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Mel Gibson, We Were Soldiers Interview by
Paul Fischer in New York
Some 20 years after Paul Fischer first
interviewed Mel Gibson in Sydney for Gallipoli, the pair are back,
this time discussing another lost cause - Vietnam - the setting
for the grueling We Were Soldiers. Some argue that this is Gibson's
finest hour on the screen in over a decade. Paul Fischer reports
from New York.
Mel Gibson arrived fashionably late
for our interview. 22 years after we first met, Gibson has grown
older gracefully. "God we a couple of hairy-assed kids then,
weren't we? I don't think I could talk then." Far less shy
than he once was at the genesis of his career, Gibson still gets
terrified of he process of doing publicity but these days he has
a sense of humor. Once a heavy drinker, this father of 7 "doesn't
touch the stuff" and cheerfully admits, that at youthful 45,
"I've cut back the cigarettes to 3 a day", he admits while
coughing profusely.
The smoking aside, Gibson remains in
peak physical condition, a necessity given the physicality of his
latest role, that of a tough but compassionate career soldier who,
in 1965, believed in the new Vietnam conflict and let a battalion
into one of the most ferocious campaigns of recent military history.
Gibson prepared for the film partly by hanging out with the real
Hal Moore, "who really gave me every aspect of his experience
which came naturally as we hung out for long enough. We went and
visited every single grave of the boys that died and he would tell
me all of this stuff about all these guys, talking about each one
for a while before going on to the next one.
In addition Mel went to Boot Camp. "Boot
Camp was great and very interesting. You got to use live rounds
of ammunition and got to do a lot of crawling around with live rounds
flying around you, so you really had to learn to keep your ass down
- everything down for that matter."
Comparing We Were Soldiers to other
Vietnam War films, Mel sees his as "less cynical. There's no
drug-taking, baby-killing guys, but was true to the experiences
of those guys who were there."
From his two-decade old Gallipoli to We Were Soldiers,
it appears that Mel has come full circle. Both are war films, both
dealt with lost causes. Gibson admits that he is "drawn to
those kinds of stories. I find them compelling, the whole idea of
when your back's against the wall, where do you go and what have
you got? I mean flesh and blood isn't simply enough. It requires
more, as it certainly did for these guys, to persevere and to come
out of it or not come out of it. I just find those interesting."
Gibson did not necessarily draw anything
from himself to play Hal Moore, however the actor does admit that
he borrowed heavily from his dad. "They're the same kind of
guy, you know? He's a World War 2 vet and they have similar religious
beliefs." Gibson recalls asking his father how he prepared
for battle. "He had these particular prayers that you have
on your person that are supposed to protect you from being hit and
in fact guarantee victory. My dad carried the same prayer, and I
don't know a lot of people who did that." Both Moore and Mel's
dad had that same spirit, the actor explained. "I told him
what an idiot I felt walking around while everybody's crawling with
lead flying. He said: 'That's what you do, forget about all that
stuff, if your number's up it's up and you do what you have to do.
He had like a shield around him."
Some might say that there is an irony
to Gibson doing this film, as rumor had it, his family moved to
Australia in order to escape the draft. Gibson dismisses that entire
notion. "The fact is, it DID have the effect of postponing
a draft for about a year", he insists. "I would still
have been called up there, first by the United States, but if you
didn't go back, you'd get drafted in Australia and you'd fight for
THAT country as a permanent resident, so it bought you a year, but
fortunately, the whole thing was over and done with by the time
I was 16 years old."
Mel never went to the army, but instead
headed off to drama school in Sydney, shared a flat with one Geoffrey
Rush, and after a strong showing on stage, launched a film career
that has made him one of Australia's - and the world's - favorite
son. Gibson is busy as both actor and producer. He'll be seen in
front of the cameras in M. Night Shyamalan' s Signs and as producer
of the epic miniseries Alexander the Great, part of which he will
direct, and about which he is clearly passionate. "I studied
him at school and found him to be one of the most fascinating, tragic,
flawed, yet perfect in some ways, characters." Gibson is also
direct a feature but won't elaborate "because these things
get stolen too quickly because nobody has original ideas anymore".
And as for the much-rumored Mad Max 4, Mel has no idea if he wants
to reprise the character that turned him into a star. "Hey,
they have to come up with something to show me, I guess." Mel
DOES hope to return to Australia at some point to star in a film
in his adoptive homeland. "Why not? We have a production company
up and running there and we're going to get some stuff going."
For Mel Gibson, the opportunities are
endless, and unlike his younger days, he says he has "more
opportunities to map a career, because there's just a wider variety
of choices you can make."
Release Date August 2, 2002
Synopsis: The latest from writer-director M. Night Shyamalan
(Unbreakable, The Sixth Sense) is described as a supernatural
thriller that takes place in Shyamalan's native Pennsylvania. The
story is being kept top-secret, naturally, but Variety reports
that the film is set in Bucks County and revolves around the sudden
appearance of a 500-foot array of circles and lines found mysteriously
carved into the crops of a farm family.
Starring Mel Gibson, Joaquin Phoenix, Rory Culkin, Patricia
Kalember, Cherry Jones, Abigail Breslin
Directed by M. Night Shyamalan
Written by M. Night Shyamalan
Studio Walt Disney Pictures
Genre Thriller
Web Sites Official
Site
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Released
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Movie Name
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VHS
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DVD
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1st weekend
|
Total Gross
|
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3/1/2002
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We Were Soldiers
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Coming Soon
|
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2/2/2001
|
Million Dollar Hotel, The
|
|
|
|
$52,526
|
|
12/15/2000
|
What Women Want
|
|
|
$33,614,543
|
$182,805,123
|
|
6/28/2000
|
Patriot, The
|
|
|
$22,413,710
|
$113,330,342
|
|
6/21/2000
|
Chicken Run
|
|
|
$17,506,162
|
$106,793,915
|
|
2/5/1999
|
Payback
|
|
|
$21,221,526
|
$81,526,121
|
|
7/10/1998
|
Lethal Weapon 4
|
|
|
$34,048,124
|
$130,444,603
|
|
10/24/1997
|
Fairytale: A True Story
|
|
|
$3,515,323
|
$14,036,249
|
|
8/8/1997
|
Conspiracy Theory
|
|
|
$19,313,566
|
$76,118,990
|
|
5/9/1997
|
Father's Day
|
|
|
$8,776,159
|
$28,681,080
|
|
11/8/1996
|
Ransom
|
|
|
$34,216,088
|
$136,492,681
|
|
6/10/1995
|
Pocahontas
|
|
|
|
$141,579,773
|
|
5/26/1995
|
Casper
|
|
|
$22,091,975
|
$100,328,194
|
|
5/24/1995
|
Braveheart
|
|
|
$12,908,202
|
$75,545,647
|
|
5/20/1994
|
Maverick
|
|
|
$17,248,545
|
$101,631,272
|
|
12/16/1992
|
Forever Young
|
|
|
$5,609,875
|
$55,942,530
|
|
5/15/1992
|
Lethal Weapon 3
|
|
|
$33,243,086
|
$144,731,527
|
|
12/19/1990
|
Hamlet (1990)
|
|
|
|
$20,710,451
|
|
8/10/1990
|
Air America
|
|
|
$8,064,480
|
$30,506,847
|
|
5/18/1990
|
Bird on a Wire
|
|
|
$15,338,160
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$70,283,925
|
|
7/7/1989
|
Lethal Weapon 2
|
|
|
$20,388,800
|
$147,253,986
|
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12/1/1988
|
Tequila Sunrise
|
|
|
|
$39,703,427
|
|
3/6/1987
|
Lethal Weapon
|
|
|
|
$65,192,350
|
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1/1/1985
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Mad Max: Beyond Thunderdome
|
|
|
|
$36,200,000
|
|
12/19/1984
|
River, The
|
|
|
$30,027
|
$8,800,000
|
|
1/1/1981
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Mad Max 2: The Road Warrior
|
|
|
|
$23,700,000
|
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