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In a partnership that will test the
hypothesis that two Brads are better than one, manager/producer
Brad Gray and client Brad Pitt are going into the
movie production business together.
They have formed a three-year venture
that has struck a first-look deal at Warner Bros. "Friends"
star Jennifer Aniston is also an equity partner. She comes
to the venture by way of a producing deal she and her husband Pitt
have had at WB for the past year under the Bloc banner. The new
shingle, not named yet, will be housed at the same Wilshire Boulevard
headquarters as Grey's other companies.
Warner Bros. has dangled a large carrot
in a first-dollar gross deal for any films the Brads make, plus
a fund for development, and an option for them to put together their
own equity financing.
Pitt said he and Aniston will also be
hands-on in using their relationships to put together films, even
the ones they won't star in. Pitt has been proactive and fee flexible
to get movies from "Fight Club" to "Ocean's Eleven"
made, but has yet to produce a film. He has begun developing projects
with Aniston over the past year.
"Jen and I got started in a development
capacity at a time that coincided with Brad looking to build a film
company," said Pitt. "We want to let this venture define
itself. It becomes harder to find things that spark your interest,
and I've found there is a lot to be excited about in the development
stage, being involved from conception to incarnation. It feels like
the right vibe."
Grey, of course, will sustain his successful
management and television production companies.
On the feature front, Brad Gray Pictures
has generated, among other pictures, "Scary Movie." It
has two releases slated for this year, the Robert De Niro starrer
"City by the Sea" and the Gwyneth Paltrow starrer "A
View From the Top." Brad Gray Television makes "The Sopranos"
and "Just Shoot Me," and scored midseason berths for "My
Big Fat Greek Family" on CBS to "What Leonard Comes Home
To," an ABC series starring Griffin Dunne.
Grey's Brillstein-Gray management company
represents 150 clients, including Nicolas Cage, Adam Sandler, Lorne
Michaels, Eddie Griffin and former Gotham Mayor Rudy Giuliani.
Gaylord optioned in Jan 2002 based on
the upcoming novel by former New York Police Officer Jerry Speziale's
manuscript, tentatively titled "White Out," a Warner Bros.
release with David Permut producing. Gaylord Films has signed
Christopher Bertolini, who adapted "The General's Daughter,"
to write "White Out,". Antoine Fuqua is attached
to direct.
The project is about Speziale's real-life
experience as a New York police officer. It is being billed as a
"Pygmalion" story set against an international backdrop,
with the characters traveling the world.
The manuscript details Speziale's younger
days as an ambitious New York cop recruited by the Drug Enforcement
Administration and assigned to an elite drug task force whose main
purpose was to infiltrate and dismantle the powerful Cali drug cartel.
Against policy, he employed the help of an internationally blacklisted
informant, and the relationship transformed him into the ultimate
undercover operative. After learning the ropes, though, Speziale
discovered that his informant was betraying him all along.
Through his experiences, Speziale has
become one of the foremost experts on wire-tapping, and he often
lectures around the country, including at the FBI training facility
in Quantico, Va.
Gaylord president Hunt Lowry
and production head Casey La Scala are producing the project
with Permut. Permut Presentations vp production Steve Longi
will co-produce.
The project reunites Fuqua with the
project's distributor, Warner Bros., who released his "Training
Day" and "Bait." The helmer, repped by ICM, is readying
Revolution Studios' "Man of War," starring Bruce Willis,
Monica Bellucci and Cole Hauser. The deal was agented by Frank Weimann
of LGI and Mickey Freiberg of Acme Talent
Phoenix Pictures has put on a
full-court press for "Hardcourt," a legal thriller
by scribe Mark L. Smith.
The spec is the second to come from
the North Carolina-based Smith, who last year sold his tyro effort,
"The Devil's Kiss" -- a suspenser about a sheriff whose
retirement is postponed to train a deputy and catch a serial murderer
-- to Mel Gibson's Paramount-based Icon Prods.
The deal for "Hardcourt" is
potentially valued in the mid-six-figure range, and is said to
be in the vein of "Jagged Edge." The story follows a prominent
young criminal attorney who must defend his old mentor, a college
basketball coach under suspicion of having murdered his mistress.
Meg Ryan learned how to throw a few
punches for her role as a boxing manager. "I was so pathetic,"
she said during a break from filming Against the Ropes.
"When you watch it, it looks like
a brawl. But there is a science and art to it,'' she said. "In
the ring, it is so pure and stripped away. But around the ring it
is political, dirty, funny.
"It's a metaphor for Hollywood.
It is the red-light district of sports.'' To help with her role,
Ryan said she read books on boxing, including those by authors Norman
Mailer and Joyce Carol Oates.
The movie is actor Charles S. Dutton's
directorial debut. He thinks Ryan hits the mark with her portrayal
of a neophyte boxing manager.
"I think Meg is going to surprise
a lot of people. This is a departure role for her,'' he said.
Naomi Watts and Kate Beckinsale
are in discussions to star in "Rain Falls," a dark
comedy that details the emotional fallout after an upper-middle-class
suburb adopts the hobby of partner-swapping.
The Fine Line Features project
marks the directorial debut of scribe I. Marlene King ("Now
and Then"). Budgeted at under $10 million, the film goes into
production in mid-July.
The film was originally greenlit by
Myriad Pictures, with a cast that included Christian Slater, Patricia
Arquette, Thomas Jane, Amanda Peet and Ian Somerhalder. However,
the picture is now being entirely recast.
Danis Tanovic, the Bosnian writer-director,
who won this year's Oscar for best foreign language film, has begun
filming a short film about the September 11 attacks as part of a
project in which India's Mira Nair is also involved.
The project which started on Saturday,
recently promoted at the Cannes Film Festival, brings together 11
award-winning directors from around the world to create a series
of short films about the terror attacks on New York and Washington
and their aftermath.
The collection will be released worldwide
on September 11 this year under the title 11'09'01: Eleven
Minutes, Nine Seconds, One Frame.
Tanovic's short, to be filmed in Sarajevo
and southern city of Mostar, establishes a link between the September
11, 2001 attacks and the July 11, 1995 massacre in Srebrenica, eastern
Bosnia. "The end of twentieth century was marked by the Srebrenica
tragedy, the terror in Srebrenica, and the beginning of the 21st
century was marked by terror attacks in the US... and that is behind
the concept of this film," Tanovic told reporters.
More than 7,500 Muslims were killed,
when Bosnian Serbs captured the town in July 1995 in the worst massacre
in Europe since World War II.
Besides Tanovic and Nair, the other
directors involved in the Vivendi Universal financed project are:
US actor/director Sean Penn, Britain's Ken Loach, Burkina Faso's
Idrissa Ouedraogo, Iran's Samira Makmalbaf, France's Claude Lelouch,
Egypt's Youssef Chahine, Israel's Amos Gitai, Japan's Shohei Imamura
and Mexico's Alejandro Inarritu.
Legal; Universal Sued For $6 Mn By Schindler's Estate
Universal Studios is being sued
for $6 million by the estate of Emilie Schindler, the woman
whose struggle with her husband Oskar to save Jews from the Nazi
regime inspired the hit movie Schindler's List, Focus magazine
reports in its Monday edition.
The case has been launched by Erika
Rosenberg, one of Emilie Schindler's friends who inherited her
estate after she died in October 2001.
Rosenberg says that a 1964 agreement
between Oskar Schindler and Metro Goldwyn-Mayer studio gave the
Schindlers five percent of any profit from any film based on his
book.
Universal, which subsequently bought
the rights from Metro Goldwyn-Mayer under the same conditions, said
that despite its world-wide success, the 1993 film made a loss of
11.5 million dollars (12.3 million euros).
Focus magazine says this is contradicted
by other sources, including the respected Internet Movie Data Base,
which lists Schindler's List as having gathered 317 million
dollars at the box office.
It says Rosenberg is claiming six million
dollars from Universal, now part of the French Vivendi Universal
group.
"I have never been happy that the
film about her and Oskar made millions but she did not benefit,"
Rosenberg is quoted as saying.
The Schindlers emigrated to Argentina
from Germany in 1949, after having saved the lives of an estimated
1,200 Jews during the Nazi regime.
Oskar Schindler left his wife to return
on his own to Germany in 1956, and died in 1974. His wife returned
to Germany to live out her final days.
Schindler's List, starring Liam
Neeson and Ralph Fiennes, told the story of Oskar Schindler's battle
to save 1,200 Polish Jews from Nazi death camps during World War
II.
The list itself was found a few years
later in 1999 in a suitcase that had belonged to Schindler.
It was found in the northern town of
Hildesheim in a house where Schindler spent his last years before
his death at the age of 66.
The list was handed over to the Yad
Vashem Holocaust memorial in Jerusalem, which in May 1994 awarded
Emilie Schindler the title Righteous Among the Nations given to
gentiles who helped Jews during the Holocaust.
Industry; Viacom, AOL Tussle for Germany's Viva Media-Report
U.S. media giants Viacom Inc.
and AOL Time Warner Inc. are fighting for control of German
music television broadcaster Viva Media AG, one of Viva's
founders was quoted as saying on Saturday.
"We are in the middle of a takeover
battle," Helge Sasse, a co-founder of the music channel,
told German weekly news magazine Der Spiegel.
The magazine reported that AOL Time
Warner, which already owns 15.3 percent of the Cologne-based media
group, and Viacom -- owner of Viva rival MTV -- were interested
in shares held by UK music company EMI and French media group Vivendi
Universal.
A Viva spokeswoman declined to comment.
EMI and Vivendi each also own 15.3 percent
of Viva, according to the company's Web site. Viva, which has a
market value of some 65 million euros ($60.75 million) according
to Reuters data, has seen its stock rally by some 34 percent since
April 22. Its benchmark, Frankfurt's Neuer Markt all-share index,
has lost 10 percent over the same period.
Der Spiegel said that Viva's founding
shareholders and management would prefer to see AOL come out on
top. A takeover by Viacom could threaten the survival of independent
Viva programming, it said.
Viva, which is best known for its youth
music channel, bought German light entertainment production company
Brainpool TV at the end of last year to reduce its dependence on
the depressed advertising market.
It had 2001 sales of 60.1 million euros
and a net loss of 9.65 million but posted operating profit of 30
million in the first quarter of 2002, including 29.7 million from
the sale of 49 percent of Viva Plus Fernsehen GmbH to AOL Time Warner.
Viva, which owns five percent of Italian
channel Rete A, is planning to enter two or three new European markets
this year, either via partnerships or acquisitions. It has said
it is focusing on Italy, Spain and France.
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