Lapaglia
Returns To His Acting Roots In Lantana
Anthony LaPaglia, Lantana Interview by Paul Fischer in
Los Angeles
After 20 years of appearing in some of Hollywood's most interesting
projects, including TV stints in Murder One and Frasier - Aussie-born
Anthony LaPaglia had to return to his native Australia to re-discover
his love of acting. The film is Lantana, the first Australian film to
close Toronto this year and set for a US release in time for Oscar season.
Paul Fischer caught up with LaPaglia in a Los Angeles hotel room.
There was a time when Australian-born Anthony
LaPaglia shied away from publicizing his work. He was uncomfortable dealing
with the spotlight, and mostly, he confesses, was not necessarily worth
promoting. These days, the 42-year old star of over 50 film and TV ventures,
is prouder than he has been in years. The reason? A little known Aussie
thriller called Lantana, a multi-layered gem of a film that explores many
facets of betrayal and love.
The first film to be directed by Ray Lawrence
since Bliss, LaPaglia says that the venerable Australian director enabled
him to go places where he hasn't delved in years. He was reminded why
he was an actor. "What Ray required was absolute truth and honesty",
he slowly explains. "I think what happens to a lot of actors as time
goes by is that less and less is required of you and as you get more status
as an actor, fewer people are apt to challenge you and your choices.
So I think you gain success based on a certain
bag of tricks. A certain persona or performance will get you attention
and will make you a viable entity as an actor. Then if you're not careful,
you can rely on that bag of tricks and so you stop exploring as an actor,
something you see time and time again." LaPaglia adds that the more
he has worked over the years, "the less I've had directors willing
to challenge me." That is, until he met Ray Lawrence. "Suddenly
I've got a guy saying to me: Do less. All I ever hear is do more. Suddenly
I've got a guy who wants me to do less acting and tell more truth. Slowly,
as we're doing it, he's stripping away more and more".
It is LaPaglia who is at the center of Lantana's
complex narrative through his police officer Leon Zat a man desperately
afraid of his own mortality, married with two sons, who seeks something
new in an affair with the desperately lonely Jane (Rachael Blake). Leon's
wife Sonja (Kerry Armstrong) feels the dissatisfaction in Leon, and seeks
assurance through a therapist, Valerie (Barbara Hershey), who is struggling
with her own problems, such as the murder of her child and her marriage
to the dour law professor John (Geoffrey Rush).
From here we delve deeper into the web of
characters that includes Jane's neighbors Nik (Vince Colosimo) and Paula
(Daniela Farinacci), her estranged husband Pete (Glenn Robbins), another
of Valerie's patients Patrick (Peter Phelps) and Leon's police partner
Claudia (Leah Purcell). This slew of characters, each with their own stories
to tell comes into sharper (and more successful) focus once one of them
disappears, and Leon and Claudia become involved in the subsequent investigation.
Though in genre terms, Lantana is a psychological
thriller, it is a far more textured and complex work than first appears
as its narrative unfolds. LaPaglia is the centerpiece of the film, and
in this often mirrored look at society's fragmentation, LaPaglia had to
dig deep to find this truth about which he speaks. "It was all about
trust; I had to completely trust Ray and he's a big part of it, as well
the material. I get to know Ray over a two-week rehearsal period and I
realize he's a smart, sensitive and thoughtful guy, who really has the
same ideas as I have about making a film, which is to convey the absolute
truth of a situation".
There is a certain irony that for a man who
has spent most of his professional career in the US, that he is doing
his best work these days back in Australia. "That irony has not been
lost on me", the actor says smilingly.
Perhaps because he became like those complacent
actors to which he referred earlier, a little bit lazy often working on
mainstream projects in order to fuel his love of theatre or the odd, small
Indie film. "I don't think it was a conscious thing, but a gradual
thing, that if you work in a particular system long enough, you can be
seduced by it and you can allow yourself to become more cynical about
it, all of which have happened to me in the 17 years that I've been here."
It's more ironic than Anthony, who was born
in Adelaide, came to the US to build a career, "and how ironic that
the best part of my career is happening there." Married to Aussie
actress Gia Carides, the couple spends equal time in Los Angeles, New
York and Sydney, but LaPaglia is unwilling to move permanently back to
Australia, even after recent events that shook this country. "I certainly
think about it and after what happened in New York, I think Gia thinks
about it more so. I personally don't feel that way. I feel that was a
good enough place for me to be for a good chunk of my life and suddenly
things go bad I don't think it's good for me to run away.
LaPaglia is content to return to Australia
to work. Apart from Lantana, he is also the villain of the local hit The
Bank, which was also screened in Toronto, "and is an entirely different
kind of film, and was a lot of fun to do." Meanwhile, Anthony will
be returning to Broadway next year for another Arthur Miller revival,
After the Fall, following his Tony-award winning performance in A View
from the Bridge, which the actor is about to bring to the screen. Once
a cynic, perhaps, Aussie Anthony has rediscovered why he is an actor.
After being dumped by the "perfect man," Lucy goes on a series
of blind dates looking for her soul mate.
Release Date: TBA 2002
Starring Monica Potter, Gael Garcia Bernal, David Boreanaz, John
Hannah, Anthony LaPaglia, Henry Thomas, Harold Ramis, Julie Christie
Directed by Jon Sherman
Written by Eric Pomerance
Genre: Romance, Comedy
Jack (Nestor Carbonell) is a womanizer, more colloquially a "dog,"
who attempts to change his ways by strengthening his relationship with
his son.
Release Date: TBA 2002
Starring Nestor Carbonell, Peter Coyote, Travis Fine, Thomas Gibson,
Anthony LaPaglia
Directed by Bobby Roth
Written by Bobby Roth
Genre: Drama
In a film that follows five married couples through their ups and downs,
Geoffrey Rush plays a lawyer who fights to save his relationship with
his wife after their child dies.
Release Date: December 14, 2001 (LA/NY); expands to other cities
at later dates
Starring Anthony LaPaglia, Geoffrey Rush, Barbara Hershey, Kerry
Armstrong, Rachael Blake, Vince Colosimo
Directed by Ray Lawrence
Written by Andrew Bovell
Studio Lions Gate Films
Genre: Drama, Romance
- Autumn in New York (2000)
- Company Man (2000)
- The House of Mirth (2000)
- Sweet and Lowdown (1999)
- Phoenix (1998)
- Commandments (1997)
- The Garden of Redemption (1997
- Brilliant Lies (1996)
- Trees Lounge (1996)
- Bulletproof Heart (1995)
- Chameleon (1995)
- Empire Records (1995)
- Mixed Nuts (1994)
- Paperback Romance (1994)
- Past Tense (1994)
- The Client (1994)
- The Custodian (1994)
- So I Married an Axe Murderer (1993)
- Innocent Blood (1992)
- Whispers in the Dark (1992)
- 29th Street (1991)
- He Said, She Said (1991)
- One Good Cop (1991)
- Betsy's Wedding (1990)
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