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The Cranes are Flying (1957)
Criterion Collection
A
film that marked a radical lightness for Soviet cinema; the romantic,
lyrical story of a beautiful young girl (Tatiana Samoilova) caught
up in the horrors of war. After her fiance (Alexei Batalov) goes
off to war, she is raped by his cousin and, fearing that she is
ruined for any other man, she marries the man who raped her.
She is evacuated to Siberia, and refuses to believe the news of
her true love's death. Mikhail Kolotozov won the Golden Palm at
Cannes International Film Festival with Tatiana Samoilova winning
Special Mention.
USSR, 1957, B&W, 94 minutes Russian dialogue, English
subtitles.
Original title: Letyat Zhuravli
music by M. Vainberg
Director: Mikhail Kalatozov
Starring: Tatiana Samoilova, Alexei Batalov, Vasili Merkuriev
Review ( by Gary
W. Tooze) The Russian Cinema Council have meticulously
produced a series of Russian classic films. "The Cranes
are Flying" is yet another in their ever growing list.
The Cranes Are Flying essentially
tells the story of Veronica (Tatiana Samoilova), who is parted from
new lover Boris (Alexei Batalov) in Moscow when he joins the army
to fight the invading Germans in 1941. Because of his absence and
lack of communication, coupled with the death of her parents in
an air-raid and the aggressive seduction by Boris's cousin, draft
dodging Mark, Veronica is left confused and needy. After much heartache and disappointment she still clings
to the hopeless idea that Boris has survived his stint in the front
lines and will return to her. We, the audience, are also left unsure
and her belief leaves us as stalwart as she.
Winning the 1958 Palme Dor The
Cranes Are Flying is a modernist film by Mikheil Kalatozishvili
who came out of the great Soviet silent film era of the 1920s, a
disciple of Dziga Vertov ( The Man With a Movie Camera, Three Songs
of Lenin etc. ). In this film he shows brilliant and innovative
techniques using unique camera angles, dream sequences and inventive
fluid montages. He never overdoes each technique allowing the
viewer to become complacent. This film is years ahead of its
time with hand-held shots interspersed with high obtuse angles from
above and a pace that keeps you on edge with a suspenseful feel
of the catastrophes of war looming on the horizon.
The storyline is not new at all
star crossed lovers and their tragic relationship that can never
evolve to the next passionate
level because of absence due to the onset of war. Nothing is exaggerated, cloying or melodramatic in
the film and overall it reminded me very much of the birth of French
New Wave cinema. The overall examination can only determine it to be a
masterpiece regardless of its age, country of origin or any other
mitigating factors. For film buffs this is a must own DVD
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