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The British director Jonathan Glazer of "Sexy Beast"
has signed to shoot the remake of Japanese film "Chaos,"
which is being developed as a potential starring vehicle for Robert
De Niro and Benicio Del Toro.
The signing of Jonathan Glazer is considered a coup, given
how aggressively he has been courted since making his feature debut
on "Sexy Beast," the crime drama that got Ben Kingsley
an Oscar nomination this year for playing one of the nastiest criminals
seen on film in some time.
That edginess will be right at home in "Chaos," a Universal
Pictures drama that revolves around a grifter drafted to stage
the kidnapping of a rich businessman's wife. The plot goes awry
when the grifter returns from making his ransom demand to discover
his captive has been murdered.
Laura Bickford is producing with De Niro and his Tribeca
Prods. production partner Jane Rosenthal. Andrew Bovell
(whose credits include "Lantana" and "Strictly Ballroom")
will write the script.
Del Toro, who worked with Bickford on "Traffic," hopes
to play the kidnapper. While De Niro is currently attached only
as producer, the hope is that he will play the businessman. Hideo
Nakata directed the 1999 original, which was called "Kaosu."
Would Hollywood have been caught of passion for the Japanese cinema
of the fantastic? The fashion seems in all cases with the remakes
principal Nipponese films of the kind to have crossed our Western
borders.
Right now launched: adaptations of Akira (signed Stephen Norrington),
of Boxing ring (Ringu) (with Gore Verbinski with the cranks)
and of Dark Toilets (produced by Bill Mechanic), both
put in scene by Hideo Nakata , one of the current Masters
of the Japanese horror.
With "Harry Potter" the hottest franchise in franchise-hungry
Hollywood, why is everything to do with the property so up in the
air? The fifth book in J.K. Rowling's megaselling series is way
behind schedule, much to the agitation of publishers and booksellers.
And Warner Bros. is eyeing some wild cards to take over directing
chores on the "Potter" pictures' third installment.
One name that can safely be crossed off the list: Chris Columbus,
who directed both "Harry Potter and the Sorcerer's Stone"
and this year's upcoming sequel, "Harry Potter and the Chamber
of Secrets." He told the studio he wants to bring his family
home after living in Blighty for more than a year.
Alfonso Cuaron, who directed the Spanish-language hit "Y
Tu Mama Tambien," is high among the list of candidates. The
Mexican director, known for the lush visuals and adult sophistication
in pictures including "Great Expectations," also directed
the kid-friendly "A Little Princess," based on Frances
Hodgson Burnett novel.
Also on the list: Callie Khouri ("The Divine Secrets
of the Ya-Ya Sisterhood") and hyphenate Kenneth Branagh,
who plays Professor Gilderoy Lockhart, the new Defense of the Dark
Arts instructor at Hogwarts, in the second picture.
Cuaron recently received a copy of scribe Steve Kloves'
new (and carefully controlled) script for round three in the series,
"Harry Potter and the Prisoner of Azkaban," and
is in conversations with Warner Bros. about his ideas for the picture.
Cuaron is attached to direct an adaptation of P.D. James' 1992
"The Children of Men." Meanwhile, Potter fans are puzzling
over the unfinished fifth book, tentatively titled "Harry Potter
and the Order of the Phoenix."
Scholastic, which has sold nearly 70 million copies of the first
four books, was hoping to publish the book in July. But Rowling
has told her publishers she needs more time to finish, prompting
Scholastic to assure antsy shareholders they can expect the book
by June 2003.
MDP Worldwide Entertainment,
Inc. together with its producing partner Neverland Entertainment
have closed an exclusive "first-look" production and development
deal with Handprint Entertainment, whereby MDP - Neverland
will have "first- look" at all Handprint Entertainment
theatrical feature film projects. Additionally, the two companies
will enter into a joint venture partnership on all feature films
produced through this new entity, it was jointly announced today
by MDP Worldwide Chairman and CEO, Mark Damon and Handprint
Entertainment principal Jeff Pollack.
The first
major theatrical film project to go into development under this
new deal is "The
Sixteen Pleasures" slated to star Handprint client
Nicole Kidman. Based on the novel by Robert Hellenga,
the screenplay is currently being written by John Collee
("Master and Commander").
"We are extremely pleased to be
affiliated with Jeff Pollack, Benny Medina, Jane Berliner, David
Guillod, and the rest of their top-notch team at Handprint Entertainment,"
commented Mr. Damon. Their company manages some of the biggest and
hottest talent today including Nicole Kidman and Jennifer
Lopez. Coupled with the production and financing capabilities
of both of our companies, I am confident that our close association
together will lead to tremendous future success for all."
Jeff Pollack stated, "We are very
pleased to be associated with Mark Damon and MDP Worldwide as well
as with his partners Michael Jackson and Raju Sharad Patel
of Neverland. In addition to immediate access to production financing,
this partnership will give us greater control in greenlighting major
film projects and ultimately a shorter time frame from development
to production." "Mark has an incredible history of producing
great movies, which are not dependent upon domestic theatrical deals,
thereby putting us in contact with leading independent international
film distributors. I am quite confident the rewards will be far
in excess of a conventional studio deal."
Raju Sharad Patel stated, "Creatively,
Michael Jackson and I are very excited about our company turning
"The Sixteen Pleasures" novel into an epic motion picture
with such a leading talent as Nicole Kidman."
Handprint Entertainment was formed in
late 1995 by Benny Medina and Jeff Pollack and is a leading full-service
personal management and production company. The company is currently
in production with Paramount Pictures and MTV on "Fighting
Temptation," starring Cuba Gooding Jr. and Beyonce Knowles.
Since its inception, the company has a roster of over 150 clients
supported by a full operating infrastructure. With a satellite office
in New York, the company has strong relations with Canadian agencies
and deep resources in both the UK and Australia. At the heart of
Handprint's success is the collective eyes of its managers and principals
who identify and develop star talent through its invaluable entertainment
industry relationships.
MDP Worldwide most recently announced
that they had entered into an agreement in principle with a to be
formed entity co-headed by legendary entertainer Michael Jackson
and film producer Raju Sharad Patel. The agreement provides for
a significant capital infusion of equity and debt to the Corporation,
which when concluded will result in the new entity becoming a major
shareholder in the Corporation. Substantive negotiations are currently
in progress, and the transaction is contemplated to close by June
20, 2002, subject to a definitive long form agreement, due diligence,
customary regulatory and other approvals.
In addition, MDP has been rapidly expanding
its production and distribution slate and has most recently acquired
international rights to the poignant drama "The United States
of Leland" which was directed by Matthew Ryan Hoge and produced
by Kevin Spacey, Bernie Morris, Jonah Smith and Palmer West. The
film, which is currently in post production, features Ryan Gosling,
Don Cheadle, Chris Klein, Lena Olin, Michelle Williams, Jena Malone
and Kevin Spacey. MDP most recently distributed the action adventure
film "The Musketeer", directed by Peter Hyams, this past
September that debuted No. 1 at the North American box office for
Universal Pictures.
MDP is also currently handling worldwide
distribution for the extreme sports action film "The Extremists",
directed by Christian Duguay, which will be released later this
year in the United States through Paramount Pictures and the cyber-horror
thriller "Fear.com" directed by William Malone, which
will be released in the U.S. through Warner Bros.
Angie Harmon 'Agent Cody Banks'
Former "Law & Order" star Angie Harmon has joined
the cast of MGM's teen spy adventure "Agent Cody Banks."
Angie Harmon will play a government agent who trains a teenager
(Frankie Muniz) for covert operations requiring young participants.
The film also will star Hilary Duff.
"Agent Cody Banks " will be directed by Harald
Zwart ("One Night at McCool's") and is based on a
Jeffrey Jurgensen script that Zach Stentz and Ashley
Miller have rewritten. It is being produced by Dylan Sellers
Prods. and Maverick Films for Splendid Pictures.
Muniz will make 'Agent Cody Banks' during his break from the comedy
series in which he plays Malcolm. He will be paid at least $2 million,
making him the best-paid child movie star since Macaulay Culkin.
MGM production president Alex Gartner and vp Eric Paquette
are overseeing for the studio, which anticipates a budget in the
$20 million range.
Best known for her role as Abbie Carmichael on the long-running
NBC drama "Law & Order," Harmon has also lent her
voice to the animated television series "Batman Beyond."
She is repped by CAA and Handprint Entertainment.
A number of international theatrical
distributors have bought local territorial rights to HBO Films'
"Real Women Have Curves", even though the award-winning
made-for-cable production will not be seen in US theatres. Among
the buyers announced May 28, 2002 by the pay-TV networks sales arm,
HBO Enterprises, were;
- Mosaic Entertainment, which bought UK rights in association
with Optimum Releasing;
- Italys BIM Distribution;
- Mexicos Gussi;
- ABC Distribution of Benelux;
- Monopole Pathé Films of Switzerland;
- Noah Communications of Israel;
- South Africas Nu Metro;
- ERFilm of Turkey; and
- Spentzos Film of Greece.
"We expect to announce similar
deals for the film in other international markets shortly,"
said Perry Schneider, president, HBO Enterprises.
Real Women Have Curves,
Is the story of Ana, a first generation Mexican-American teenager
on the verge of becoming a woman, who's torn between her mainstream
ambitions and her cultural heritage. The film features a group rarely
portrayed in mass media: complex, deeply human, hard-working Latino
women. which marked the directorial debut of Patricia Cardosa,
won two awards at this year's Sundance Film Festival: the Dramatic
Audience Award and a Special Jury Prize for Acting to America Ferrera
and Lupe Ontiveros. Its crowd-pleasing success at Sundance prompted
numerous offers from enthusiastic US buyers, all of which were rejected
by HBO Films chief Colin Callender in order to preserve the
pay-TV premiere.
There had been some doubt as whether
HBO would be able to find theatrical buyers overseas for movies
with no US theatrical release, But the sales so far on Real Women
Have Curves, not to mention Momentum Pictures recent pick-up
of My House In Umbria for the UK, suggest otherwise.
"Increasingly international distributors
are recognizing the potential value of what we're doing in the domestic
marketplace," claimed Callender at a press breakfast in Cannes
last week that was intended to drive home the companys new
offensive into international theatrical markets. "We spend
a lot of money in the A of P&A. Which is more than you can say
for the many films which are sold in foreign under the guise of
getting a US theatrical release, but which never do."
He suggested too that the major studios'
increasing focus on blockbuster franchise pictures is leaving a
gap in the marketplace for director-driven pictures such as Mike
Nichols' Wit, John Frankenheimer's Path To War and
Mick Jackson's currently shooting Live In Baghdad
starring Michael Keaton and Helena Bonham Carter.
Upcoming pictures on the HBO Films production
slate include Pancho Villa As Himself to be directed by Bruce
Beresford and produced by Mark Gordon, Normal to be directed
by Jane Anderson and star Jessica Lange and Tom Wilkinson, and the
long-awaited film of Tony Kushner's Angels In America starring
Al Pacino, Emma Thompson and Meryl Streep.
Spielberg, Kubrick, Miyamoto... which
one of these three doesn't belong? that's a trick question: No one's
making games anymore, they're creating landmark cinematic experiences.
If it wasn't Sony touting gritty crime drama cum computerized caper
The Getaway, it was Codemasters with the Days
of Thunder-esque Pro Race Driver or Cacpom
and house of horrors Resident Evil 4. Encouraged by Tinseltown's
perennial summer blockbuster glut, publishers are upping storytelling
stakes almost as much as they are budgets. Given that big-screen
licensing deals have lately come calling for such franchises as
House of the Dead, Fatal Frame and Dead
or Alive 3, the software giants may be onto something.
For those otherwise inclined, resolute underdogs such as Take 2,
Koei, Simon & Schuster, Acclaim and Midway continue to push
scrappy new franchises. Even Microsoft, Sega, Sony and Nintendo
are looking to their roots with a host of classic-inspired platform
game content.
But, as always, Tinseltown tie-ins also had their day in the sun
at E3, the giant three-day videogame expo that wrapped Friday. While
not as prolific as in past years--due primarily to the gaming industry's
newfound fascination with seating its own stars the director's chair--there
are nonetheless plenty of mass-marketable franchises properties
headed your way over the next year. Top contenders include:
- The Lord of the Rings: The Fellowship of the Ring (Vivendi
Universal, PS2)--You're Frodo, Gandalf or Aragorn in a third-person
action-adventure chronicling the events in Tolkien's famed novels.
- The Lord of The Rings: The Two Towers (Electronic Arts,
PS2)--To arms! Closely mirroring the movie, it's a comprehensive
combat action game that accurately captures the feel and scale
of grand battles.
- Star Wars: Bounty Hunter (LucasArts, GC/PS2)--Comb the
stars' worst locales as antihero Jango Fett, who'll blast his
way to glory with weapons in both hands.
- Star Wars: The Clone Wars (LucasArts, GameCube)--Pilot
the vehicles that turned the tides of one of the most brutal conflicts
the galaxy has ever witnessed.
- Star Wars: Galaxies (LucasArts, PC/PS2/Xbox)--This sprawling
multiplayer online RPG allows upwards of 1 million players to
live, battle and lord over the expansive Star Wars
universe.
- Harry Potter and the Chamber of Secrets (Electronic Arts,
GC/PC/PSOne/PS2/Xbox/GBA/Game Boy Color)--Follow the second book/movie's
storyline on a mystical action-adventure filled with Quidditch,
spells and Muggles aplenty.
- Indiana Jones and the Emperor's Tomb (LucasArts, Xbox)--The
famed archaelogist's first foray into the Far East, whip, pistol,
penchant for fistfights and all.
- Rocky (UbiSoft, GameCube/PS2/Xbox/GBA)--Go toe to toe
with the Italian Stallion's most infamous opponents, including
Apollo Creed, Clubber Lang, Ivan Drago and Tommy Gunn.
- Delta Force: Black Hawk Down (Novalogic, PC/PS2/Xbox)--Into
Somalia one goes as a highly trained special operative. Close-quarters
squad-level combat it promises to no end.
- X-Men: Wolverine's Revenge (Activision, PS2/Xbox/GC)--Featuring
voice work by Mark Hamill and Patrick Stewart, this
third-person adventure lets you take the mutant inside a super-secret
lab in a search of his roots.
- Robocop (Titus, PS2)--Obey the prime directive while
gunning down villains in a dark approximation of futuristic law
enforcement.
- Tron 2.0 (Disney, PC)--Step inside the machine once again,
enjoying the discs, light cycles and kitschy visuals that made
the original film so timeless.
- The Sum of All Fears (UbiSoft, PC)--Clandestine operations,
one-shot kills, and a lot of sneaking through corridors as you
and your teammates hunt for terrorists.
- Blade II (Activision, PS2)--Wesley Snipes half-human,
half-vampire alter ego slays Reapers and nastier foes with a bloodthirsty
vengeance.
- Disney's Lilo & Stitch (Sony, PSOne)--A loudmouthed
little girl and her extraterrestrial pal shake things up throughout
some fairly typical platform challenges.
- The Thing (PC/PS2/Xbox)--Cult horror masterpiece goes
interactive; trust no one in this truly terrifying action-adventure.
Adult entertainment company Playboy Enterprises Inc. on
Tuesday named a new No. 2 executive with experience in television
and online technology as it aims to strengthen its own cable TV
and Web operations.
David Zucker, 39, will take up the newly created position
of president and chief operating officer, reporting to chief executive
Christie Hefner, the company said.
The Chicago-based parent of Playboy magazine, founded by Hugh Hefner,
has not had a president since the late 1970s.
"What David brings is a particularly compelling mix of experience
in new technology as well as traditional businesses," Christie
Hefner told Reuters.
Zucker had been managing director at Walker Digital LLC, where
he oversaw development of that company's online games, e-commerce
and Internet gaming and gambling businesses.
He also has experience as chief executive of DIVA Systems Corp.,
a provider of video-on-demand systems for cable TV operators, and
he spent eight years at all-sports cable TV network ESPN where he
helped launch the ESPN2 channel. Playboy believes its future growth
is in TV and online because the magazine is a mature product.
The Playboy TV channel and Playboy's various adult movie channels
are seeing their subscriber totals grow. Playboy programs reached
a total 122.8 million household units at the end of 2002's first
quarter, up about 8 percent from 113.8 million household units at
the end of the fourth quarter.
Playboy's various channels were in 48.1 million digital cable TV
households at the first quarter's end, up about 35 percent from
2001's fourth quarter. That is important because generally speaking
revenues per digital subscriber are higher than for users of older,
analog systems.
Moreover, newer digital systems are able to offer more in the way
of video-on-demand movies and other programming than the older,
analog systems. Zucker's experience with DIVA should give the company
added expertise in the VOD arena.
Playboy, too, has said it wants to stem losses at its online unit
to break even by the end of 2002. Those losses had narrowed to $3.6
million in the first quarter of 2002 from $5.1 million in fourth
quarter 2001.
Playboy has said it is looking to boost subscription-based Web
revenues, ignite online sales of Playboy products, and build Internet
gambling businesses in countries where it is legal.
Hefner said Playboy's divisional chiefs in publishing, TV and videos,
the Web and product licensing all support the idea of having a new
executive who could take a broad look at the various groups and
devise ways they might work together.
"This is a recognition that the various pieces of Playboy
... have to work more closely together than they have in the past,"
said veteran Wall Street media analyst Dennis McAlpine.
Hefner said Zucker, too, will be looking at how to build Playboy's
brand name through partnerships and ventures with other companies
in the United States and around the world.
His appointment does not mean Hefner will be devoting less of her
time to her job. "If anything, David's success should keep
me busier," she said. Zucker will be based at Playboy headquarters
in Chicago.
Playboy shares ended up 36 cents, or 2.5 percent, at $14.56 on
the New York Stock Exchange on a down day for most media stocks.
Action blockbusters, family fare and thrillers combined to hoist
Hollywood to a record $200 million Memorial Day weekend.
``Star Wars: Episode II - Attack of the Clones'' led the way again
with $60 million from Friday to Monday, raising its 12-day total
to $201.3 million.
``Spider-Man'' placed second with $35.8 million, and at $333.6
million in just over three weeks, the film passed ``Forrest Gump''
to become No. 6 on the all-time domestic box-office chart.
Three new films rounded out the top five. ``Insomnia,'' an Alaskan
murder thriller starring Al Pacino and Robin Williams, debuted in
third place with $26.1 million. The animated horse story ``Spirit:
Stallion of the Cimarron'' opened in fourth with $23.2 million.
Jennifer Lopez's marital thriller ``Enough'' premiered at No. 5
with $17.2 million.
The overall box office should top out at just above $200 million
for the long weekend, said Paul Dergarabedian, president of Exhibitor
Relations, which tracks movie ticket sales. That easily surpassed
the previous record of $186.1 million set last Memorial Day, when
``Pearl Harbor'' opened and ``Shrek'' continued to play strongly
in its second weekend.
The top 20 movies at North American theaters Friday through Monday,
followed by distribution studio, gross, number of theater locations,
average receipts per location, total gross and number of weeks in
release, as compiled Tuesday by Exhibitor Relations Co. Inc. and
Nielsen EDI Inc. are:
- ``Star Wars: Episode II - Attack of the Clones,'' Fox, $60 million,
3,161 locations, $18,983 average, $201.3 million, two weeks.
- ``Spider-Man,'' Sony, $35.8 million, 3,876 locations, $9,240
average, $333.6 million, four weeks.
- ``Insomnia,'' Warner Bros., $26.1 million, 2,610 locations,
$9,988 average, $26.1 million, one week.
- ``Spirit: Stallion of the Cimarron,'' DreamWorks, $23.2 million,
3,317 locations, $6,998 average, $23.2 million, one week.
- ``Enough,'' Sony, $17.2 million, 2,623 locations, $6,562 average,
$17.2 million, one week.
- ``About a Boy,'' Universal, $9.8 million, 1,749 locations, $5,615
average, $21.8 million, two weeks.
- ``Unfaithful,'' Fox, $7.6 million, 2,401 locations, $3,146 average,
$41 million, three weeks.
- ``The New Guy,'' Sony, $5.4 million, 2,374 locations, $2,286
average, $24.4 million, three weeks.
- ``Changing Lanes,'' Paramount, $1.9 million, 1,258 locations,
$1,518 average, $64.4 million, seven weeks.
- ``The Scorpion King,'' Universal, $1.8 million, 1,524 locations,
$1,210 average, $87.9 million, six weeks.
- ``My Big Fat Greek Wedding,'' IFC Films, $1.6 million, 260 locations,
$6,116 average, $7.6 million, six weeks.
- ``The Rookie,'' Disney, $985,328, 836 locations, $1,179 average,
$72 million, nine weeks.
- ``Space Station,'' IMAX, $784,947, 45 locations, $17,443 average,
$5.1 million, six weeks.
- ``Y Tu Mama Tambien,'' IFC Films, $620,633, 216 locations, $2,873
average, $11.1 million, 11 weeks.
- ``Monsters, Inc.,'' Disney, $568,863, 289 locations, $1,968
average, $253.8 million, 30 weeks.
- ``Murder by Numbers,'' Warner Bros., $526,570, 752 locations,
$700 average, $31 million, six weeks.
- ``Ice Age,'' Fox, $505,807, 594 locations, $852 average, $173.1
million, 11 weeks.
- ``The Importance of Being Earnest,'' Miramax, $500,447, 38 locations,
$13,170 average, $521,858, one week.
- ``Monsoon Wedding,'' USA Films, $482,837, 193 locations, $2,502
average, $11.1 million, 14 weeks.
- ``The Lord of the Rings: The Fellowship of the Ring,'' New Line,
$443,814, 335 locations, $1,325 average, $310.7 million, 23 weeks.
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