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Josh Hartnett, O Interview by Paul Fischer in Los Angeles.
Thanks to a little movie called Pearl
Harbor, Josh Hartnett , Hollywoods most reluctant of stars,
is bigger than ever. As for Josh, he still prefers to shun the limelight,
living in Minnesota away from the Hollywood hoopla. His latest film
O finally releases this week, and as the films
charismatic villain, its one of the actors crowning
cinematic moments. Paul Fischer spoke to the young actor about stardom,
Shakespeare and post-Pearl Harbor madness.
The last time I met Josh Hartnett he
was still a relative unknown, talking about his role in Sofia Coppolas
Virgin Suicides. Even then he remain quiet and introspective, unwilling
to bask in the Hollywood limelight.
Nothing much has changed. This
is not my kind of town, Hartnett muses. Sitting in a hotel
room in Marina del Rey, Hartnett seems unphased by the extraordinary
success he has enjoyed in recent months.
Nor
does he see his life in terms of success and failure. I never
really thought about it in terms of moving up a ladder, but more
like a mountain, where you can take a whole lot of different paths.
Theres different ways to go,
and right now I feel very lucky because Im allowed to do different
types of movies than I could have gotten made in the past.
Hartnett concedes that things are going really well right now but
the success is a little weird.
That success to which he
is referring has to do with the larger-than-life Pearl Harbor, yet
he remains circumspect when discussing the higher level of celebrity
that goes with his new found success. It copes with itself
pretty well, Hartnett quietly explains. By design, I
was shooting a movie in Africa when Pearl Harbor came out, so we
went through the press junket and I took off straight to Morocco,
where I could walk down the street and I was just some white
guy. So I managed to miss a lot of the hype in the first month
and a half when the movie was out,
And
more recently, Hartnett has been at home in Minnesota putting
together a house so I havent been out all that much.
So Hartnett doesnt see all that much of the hype except
when Im back here and I guess thats ok, he says,
shrugging his soldiers.
Now Hartnett is back, briefly, to chat
about the long-awaited O, which has taken some 2 years
to finally get a release. A loose reworking of Shakespeares
Othello, Hartnett plays the contemporary version of Iago, now Hugo
Goulding, whose ferocious jealousy of basketball champ Odin James,
the only black student in an exclusive private school, leads him
to exact a well-plotted revenge.
In the original play, Iago remains one
of Shakespeares most chilling creations. Although the villain
of O as well, Hartnett says theres more an attempt
at humanising the character this time around. In this film,
Hugo has a bit more motivation has than Iago had in Othello.
In order to relate to him, I had to find good attributes,
and then reason out the rest of it. I think part of the fun of playing
this character, was that once you set the ball in motion, it kind
of perpetuated itself.
Things happen that are unexpected, which
even surprises HIM and you can see that. But at the same time, we
gave him a bit more motivation than I ago, in that hes got
a definite need for his fathers affection which he seems not
to have had his entire life; he was never the star that his father
wanted him to be.
Unlike the effects-laden
Pearl Harbor, Hartnett admits that this character was the one that
beat me down the most. Having to find jealousy and envy within
yourself, and then magnify it, was tough.
The good thing about him, was that he
was so emotional, passionate and very intelligent. With that intelligence
comes the ability to manipulate. So you find those things in you
and end up thinking about it for the whole two and a half months
we worked on it and its really hard to shake.
Asked if this was him most complicated
character, Hartnett says that he tries to make ALL of my characters
as complicated as my OWN life or as anybodys life surrounding
me. Weve all got so many things to think about at any given
moment, to oversimplify is to make it uninteresting, and I try to
make my characters interesting.
Hartnett, who turned 23 in July, arrived
in Hollywood in February 1997. But before Hollywood and after high
school, Hartnett went to New York to study acting and then to L.A.
to see if he could break into movies.
He made his feature film debut in Halloween
H2O and went on to small roles in The Faculty, Virgin Suicides and
Town and Country. Now with leads in Pearl Harbor, O
and the upcoming Black Hawk Down and 40 Days and 40 Nights, Hartnett
may be on a roll, but trying not to take the fame thing all that
seriously.
"It's been quite a trajectory.
I've been so lucky. I'm still not certain I comprehend completely
what has happened and I certainly have no real grasp of what COULD
happen." Josh is still a Minnesota guy at heart.
Filmography:
|
Released
|
Movie Name
|
DVD
|
VHS
|
1st wknd
|
Total Gross
|
|
3/1/2002
|
40 Days and 40 Nights
|
|
|
$12,229,529
|
$37,939,782
|
|
12/28/2001
|
Black Hawk Down
|
DVD
|
VHS
|
$28,611,736
|
$95,017,000
|
|
8/31/2001
|
O (Othello)
|
|
VHS
|
$5,655,658
|
$16,017,403
|
|
5/25/2001
|
Pearl Harbor
|
|
VHS
|
$59,078,912
|
$198,539,855
|
|
3/7/2001
|
Blow Dry
|
|
VHS
|
|
$637,769
|
|
4/27/2001
|
Town & Country
|
|
VHS
|
$3,029,858
|
$6,712,451
|
|
4/21/2000
|
Virgin Suicides, The
|
|
VHS
|
$144,028
|
$4,859,475
|
|
3/24/2000
|
Here on Earth
|
|
VHS
|
$4,510,705
|
$10,494,147
|
|
12/25/1998
|
Faculty, The
|
|
VHS
|
$11,633,495
|
$40,283,321
|
|
8/5/1998
|
Halloween: H2O
|
|
VHS
|
$16,187,724
|
$55,041,738
|
|
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