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Warner Bros.' "Harry Potter and the Sorcerer's
Stone" easily maintained the top spot at the boxoffice and entranced
audiences during the Thanksgiving holiday as the fantasy-adventure kept
competitors at bay by conjuring an estimated $58.55 million during the
three-day weekend -- and $83.5 million on the five-day frame -- to bring
its 10-day cume to a stunning $188.1 million.
"Potter" shot past the $150 million
mark Friday in a record eight days -- two days faster than Fox's "Star
Wars: Episode I -- The Phantom Menace." The Chris Columbus-directed
picture tied "Menace" for the speed record to the $100 million
mark by doing so in five days and should cross the $200 million mark by
late this week.
Buena Vista's "Monsters, Inc." took
the second spot as it added 188 theaters and brought in an estimated $24.5
million on the three days, up 8% from the previous weekend. The CG-animated
film from Pixar has collected an estimated $192.8 million to date and
should vault past the $200 million mark during the coming weekend.
The family audience was out in force during
the Thanksgiving holiday as the top two films, both aimed at that coveted
demographic, generated 57% of the aggregate for the top 12 titles. The
estimated cume for the top 12 films is $145.5 million, down 13% from the
comparable 2000 frame. The Hollywood Reporter projects the total for all
films during the weekend in the low- to mid-$150 million range, the third-best
three-day Thanksgiving weekend gross behind last year's record $176.7
million and 1999's $160 million.
Three wide releases debuted in theaters Wednesday,
one more than last year, and the trio met with varying degrees of success.
In a bold counter programming move, Universal
released the R-rated "Spy Game" starring Robert Redford and
Brad Pitt into the traditionally domain of family films. The Tony Scott-helmed
"Game," produced by Beacon Communications, rolled into the third
spot, taking in an estimated $21.6 million on the three days and $30.5
million since its opening.
"It was a big decision to have an adult,
intellectual film released during this time of the year, which is traditionally
reserved for family fare, and we were successful," Universal president
of distribution Nikki Rocco said. "We wanted to counter program the
fabulous family films that were in the market and give adults a choice.
The combination of Redford and Pitt caught the attention of adults and
drew them to theaters."
Buena Vista's "Unbreakable" debuted
in the second spot during last year's Thanksgiving frame, earning $30.3
million on the three days and $46 million on the five days, but was rated
PG-13 and was seen largely as a follow-up to 1999's "The Sixth Sense."
Both films were helmed by M. Night Shyamalan and star Bruce Willis.
Fox entered the holiday weekend with a period-piece
comedy starring Martin Lawrence. "Black Knight" opened in the
fourth slot with an estimated $11.7 million from 2,571 theaters. Set in
14th century England, the time-travel tale from New Regency Pictures has
lanced an estimated $16.1 million since its Wednesday release.
Buena Vista's "Out Cold" debuted
on the bunny slopes at the boxoffice as the broad comedy set in the world
of snowboarding arrived in the sixth slot with an estimated $4.7 million.
The ensemble feature from Spyglass Entertainment grossed about $6.9 million
on the five days.
As it dominated the weekend boxoffice, "Potter"
chalked up the biggest first seven days of all time with $129.5 million,
besting the $124.7 million accumulated by "Menace." "Potter"
also beat Buena Vista's 1999 release "Toy Story 2" to amass
the biggest three-day and five-day totals during the Thanksgiving holiday,
which stood at $57.3 million and $80.1 million, respectively.
The continued boxoffice strength of "Potter"
had Warners executives in good spirits. "It's great, just great,"
said Dan Fellman, president of domestic distribution. "And exhibitors
I have spoken with told me they are already beginning to see repeat business
on the film. I expect the Harry Potter phenomenon to continue through
the Christmas and New Year's holidays."
Fellman noted that Columbus recently finished
his first week of shooting on the second "Potter" feature, scheduled
for release next Thanksgiving.
Regarding the estimated $20.2 million gross
to date for Warners' "Heist," helmed by David Mamet, Fellman
noted that it is Mamet's highest-grossing film, doubling the $10.2 million
brought in by 1998's "The Spanish Prisoner."
In the limited-release arena, Miramax's "In
the Bedroom" opened in four theaters Friday in New York and Los Angeles
and grossed an estimated $95,000. The drama starring Sissy Spacek, Marisa
Tomei and Tom Wilkinson averaged a stellar $23,750 per theater. The film
expands to the top 20 markets Christmas Day.
Paramount Classics' "Sidewalks of New
York" played in 99 locations and took in an estimated $565,000. The
romantic comedy, which was helmed by and stars Edward Burns along with
Heather Graham, Stanley Tucci and Rosario Dawson, averaged a promising
$5,707 per theater and has grossed about $713,000 after five days.
Sony Pictures Classics' "The Devil's
Backbone" grossed an estimated $37,377 from four venues in New York.
The Spanish-language supernatural thriller, directed and written by Guillermo
del Toro, averaged a strong $9,344 per theater and has taken in about
$48,645 since Wednesday.
The sophomore frame of Artisan's "Novocaine"
brought in an estimated $365,000 from 120 locales, averaging $3,042 per
theater and upping its cume to about $970,000 after 10 days. The dark
comedy stars Steve Martin, Helena Bonham Carter and Laura Dern.
Fox's "Moulin Rouge" was reissued
in 45 locations and brought in an estimated $61,538, averaging a weak
$1,368 per theater. The gross to date for the Nicole Kidman starrer is
$56.8 million.
The top-grossing titles during the 2000 Thanksgiving
frame were Universal's "Dr. Seuss' How the Grinch Stole Christmas"
with $52.1 million and "Unbreakable."
During the week ending Nov. 22, national boxoffice
rose a scant 1% from the comparable seven-day period a year ago ($254.1
million vs. $251.3 million), while the year-to-date total maintained a
10% advantage ($7.21 billion vs. $6.53 billion), reaching the $7 billion
mark five weeks earlier than any other year in boxoffice history. Year-to-date
admissions are running 6% ahead of last year's pace.
- (1) Harry Potter and the Sorcerer's Stone $83.5 million
- (2) Monsters, Inc. $33.1 million
- (+) Spy Game $30.5 million
- (+) Black Knight $16.1 million
- (3) Shallow Hal $12.5 million
- (+) Out Cold $ 6.9 million
- (4) Domestic Disturbance $ 5.5 million
- (5) Heist $ 4.3
million
- (6) The One $ 3.0 million
- (9) Life as a House $ 2.8 million
JK Rowling is on course to become the
first billionaire writer, helped by the success of the film of Harry Potter
and the Philosopher's Stone which has hung on to the top spot at the US
box office and taken an estimated $188m after just 10 days on release
in North America.
The British author, who has sold 124m books
worldwide, is now earning more royalties through merchandise than book
sales. Harry Potter toys are expected to dominate the Christmas market,
and demand for a Lego version of Hogwarts Castle is so high that many
shops have already sold out.
The film last week broke box-office records
in the UK and the US and has now surpassed Toy Story 2's 1999 record to
become the biggest grossing film over the American Thanksgiving holiday,
Reuters reports.
In the US, the animated film Monsters Inc
held on to second place, while new entries Spy Game, starring Robert Redford
and Brad Pitt, and time-travel adventure Black Knight debuted in third
and fourth place respectively.
New Line Cinema has purchased the comedy spec
"Good Cook, Likes Music" from first-time writer Coleen Ventimilia,
with Adam Sandler and Zhang Ziyi attached to star and Sandler
to produce through his Happy Madison Prods.
"Cook" came together in a snap as
all parties who were the first to see Ventimilia's debut spec immediately
jumped on board. The project centers on a slacker and lovable loser (Sandler)
who lives with his mother in a trailer park. One drunken night, he sends
away for a mail-order bride (Zhang), who ends up being a musical prodigy,
and together, they change each other's lives.
New Line's Richard Brenner is credited with
bringing the project into the studio, while Happy Madison's Tom McNulty
brought the project to his company. New Line has a deal with Sandler to
create, produce and star in two films, but this project does not necessarily
fall under that deal, sources said. Sandler and Jack Giarraputo's Happy
Madison Prods. also has a deal with Revolution Studios.
Sandler, repped by Endeavor and Brillstein-Grey,
has three projects set for release next year: Columbia Pictures/New Line's
"Deeds," produced by Happy Madison, Columbia's animated "Adam
Sandler's 8 Crazy Nights" for holiday release and "The Untitled
Paul Thomas Anderson Project" for New Line/Revolution.
Zhang catapulted to stardom in the United
States following her starring turn in Ang Lee's "Crouching Tiger,
Hidden Dragon." She most recently starred onscreen in Brett Ratner's
"Rush Hour 2." Zhang is repped by WMA. Ventimilia is repped
by ICM.
Screenwriting duo Mark Fauser and Brent
Briscoe have been tapped to do a rewrite on the comedy project "Cross
Dressing" for Universal Pictures and Tom Shadyac's Universal-based
Shady Acres Entertainment.
The story
centers on the twin brother of a recently deceased priest who takes the
identity of his brother in order to escape charges that he stole an idea
from a fellow advertising executive at his company.
The project is based on Bill Fitzhugh's comic
novel "Cross
Dressing," which Fitzhugh adapted for the screen along with
Matthew Scott Hansen. His version, "Alter Ego," was then adapted
by writer Gary Tieche.
Fauser and Briscoe, who have been friends
since college, wrote and have small roles in the upcoming "Waking
Up in Reno" for Miramax Films. They also are rewriting "The
Swan Song" at Columbia and have "Hillbilly Heist" in development
at Miramax. Fauser and Briscoe are repped by UTA and attorney Todd Stern.
Book Description (Buy
This Book) Dan Steele Has It Made.
He's on top of his game as creative director
of the The Prescott Agency in L.A., a jaundiced adman who looks at you
and sees a narrow demographic-and a very fat paycheck. His identical twin,
Michael, a do-gooder Catholic priest, can traipse around the Third World
doing all the emergency relief work he wants. For Dan, doing good means
having the biggest home entertainment center money can buy. But his life
of conspicuous consumption is about to come to a horrible screeching whoa.
Cross Dressing
Just returned from Rwanda, Father Michael
is ill, so Dan sends him to the hospital on his own insurance coverage;
what's a brother for, right? But when Michael's disease turns fatal, Dan
is suddenly facing a prison sentence for insurance fraud. Since Dan also
needs to hide from an enraged copywriter whose brilliant idea he stole,
the best solution is to take up the cloth and masquerade as his brother,
the Father. Soon, Dan is thrust into a world even savvier in the wiles
of marketing and mass persuasion than his own: the world of organized
religion.
What's worse, in addition to the homicidal
copywriter and a righteous insurance investigator, a shadowy and dangerous
figure from Father Michael's past is also advancing ever closer toward
Dan. And then the counterfeit clergyman lands at a run-down mission headed
by the good-looking and strangely fascinating Sister Peg, who's determined
to help the downtrodden even if she has to pull a gun or two to do it.
Try as he might to fight it, Peg is beginning to give Dan impure thoughts
about renouncing his vow-not that he ever took one, anyway...
About the Author Bill Fitzhugh
has worked in radio, television, and film. He is the author of Pest
Control, The Organ Grinders, and Cross Dressing. He
lives in Los Angeles, California, where he is at work on his next novel.
Cedric the Entertainer has inked a seven-figure
deal with Fox Searchlight to star in and produce a family comedy feature.
Cedric (''The Original Kings of Comedy'')
pitched the as-yet-untitled project to the studio with sibling writers
Todd and Richey Jones (''The Hughleys'').
While the plot is still being finalized, the
film will portray the perils of parenting in today's complex world, with
Cedric starring as the father of several kids, including a truculent teen
daughter. He also will produce the movie with manager Eric Rhone and Paul
Hall.
A longtime small-screen regular on ``The Steve
Harvey Show'' and more recently a Budweiser pitchman, Cedric is a regular
at Fox.
His credits at the studio include ``Big Momma's
House,'' ``Dr. Dolittle 2'' and Searchlight's ``Kingdom Come.'' He next
appears in Mandalay Pictures' ``Servicing Sara'' and MGM's ``Barbershop''
with Ice Cube.
New Zealand actor Martin Henderson
(''Windtalkers'') is set to star opposite Naomi Watts in a remake
of the popular 1998 Japanese horror film ``Ring'' for director Gore
Verbinski and DreamWorks Pictures.
The film is based on a series of novels by
Suzuki Koji about a journalist (Watts) who investigates an urban legend
about a cursed videotape said to kill anyone who watches it. Henderson
will play the photojournalist ex-husband of Watts' character. The two
characters a child together and are forced to put their differences aside
to fight the evil force together.
Rounding out the cast of ``Ring'' are David
Dorfman, Amber Tamblyn, Rachael Bella and Brian Cox.
``Ring'' is slated to go into production at
the end of the year. Screenwriters Ehren Kruger (''Scream 3'')
and Scott Frank (''Minority Report'') both worked on the script.
Henderson recently starred in the indie film
``A Piece of My Heart'' with Piper Perabo for director Matt Cooper.
Peter Wade is living proof that it's possible
to transition smoothly from prison to Wall Street to movie directing.
In 1982, Wade was the first juvenile in New
Jersey to be tried as an adult for causing a train to derail and killing
the conductor. Wade served a two-year prison sentence, then worked on
Wall Street for a decade, making a six-figure salary. Now he will direct
``Tracks,'' based on his own script, a recounting of his criminal
act.
The film, budgeted at under $1 million, begins
shooting at various New York correctional facilities on Nov. 27. The movie
will star Ice T, John Heard, Craig Wasson and Chris
Gunn.
Wade financed the film with the help of private
investors. Sandy Weiser, who produced commercial spots for Fuji
Film and GMC trucks, produces along with Wade.
Camilla Toniolo, who edited such films
as Tom DiCillo's ``Double Whammy'' and ``Living In Oblivion,'' is on board
to edit.
As part of its first-look deal with Dimension
Films, Collision Entertainment, headed by Paul Rosenberg and Scott Faye,
is bringing developer Terminal Reality's adventure-horror PC video game
franchise "Nocturne" to the big screen.
Brent Friedman (TV's "Dark Skies")
and Steve DeJarnatt (who wrote and directed the feature "Miracle
Mile") recently completed a script for Collision. Dimension will
distribute the film in the United States. The action-adventure movie,
expected to aim for a PG-13 rating, will begin production next year. Abandon
Entertainment is co-financing the project.
" 'Nocturne' provides a rich world and
interesting characters that has the potential to become the next 'Mummy'
franchise," said Faye, who will be a producer on the film. "The
film will play like a supernatural 'Untouchables,' retaining the spirit
of the game while introducing new characters and a solid, three-act action-adventure
story line."
Based on the 1999 PC video game, "Nocturne"
introduces players to a secret U.S. government group, the Spookhouse,
founded in 1902 by President Theodore Roosevelt to serve as a shadow organization
to the newly formed Bureau of Investigation. The group investigates supernatural
cases in an effort to defend the United States from monsters and other
evil entities. Set during the 1930s, the first game offers four unique
cases for the Spookhouse to solve. The Stranger, a mysterious protagonist
who speaks through actions, not words, is the central link among the self-contained
cases, which feature undead gangsters in Chicago and vampire nobles in
a small European town. The Stranger is a throwback to serialized pulp
fiction stories like "The Shadow." Svetlana Lupescu, a half-vampire,
half-human raised by the Spookhouse, is one of many interesting characters
served up in the stories.
A PC spinoff shipped last year as part of
a trilogy of "The Blair Witch Project" licensed games. "Blair
Witch Volume 1: Rustin Parr" stars Doc Holiday, the Spookhouse's
monster expert and gadget guru. The game builds on the Rustin Parr myth
from the "Blair Witch" movie (he's the one who murdered seven
children in Burkittsville, Md.) and expands the "Nocturne" story
line.
"With the 'Nocturne' games, our goal
was to take standard Hollywood monsters like werewolves, zombies and vampires
and make them scary again," Terminal Reality creative director Drew
Haworth said. "When we began developing the game in 1997, the idea
was to open up a franchise that blended pure horror with serialized pulp
fiction stories."
With a Hollywood film in the works, Terminal
Reality plans to take its horror franchise to such next-generation console
systems as Xbox, PlayStation 2 and Gamecube.
"The new console games based on 'Nocturne'
won't necessarily focus on the movie directly but will incorporate elements
and characters from the film," Haworth said. "Since PC and console
game players are a different audience, we plan on reinventing the franchise
with the console games. We'll create a brand-new game experience with
a new 3-D camera perspective for a more action-oriented, Hollywood feel,
while remaining true to the elements of the 'Nocturne' universe."
Haworth said the game universe allows the
movies and games to span time, going backward to explore the Spookhouse
when it started or forward to the present to see how it has evolved. The
"Nocturne" console games are expected to ship in conjunction
with the film's release.
"Nocturne" marks Collision's third
video game-based partnership with Dimension and Abandon. The big-screen
version of "Max Payne," a best-selling PC action game shipping
for PlayStation 2 and Xbox this fall, has Siavash Farahani writing a script
and principal photography targeted to begin in the spring. The film could
hit theaters as early as 2003. Abandon will handle international distribution.
"The movie will remain faithful to the
game's spirit while taking the story of Max Payne -- an undercover DEA
agent in New York City who seeks revenge on the mafia drug syndicate that
has killed his wife and child and framed him for the murder of a fellow
agent -- and translating it into hard-boiled, Dirty Harry-style, character-driven
cop movie," Faye said. "The game offers a very cinematic experience,
and our vision is to pay homage to those classic hard-boiled movies that
made an impact on our collective conscience."
A "Max Payne" game sequel is in
the works. Collision is working closely with game developer 3D Realms
to create the film, which has potential for sequels.
Collision also is translating "American
McGee's Alice," a PC game published by Electronic Arts, into a feature
film for Dimension. The movie, in early development, has Wes Craven attached
as a producer and director, and game creator McGee will be a co-producer.
It introduces a 17-year-old Alice who needs to save herself and Wonderland.
Collision is seeking a writer for the project. Abandon will handle international
distribution.
"Whether you're developing a game or
a movie, it's all about creating great characters, good storytelling and
unveiling interesting environments," McGee said. "In developing
my games, I work in a very visual fashion, and this translates well when
expanding games to Hollywood properties."
Collision has one-third of its projects coming
from video games, but that ratio will vary depending on content.
"Developing a movie based on a video
game shouldn't be any different than developing a movie based on a John
Grisham novel," Faye said. "The key for our success is to develop
relationships with the people who create the games and work with them
closely. At the same time, we partner talent who know movies and create
a synergy for what we hope will be a movie that's faithful to the source
material but also engaging to the audience who never played the game.
The end result should please gamers and could possibly bring a broader
audience to the film commercially and intrigue that audience to explore
the gaming world."
Said Rosenberg: "There's a great opportunity
out there to exploit the quality video games that are being released.
The video game movies that came out this past summer weren't that great.
We're working with fresh young talent in the video game industry like
McGee with 'Alice' and 3D Realms with 'Max Payne' and Terminal Reality
with 'Nocturne' to make sure that the translation to the big screen makes
for a great story and an entertaining film."
Disney's ``Snow White and the Seven Dwarfs''
has seized the crown as the top-selling video and DVD animated title of
all time overseas, notching sales of 8 million units.
Adding in the sales for the original release
in 1994, the cumulative total is 26 million units, outstripping ``The
Lion King,'' which sold 24 million copies. At an average retail price
of $20, the 8 million units represent $160 million in retail revenues.
``Snow White'' also ranks as the second-best-selling
home entertainment title of any kind abroad, behind ``Titanic.''
While the company won't know how many unsold
copies are returned by retailers until after the coming holiday season,
Dennis Maguire, president of Buena Vista Home Entertainment Intl., told
Daily Variety he's confident returns as a percentage of numbers shipped
will be in the single digits (as was the case for ``Lion King''), offset
to an extent by reorders.
CLASSICS REISSUED
The family film was released in 95 percent
of foreign markets in October, the first of a series of animated classics
that Disney is reissuing on video and DVD before holding back each title
for 10 years.
Maguire says the film's rebirth is testimony
to the fast-growing DVD business abroad. Nearly 25 percent of total sales
were for the digital format, compared with just 16 percent for ``Dinosaur''
(which was released last spring) and 10 percent for ``Toy Story 2'' last
year.
The top markets for ``Snow White'' are Japan
and Britain, each with more than 1 million units sold.
PROMO SUCCESS
Another factor behind the 1937 cartoon's success
is a multipronged promotional effort harnessing other Mouse House divisions,
including Disney theme parks and consumer products.
In key markets, the company enlisted the support
of popular personalities such as Japanese musician Ayumi Hamasaki, German
TV host Kai Pflaume and Spanish star Kevina.
In an innovative promo in Japan, the title
was bundled with a specially designed, kid-friendly Disney DVD player,
priced together at $155. The picture tied with ''Dinosaur'' as the industry's
biggest video and DVD industry ship-in of the year, and on DVD alone,
it's a Disney record in that market.
In the U.K., 40 percent of units shipped were
sold through in the first week -- an astonishing rate -- hyped by a promo
in which the first 500,000 consumers who bought the fairy tale on video
or DVD got a plush toy dwarf. DVD accounted for a healthy 20 percent of
``Snow White's'' total sales in the U.K.
DVD HOT IN FRANCE
In France, 20 percent of total ``Snow White''
units sold through to consumers in just four days, with DVD especially
strong at more than 30 percent.
BVHE France expects DVD to eventually account
for 35 percent of total sales -- an unprecedented figure for a family
film in Europe's second-largest territory for DVD penetration.
In the Netherlands, the title broke the all-time
first-day sales record set by ``The Lion King'' in 1995, selling 36 percent
of shipped units on day one. In Mexico, it broke BVHE's fastest sell-through
record, shifting 42 percent of units shipped in three days.
After two weeks in Germany, ``Snow White''
has sold through almost 30 percent of VHS units and 34 percent of DVD
units. In Spain, 50 percent of the stock was snapped up in the first 10
days. And in Italy, where DVD penetration is relatively low, 30 percent
was sold in the first two weeks, a rate comparable to that of ``Tarzan''
and better than ``A Bug's Life.''
Maguire is confident he'll top ``Snow White's''
peak with next year's classic reissue, ``Beauty and the Beast,'' which
goes out in October.
Private Media Group Inc. a worldwide leader in premium-quality adult
entertainment products, services and internet content, today announced
that Michael Ninn has signed an exclusive agreement with the company as
a movie director. Michael Ninn has already started the development of
his first Private feature, which is an animated movie called ``2funky4u,''
to be released during the Cannes Film Festival in France, May 2002.
``Michael Ninn is one of the best selling movie directors in our
industry,'' said Berth Milton, CEO of Private Media Group. ``The
movies he has directed are entertaining and innovative. We are very pleased
that he has decided to work with us.''
Michael Ninn started to direct his own full-length feature adult titles
in 1992 after working alongside other leading industry directors. He is
known for directing quality movies in a creative and artistic manner and
has gained a reputation for enhancing each production with special effects.
Michael Ninn is one of the most acclaimed directors in the adult entertainment
industry. Over the past few years he has received over fifty awards including
``Best Film,'' ``Best Video,'' ``Best Director,'' ``Best Art Direction,''
``Best Editing'' and ``Best Special Effects'' from AVN, XRCO and Hot D'or.
He began his career in television advertising as a writer of jingles,
and later became a director of an American cable show featuring prominent
celebrities.
``Private is creating some of the best adult entertainment content,''
said Mr. Ninn. ``I'm thrilled to have the opportunity to contribute to
Private's movie library. I've admired the work of Private for years and
I hope to provide them with many future blockbuster titles.''
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