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Sunday, June 16, 2002
 
 
Christian Slater, Windtalkers Interview by Paul Fischer in Los Angeles.

It’s apparent that Christian Slater has mellowed over the years. Long gone is the carousing brat once charged with beating up his girlfriend. Now a father of two, Slater is happily married to Ryan Haddon for the past two years. Preferring to act in ensembles rather than star in his own vehicles, the latest example of that is the World War 2 drama, Windtalkers, in which his character forges a bond with a Navajo Native American.

It was a friendly and gracious Christian, now 32, who spoke to PAUL FISCHER.

Paul Fischer: Windtalkers is your second outing with director John Woo. What’s the attraction?

Christian Slater: I think any time anybody gets an opportunity to work with John they should. I mean it’s just no matter what it is, he’s just such a great guy, and he takes such great care of the actors he works with, and very, very special, special man, you know, he’s very humble and you just feel safe and comfortable.

P.F: Why do you think war has become such a popular new, sort of rediscovered, genre in Hollywood now?

 

Slater I don’t know, I mean, it really is sort of amazing how it really has become a very large topic again. I mean, I think, you know, Stephen Spielberg with Saving Private Ryan, made such a wonderful movie there that probably inspired a lot of other filmmakers to kind of put their take on it and have an opportunity to kind of tell of their stories. I mean I know from John Woo you know he just became an American citizen a few years ago and he really wanted to make a very patriotic movie and sort of honor a particular culture that not a lot of people are aware of.

P.F: Did you attend a boot camp?

Slater Did I attend a boot camp? Yes.

(laughter)

P.F: Other cast members have said you were stripped butt naked in training.

Slater That’s right. You know, we all got there, you know, everybody left us, and it was really kind of scary, I mean the first couple days we weren’t really sure how seriously these drill sergeants were gonna be taking their jobs.

P.F: How seriously DID they take you?

Slater They yelled in our faces and humiliated us and degraded us. When we first got there they threw our duffel bags at us, and we did all kind of have to strip in a big circle.

P.F: What was your pet name?

Slater I think they called me big daddy.

(laughter)

P.F: Is that because you were a daddy in real life?

Slater That’s right, yeah.

P.F: Was that very recent?

Slater Well, I think when I made the movie my son was I don’t know, yeah, he was probably a year or something, maybe 8, 9 months, something like that, yeah.

P.F: And was it an 8-day session, a two-week session...

Slater It was a 7-day, 7-day session.

P.F: You play the harmonica in the film. Have you taken it up now?

Slater Uh, not that, no. I’ve done a lot of things, I mean this movie kind of opened my eyes to, certainly going through the boot camp experience, I mean I think opened my eyes to more physical stuff that I was capable of doing. Cause the things that they asked us to do really forced us to dig deep into our souls. It’s not like they lightened up on us. The beach marches we did and things like that just seemed to go on for miles and miles and miles, I mean there were guys dropping out, and gasping and wheezing for air, so...

P.F: Did pride pull you through?

Slater Well, I don’t know, I mean something in you says no I cannot drop, I cannot drop, you know, there’s always some, inner voice that just keeps you trudging along. And since then, you know, I did the LA Marathon here, and that was the first time I’d ever done that.

P.F: And you did that because of what you had learned through that whole boot camp experience?

 

Slater Probably had something to do with it, I mean that kind of introduced me to a new level of physicality that I wasn’t aware of, so that was a unique challenge, and the little voice I had in my head there was you know if Oprah can do it I can do it.

(laughter)

P.F: Were you a fan of World War II movies, like Audie Murphy, John Wayne.

Slater I’ve always been a fan of these kinds of movies. I know, and John has too, John Woo, he talks about John Ford and how this movie and the Monument Valley is sort of a tribute to those movies and All Quiet on the Western Front is one of his favorite movies.

P.F: What’s yours?

Slater One of mine was The Big Red One. Yeah, that was a great movie. Lee Marvin,

P.F: What is it about the material that fascinated you about Windtalkers?

Slater Well, the story, of course, and getting the opportunity to be a part of a story that was shedding light on a particular culture and a chapter in history that I didn’t know anything about, so as I turned the pages it was really a history lesson for me. And I had no idea the influence the Navajo Indians had in helping us to win the war and turn the tides. And of course, working with John Woo, working with Nic Cage, was another huge element that really inspired me, and just playing this character. I mean I liked the idea of sort of being the opposite side of the coin to Nic’s character, who was certainly a lot darker and a lot more war-weary, and this guy still had his heart, he was still, you know, connected to himself and was still willing to develop a friendship and a relationship with a guy he had to protect.

P.F: Christian, you’ve done some pretty darkish films in your career. Does being a dad sort of change the way you look at material now?

Slater I think so, yeah, sure, it plays a part. A majority of the material that I come across today is you know A Bug’s Life, Mary Poppins and Chitty Chitty Bang Bang; these are all the things that are sort of in my visual space right now, so I do tend to be more attracted to a little bit more of a lighter fare.

P.F: I can’t imagine you’d want to show your son something like Very Bad Things, right?

Slater Yeah, I don’t think that would be the first on my list today. I mean, I enjoyed that experience at the time, and I love playing colorful characters. Really the last few years what I’ve really been doing is concentrating more on building a life and having a life and you know just getting to be part of an ensemble and work with actors that I have a great deal of respect for. I just tell fun stories and sort of be an actor amongst actors, and not have to carry the weight of an entire project.

P.F: Not deal with all the sort of Hollywood stuff and...

Slater Sure, sure, and just, you know, I mean, I think I feel like I’m kind of ready to take on more, as I grow and evolve as a human being, but I’ve really been enjoying the things that I have been doing.

P.F: Are there any personal projects on the back burner that you’d really like to get off the ground one day?

Slater I guess I’ve gotten into developing some things for myself that I’m kind of working on, and I’m in the middle of writing this thing right now.

P.F: A screenplay?

Slater Screenplay, yeah, I’ve never done anything like that before, and I actually made it the whole way through...and you know, it’s like the marathon, it’s a huge accomplishment.

P.F: Very lonely, too, I understand.

 

Slater Yeah, , but I also have kids running in you know and pulling on me and doing all that stuff, so it’s kind of great just having the people that I have in my life, because they really do help me to finish things. They really do kind of inspire me to want to see projects all the way through.

P.F: What kind of a screenplay or something...

Slater Well, it’s kind of like a detective sort of very film noirish Bogart Sinatra-esque type....

P.F: Christian, is Windtalkers the toughest film you’ve ever done?

Slater There were certainly many physical challenges, yeah, absolutely, absolutely. It was very powerful. I don’t know if it was the toughest. It was a lot of fun, you know, cause it was a great group of guys.

P.F: Have you done anything else since, have you shot anything else?

Slater I shot another film called the Mind Hunters, that Reny Harland directed and it’s sort of an FBI psychological profile and it was a lot of fun to do.

P.F: Christian, you seem like a family man now, and you’re choosing your projects, do you consider this the happiest point in your life?

Slater Yeah, yeah, yeah, I definitely would say this is probably the happiest point in my life.

P.F: How is it different from today than it was ten years ago for you in your personal life?

Slater Well a lot has changed, a lot has happened, many things, a lot of lessons, and this has just been an exciting road to travel on. I’ve just had a great time, have been very fulfilled and very happy with the opportunities to work on these kinds of projects and work with great people. I’m like a fan, you know, I mean I’m like a movie fan, in that I love movies and I love to be a part of ‘em, and the whole ride, it’s just very exciting.

P.F: The movies were your calling?

Slater I think they were. I mean now more of my life calling would be the father to my kids, this maybe takes a back seat to that. Father to my kids, husband to my wife, be an actor, somewhere in there.

P.F: Finally, if you were gonna put your life to music, what would the song be?

Slater That’s Life.

 

Filmography

Who Is Cletis Tout? (2002)

Release Date July 26, 2002
Synopsis: While in prison, Trevor Finch (Christian Slater), an ex-convict specializing in identification falsification, meets a magician and jewel thief, Micah (Richard Dreyfuss). Together, they bust out and take on new identities, planning to dig up a pile of diamonds that Micah buried under a tree. Unfortunately, their plans are foiled when Finch chooses to use the name Cletis Tout. Cletis Tout was journalist who sold unflattering pictures to scandal sheets, and the mob is after Tout--now Finch, thinking he's the real Tout--because he gave the press incriminating pictures of a gangster murdering a prostitute. To make matters worse, Micah contacts his headstrong daughter Tess (Portia De Rossi), to help them find the diamonds. After Micah is knocked off by the mob, Finch and Tess embark on a journey to find the diamonds themselves, only to discover a low security prison surrounds the spot where the diamonds are buried. Putting a unique narrative spin on the film, WHO IS CLETIS TOUT? is told entirely in flashback as Critical Jim (Tim Allen), a hit man hired by the mob to kill Tout, holds Finch at gunpoint forcing him to describe his journey.
Starring Christian Slater, Tim Allen, Richard Dreyfuss, Portia de Rossi, RuPaul
Directed by Chris Ver Weil
Written by Chris Ver Weil
Genre Comedy, Crime

 

Run For The Money (2002)

Release Date Feb 2002 USA Cable
Infamous master thief Thomas Taylor (Christian Slater) is back on the streets - and back to a life of crime. After being let out on parole, Taylor reunites with his girlfriend Paige (Sara Downing) and his daughter Megan and lands a legit job as a paramedic. But it's not long before Taylor figures out a way to use his new profession to heist $2 million from an off-track betting parlor. Taylor and his six-man crew, which includes his paramedic partner Eddie (Balthazar Getty) and a beautiful female thief named Virginia (Daryl Hannah), are all set to split the loot when they discover their perfect crime isn't so perfect after all: the stolen bills are marked. Now the money will need to be laundered, but with feelings of suspicion and paranoia developing between them and a corrupt FBI agent (Val Kilmer) hot on their trail, time and trust are not on their side. A series of twists and double-crosses soon puts everyone's lives in danger - including Megan's. Will Taylor be able to protect his daughter and still end up with a share of the cash? IN GOD WE TRUST is renamed to HARD CASH and since than  renamed to RUN FOR THE MONEY and was set to be aired on the USA Cable Network
Starring Val Kilmer, Christian Slater, Verne Troyer, Bokeem Woodbine, Daryl Hannah, Balthazar Getty
Directed by Predrag Antonijevic
Written by Willie Dreyfus
Studio Emmett/Furla Films
Genre Action, Thriller
Filming Location(s) Bulgaria

DVD Release Date: June 18, 2002 DVD as Hard Cash

Released

Title

VHS

DVD

US Gross

Worldwide

6/14/2002

Windtalkers

VHS

DVD

Coming Soon

 

2/23/2001

3,000 Miles to Graceland

VHS

DVD

$15,738,632

$15,738,632

9/28/2001

Zoolander

VHS

DVD

$45,162,741

$45,162,741

10/13/2000

Contender, The

VHS

DVD

$17,804,273

$17,804,273

11/25/1998

Very Bad Things

VHS

DVD

$9,949,470

$9,949,470

1/16/1998

Hard Rain

VHS

DVD

$19,870,567

$19,870,567

9/5/1997

Julian Po

VHS

DVD

$33,148

$33,148

5/2/1997

Austin Powers

VHS

DVD

$53,883,989

$53,883,989

2/9/1996

Broken Arrow

VHS

DVD

$70,645,997

$70,645,997

1/26/1996

Bed of Roses

VHS

DVD

$18,972,237

$18,972,237

1/20/1995

Murder in the First

VHS

DVD

$16,775,733

$16,775,733

11/11/1994

Interview with the Vampire

VHS

DVD

$105,264,608

$105,264,608

3/30/1994

Jimmy Hollywood

VHS

DVD

$3,670,865

$3,670,865

8/1/1990

Young Guns II

VHS

DVD

$44,143,410

$44,143,410

Gleaming the Cube VHS
Heathers DVD
Heathers VHS
Pump up the Volume DVD
Robin Hood - Prince of Thieves VHS
Robin Hood: Prince of Thieves DVD
The Legend of Billie Jean VHS
The Name of the Rose VHS
True Romance DVD
True Romance VHS
Tucker--The Man and His Dream VHS
Untamed Heart DVD
Untamed Heart VHS
 

Birth name: Christian Michael Leonard Hawkins
Date of birth (location): 18 August 1969,
New York, New York, USA

Christian Slater (Pete "Ox" Henderson) has starred on and off Broadway, appeared in more than 20 feature films, and has recently become a producer and director.

Slater made his screen debut in 1985 with The Legend of Billie Jean. He went on to appear in In the Name of the Rose, Francis Ford Coppola's Tucker: The Man and his Dream, Heathers, Young Guns II, Pump Up the Volume, Robin Hood: Prince of Thieves, Untamed Heart, Tony Scott's True Romance (written by Quentin Tarantino), and Interview with a Vampire.

Other feature film credits for Slater include The Contender, 3000 Miles to Graceland, Murder in the First, Bed of Roses, and John Woo's Broken Arrow. He starred in and served as executive producer on Peter Berg's dark comedy Very Bad Things.

Born and raised in New York, Slater attended the prestigious Dalton School and the Professional Children's School. He made his stage debut at the age of 9 in Broadway's The Music Man with Dick Van Dyke. Recently, Slater garnered critical acclaim for his starring role in the Broadway production of Side Man.

In 1991 Slater directed The Laughter Epidemic, a children's musical benefiting The Pediatric AIDS Foundation.


Release Date: June 14, 2002
Synopsis: During WWII, the Navajo language was used for decoding top secret messages because it was a code that the Japanese did not have the resources (like Navajo speakers) to break. This movie plays upon the scenario that they might've tried to do something about that by kidnapping Navajo soldiers, such as Carl Yahzee (Beach). The military was aware of the danger to the Navajo soliders, so they assigned a Marine (Cage) to each as bodyguard, with the orders that if capture appears imminent, the Marine should kill the Navajo soldier as well. This movie is about two such soldiers who find themselves in danger; and at odds because they've also become friends...
Starring Nicolas Cage, Adam Beach, Christian Slater, Frances O'Connor, Peter Stormare, Noah Emmerich
Directed by John Woo
Written by Joe Batteer, John Rice
Studio MGM/UA
Genre: War, Historical
MPAA Rating: R - for pervasive graphic war violence, and for language
Running Time: 134 minutes
Filming Location(s): Hawaii, August 28th, 2000
Web Sites: Official site

Soundtrack

Listen to Samples
1. Navajo Dawn
2. A New Assignment
3. An Act of Heroism
4. Taking the Beachhead
5. ''First Blood'' Ceremony
6. The Night Before
7. Marine Assault
8. Losses Mounting
9. Friends In War
10. A Sacrifice Never Forgotten
11. Calling to the Wind

Books :

Windtalkers -- Max Allan Collins; Mass Market Paperback
Windtalkers: The Making of the John Woo Film about the Navajo Code Talkers of World War II (Newmarket Pictorial Movebooks) -- Antonia Felix (Editor), et al; Hardcover
Windtalkers: The Making of the John Woo Film about the Navajo Code Talkers of World War II (Newmarket Pictorial Movebooks) -- Antonia Felix (Editor); Paperback


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