Hershey's Return Trip Down Under Reaps Rewards

Barbara Hershey, Lantana Interview by Paul Fischer in Los Angeles.

US critics are raving about the new Australian mystery thriller Lantana about sex, death, love and deceit what boasts some of worlds finest talent, the new film by Ray Lawrence and his first since 1985's Bliss.

With the film to go wider next month, Paul Fischer talked to Barbara Hershey whose vivid portrayal of an isolated character has been getting a lot of attention.

Barbara Hershey looks a radiant 52. She smiles when I remark how little she has changed since the first time we met on my first trip to Los Angeles 20 years ago. Back then we were discussing Richard Rush's satiric take on Hollywood, The Stuntman, while time, another smallish film getting a lot of attention by critics, Lantana, a mystery thriller with a personal slant.

Lantana is Hershey's second Australian film, following her work in the Percy Grainger biopic, Passion. It seems that her most interesting work of late has been down under. "I just think Australia tends to make very good movies, so If someone hands me an Australian or an American film script I would guess the Australian film would be more intriguing." Intriguing, Hershey insists, "Because the mentality of the filmmaking in Australia is really superior." Lantana is a complex psychological thriller dealing with the intertwining livers of a group of isolated characters.

Hershey plays Valerie, a troubled therapist and author, whose marriage to is on the rocks when she refuses to get past the murder of her young daughter. While director Ray Lawrence talked with actor Anthony LaPaglia about the 'kind of a less is more philosophy in filmmaking,' Hershey says that she didn't engage in such discussions with the Australian director. "I'm not that kind of analytical actor, though I knew that was the way he was shooting, and that he wanted a reality.  That was just honey to my ears because I'm really strong there, that's always what I want."

 Hershey's character is one whose relentless sense of mourning results in an entrenched form of isolation.  In order to bring to the surface the kind of reality to which she refers, Hershey is "under the belief that if you are willing, and we look deep enough and hard enough inside ourselves, we can find ANYBODY and that is an inquiry inside myself, really," she explains.

In further analyzing this character, Hershey does not see Valerie, necessarily, as being any more confronting to play than any other character, but says that what made Valerie a particular challenge was "getting to the place really of: What would it be like to lose a daughter and to me, losing a child is the worse thing that can happen to anybody on earth, especially one that was horribly murdered.

That is where she is at the beginning of the film and what she is struggling with in the whole film.  So what was really a challenge was to start at that place and to then to cover it with all of this professional therapist and author façade of the character."

Hershey has played troubled characters before in a career spanning close to forty years. She made her debut as a teenager in the forgettable Doris Day comedy With Six you Get Eggroll, and segued into playing often sultry, sexy characters in the likes of The Babymaker and Martin Scorsese's Boxcar Bertha. 1980's

The Stuntman made critics take notice of the beautiful actress, and that notice was further cemented by her work in such films as The Right Stuff, The Natural, and Woody Allen's Oscar winning Hannah and Her Sisters. More recently, the work has lessened, though she delivered meticulous performances in Jane Campion's Portrait of a Lady, A Soldier's Daughter Never Cries and Passion.

Hershey spends most of her time living in Connecticut, and despite her remarkable life and career, is philosophical when talking about the past. "I look back on my life like everybody does but not just career.  I mean I look back on my life as a whole, so I don't think that I dwell there or anything and in terms of work I hope that there is a lot is in front of me."

Hershey says that she is more relaxed about acting these days, taking herself less seriously than she once did. And has more fun with it.  "I always cared a lot about it and it was always a real NEED for me, rather than just some ambition, but rather an essential need to express myself in this medium.  So I was always passionate about it and felt that it was sort of the golden thread inside me in terms of what I was supposed to do in terms of work but I think I have relaxed a lot in terms of the actual experience and actually enjoy it more and enjoy the people more."

Though 52, Hershey remains unafraid of the ageing process and how that affects her career, but does feel that Hollywood "is behind the times in terms of age, because what I feel and how it is projected are so different.  I am not afraid of aging, but more afraid of people's reactions to my aging."

Lantana At a glance ...

Barbara Hershey joins some of Australia's most respected actors for this local psychological thriller, also notable as the long-awaited new outing for Ray Lawrence, director of landmark Australian film Bliss. Lantana pivots on a woman's disappearance, a circumstance that lures four marriages into a tangled web of sex, death, love and deceit. Anthony LaPaglia (The Bank) plays a detective whose investigations draw him into this dark labyrinth of human relations and emotions..

Filmography

Breakfast of Champions 1999
Frogs for Snakes 1999
A Soldier's Daughter Never Cries 1998
The Portrait of a Lady 1996
Last of the Dogmen 1995
Splitting Heirs 1993
Swing Kids 1993
A Dangerous Woman 1993
Falling Down 1993
The Public Eye 1992
Defenseless 1991
Tune in Tomorrow 1990
A World Apart 1988
Shy People 1988
Beaches 1988
The Last Temptation of Christ 1988
Tin Men 1987
Hannah and Her Sisters 1986
Hoosiers 1986
The Natural 1984
The Right Stuff 1983
The Entity 1982
Take This Job and Shove It 1981
Americana 1981
The Stunt Man 1980
Dirty Knight's Work 1976
The Last Hard Men 1976
Diamonds 1975
The Crazy World of Julius Vrooder 1974
Boxcar Bertha 1972
The Pursuit of Happiness 1971
Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues 1971
With Six You Get Eggroll 1968
Heaven With a Gun  1969