP3.com (Nasdaq: MPPP), is one of many whose music is becoming
the standard for Hollywood soundtracks. Marinelli created pieces for "15
Minutes," the recent Robert De Niro film. His classic operatic tracks
also have been heard in "Time Code," Internal Affairs"
and "Flynn," which earned Marinelli a nomination for best score
by the Australian Film Institute.
Another successful artist on MP3.com, Hypnogaja
(www.mp3.com/Hypnogaja), a
genre-bending techno band, also has broken Hollywood's barrier with its
self-described pop/funk opus track, "One More Tear." The track
received airplay in John Travolta's film "Bar Hopping," slated
to air four times this month on The Movie Channel.
Other tracks by Hypnogaja have been featured
in film and TV projects. The electric-funk sound of "So Sweet"
was used in the Warner Bros. film "Valentine," starring David
Boreanaz, and "Blame It On The Full Moon," a classic guitar
ballad, which appeared in the MTV series "Live Through This."
Music supervisors continue to turn to MP3.com's
vast talent base as evidenced by CBS' David Copperfield special "Tornado
of Fire," which showcased the talent of James Grote (www.mp3.com/SongsForDeathmatch),
an artist with a flair for doomy-metallic guitar riffs. Grote said, "My
musical tastes are pretty varied, but I generally like intense, dark music,
be it Nine Inch Nails or Stravinsky's 'The Rite of Spring.'"
These success stories indicate a growing trend
that sees music supervisors and others looking to the Internet to fulfill
soundtrack and music-score needs.
"The success of these artists really
comes as no surprise," said Michael Robertson, chairman and chief
executive officer of MP3.com (www.mp3.com). "There is tremendous
talent to be found online and more industry decision-makers are discovering
this resource. It's gratifying to see artists work to promote themselves
and end up in the big show." A number of partnerships between artists
on MP3.com and the entertainment industry are facilitated by MP3.com's
Music Licensing Program (www.mp3.com/licensing), designed to match
content from digital artists and composers on the site with producers,
directors, advertising agencies and music supervisors actively looking
to license music for traditional or multimedia productions. The program
allows artists and composers the option to maintain complete control over
the rights to their music.
Eligible artists can enroll in the program
at www.mp3.com/licensing. The
Music Licensing Program is run in association with MP3.com's licensing
services provider, enableyourmusic, Inc. (http://eym.enableyourmusic.com/).
There are more than 144,000 digital artists
who currently post music on MP3.com. To register to post your music on
the site at no cost, visit www.mp3.com/newartist.
By NEKESA MUMBI MOODY AP Music Writer
Run DMC have never been shy about emphasizing
their importance in the rap world.
The hip-hop pioneers are quick to boast about
the millions of records they've sold, how they took rap mainstream with
hits like "It's Tricky," and how they basically started the
whole rap-rock fusion genre, most notably with their smash collaboration
with Aerosmith on "Walk This Way."
But even the "Kings of Rock," as
they like to call themselves, know that legend won't get them too far
among today's rap fans, who know more lyrics from newcomers like Lil'
Bow Wow or Ludacris than any of the groundbreaking raps Run DMC recited.
So as they attempt a comeback with their new
album, "Crown Royal," the once mighty rap pioneers are willingly
sharing the spotlight with today's current hitmakers, hoping collaborations
with artists like Kid Rock, Method Man, Limp Bizkit's Fred Durst and R&B
group Jagged Edge will help them capture the attention of today's music
fans.
"We're a nonentity until we drop a hit
record, and that's the bottom line," said Joseph Simmons, better
known as DJ Run. "I think all the rappers, they look up to us ...
if we come through and do something big, it makes them look up to us even
more."
Although the trio of DJ Run, Jam Master Jay
(Jason Mizell) and DMC (Darryl McDaniels) have stayed in the public eye
over the years with a heavy tour schedule and the occasional commercial,
they haven't made an impact on the charts for years. Their last album,
1993's "Down With the King," was certified gold, but hardly
made the splash of albums released during their peak, such as the multiplatinum
"Raising Hell" in 1986.
Like the majority of rap's early performers,
Run DMC watched their celebrity diminish as the genre exploded in popularity,
producing numerous stars whose albums routinely sell millions of copies
. artists like DMX, Eminem, Jay-Z and Dr. Dre.
But instead of growing bitter about their
declining role, Simmons decided to recapture it with an approach similar
to Santana, who sold millions of copies of 1999's "Supernatural"
in part because of collaborations with younger artists such as matchbox
twenty's Rob Thomas and Wyclef Jean.
"We incorporated ourselves and injected
ourselves into the young people through being down with the young people,"
said Simmons. "Truthfully, the whole album is full of youth. The
oldest people on the album is us."
While it may end up winning Run DMC some new
fans, the strategy cost them artistically. McDaniels, fed up with the
Simmons' and Mizell's desire to capture the youth market, left the project
and is barely heard on any of the tracks, even though he is prominently
featured on the album's cover and is participating in their current tour.
"He wants his record on the radio, he
wants the hot video," McDaniels said of Simmons, his longtime friend.
"And I'm not really about that anymore."
McDaniels, who like his partners is 36 and
married with children, said he was frustrated that he wasn't allowed to
showcase his personal and musical evolution on the album, released this
week. For example, instead of boasting about his rap skills, he'd rather
talk about his life as a parent. And he'd rather rap to music that sounds
like Bob Dylan than DMX.
"Right now I'm in a more mellow mode,"
he said. "And wherever you are at in life, especially if you are
a musician or an artist, those things must be reflected in the music,
and some of the things I wanted to say on the album, it was like, 'D.,
you can't say that."'
Producer-rapper Jermaine Dupri, one of the
many stars on the album, says McDaniels' limited role takes away from
the group's attempted comeback.
"I think it's a big loss," he said.
"I think DMC played a very, very big role. From a creative side,
I think there was so much more that could have been done if DMC was around."
Yet Dupri, who helped jump-start a Run DMC
comeback last year by tapping Simmons to rap on the remix of the Jagged
Edge hit "Let's Get Married," believes the album can still be
a success, although he admits it will be an uphill battle.
Even Simmons, brother of hip-hop mogul Russell
Simmons, acknowledges it will be tough.
"We're going to have to make a hell of
an explosion for everybody to look," he said. "I think it is
a battle to get a Run DMC smash."
Tupac Shakur has an album at the top of the Billboard 200 chart, more
than four years after his death.
The murdered rap star's "Until the End
of Time," his double album of material written and performed in the
last year of his life, enters Billboard at No. 1 after selling nearly
427,000 copies, according to SoundScan. It was released on the Amaru/Death
Row/Interscope label.
In an interview on "Access Hollywood"
Thursday night, Afeni Shakur, Tupac's mother, said, "It is our complete
intent to put out all of his work. "I think people are going to be
surprised by Tupac for a long time. In November, we will put out another
double compact disc. If Tupac were here, he would have produced three
times that much material." Shakur was shot in a barrage of gunfire
in 1996. No one has been arrested for his slaying.
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