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Paramount has optioned William J.
Forstchen's eight-part, time-traveling sci-fi action series "The
Lost Regiment" for C/W Prods., the studio-based shingle
of Tom Cruise and production partner Paula Wagner.
The
first installment in the series, "Rally
Cry," told of a Civil War regiment swept in a time warp to
a futuristic world where humans are slaughtered like cattle. It was published
in 1990. The last volume in the series, "Men of War," appeared
in 1999.
The studio has an option on all eight books,
but Wagner said C/W is still considering how the project will be developed.
She described it as "a character-based action-adventure about an
ordinary man who ultimately struggles to save humanity."
The books, which have gone straight to paperback,
have a dedicated following among sci-fi fans. But they were largely unknown
to creative execs in Hollywood until the Cruise/Wagner acquisition.
That's characteristic of some sci-fi, said
Jim Minz, an editor at Forge Books, which is releasing Forstchen's latest
novel, "We Look Like Men of War," a historical novel about an
African-American regiment in the Civil War.
"Sci fi often doesn't register on people's
radar until the movie happens," said Minz. A history professor at
Montreat College in North Carolina, Forstchen is a prolific writer, but
he's never optioned a book to Hollywood.
Acme Entertainment, which brokered his deal,
is in talks to develop some of his books as video games. "We saw
him as a really talented guy who has properties that cross all media,"
said Acme's Kevin Cleary and Josh Morris.
Ewan McGregor will join Renee Zellweger
in "Down With Love," a comedy that pays homage to the
Doris Day-Rock Hudson capers such as "Pillow Talk" and "Lover
Come Back."
Filming begins in mid-May with Peyton Reed
("Bring It On") directing. The Fox picture is the first project
for producers Dan Jinks and Dan Cohen since their Academy
Award-winning debut film, "American Beauty." For the follow-up,
they chose the twisted romantic comedy written by Eve Ahlert and
Dennis Drake.
It so closely follows those sweet romance
films that they've actually built in scenes that take place in cars, just
so audiences can see the process shots of a fake background passing behind
them. The film is set in New York during the '60s.
McGregor will play the role of Catcher Block,
who's described as man's man, ladies' man, man about town. He is currently
in theaters with "Black Hawk Down."
"Pearl
Harbor" director Michael Bay's new low-budget production company
is developing a remake of the horror cult classic "The Texas Chainsaw
Massacre."
The film is set for a spring start. The director
of the original
1974 film, Tobe Hooper, is writing a draft with his original
co-writer, Kim Henkel, but no final decision has been made on the writer
or director of the remake.
"The Texas Chainsaw Massacre" told
the gory tale of five 20-somethings who fall into the clutches of a monstrous
clan of Texas cannibals and find themselves being whittled away by the
chainsaw-wielding Leatherface. The film spawned three feature sequels,
at least two behind-the-scenes documentaries and a Teutonic copycat, "The
German Chainsaw Massacre."
Bay formed his Platinum Dunes banner
last November, and has a first-look deal with music mogul Ted Field's
Radar Pictures, which will fully finance the remake. For now, Bay has
shot a three-minute promo reel, which foreign sales agent Good Machine
Intl. will use as a sales tool at the upcoming American Film Market
in Santa Monica.
Indie production and distribution shingle
Cineville has acquired the rights to screenwriter Christopher Okum's
spec "Alphawave."
The picture, which will be directed by Cineville
principal Carl Colpaert, is an offbeat comedy about a misfit teen,
subjected to the misguidance of adult authority figures, who finds salvation
and love in an emotionally troubled young woman. Shooting is scheduled
to start this fall.
"We are thrilled to be working with Chris
on this inspired project.," said Colpaert. "It's full of irony,
reminiscent of the old Hal Ashby comedies, and Chris' ideas are incredibly
insightful and timely." Colpaert's directing credits include "Delusion,"
"The Crew," and "Drowning on Dry Land."
Actor Will Smith's Overbrook Entertainment
banner has signed a three-year, first-look deal with Sony Pictures Entertainment,
which released his current film "Ali."
The arrangement calls for Smith to star in
and/or produce features for the studio, which will also release his summer
sequel "Men In Black 2." Overbrook, which Smith runs with partner
James Lassiter, previously held a deal with Universal Pictures.
"Ali," released on Christmas Day,
has grossed a disappointing $58 million to date in North America.
In a statement, Smith and Lassiter said, "Home
is a place where you feel completely comfortable, and you get unconditional
support, and (Sony-owned) Columbia Pictures has been that place to us
for many years."
Responded Columbia Pictures president Amy
Pascal, "We don't want to just make films starring Will Smith. We
want to be in the Will Smith business and with this deal, we are committing
to an artist and a producer who share our commercial and creative taste."
UK actor Joseph
Fiennes has signed up to play religious reformer Martin Luther in
a $10m feature film biopic to be directed by Eric Till.
Luther, the story
of a simple monk challenging the political and religious leadership of
his time will also feature Peter Ustinov, Bruno Ganz, Mathieu Carriere,
Uwe Ochsenknecht, August Diehl, Jochen Horst and Benjamin Sadler.
It begins shooting in February at original historical locations in Brandenburg,
central Germany, Bavaria, Italy and the Czech Republic.
The project reunites
Canadian-born director Till with the Berlin-based NFP Neue Filmproduktion.
They previously worked together two years ago on Bonhoeffer Agent
Of Grace about the Second World War resistance figure and priest Dietrich
Bonhoeffer.
Luther is being
produced by NFP in association with the US partner Aid Association
for Lutherans, and the ARD networks Degeto Film, with
additional financing from the Federal German Film Board (FFA),
Mitteldeutsche Medienfoerderung MDM and Filmboard Berlin-Brandenburg.
"With this
film, we are making our leap to the big screen", said executive producer
Alexander Thies. "Our aim is to produce important historical
stories for an international market with a focus on North America."
In ABC's first major development moves under
new entertainment president Susan Lyne, the network has picked
up seven drama pilots and four comedy pilots, a list that includes projects
from such notable writers and producers as Larry Gelbart, Craig
Zadan and Neil Meron, Tom Shadyac, John Ridley
and Marc Platt.
Development has become a priority for ABC
brass this season as the network's ratings hit the skids with the decline
of "Who Wants to Be a Millionaire" and most of the network's
established comedies.
Even though Lyne came on board very late in
the development cycle, she said she had no problem finding projects worthy
of pilot orders.
"The issue was not trying to find things
that we wanted to make; it was trying to narrow down the choices based
on what we really thought we could schedule and launch," she said.
In a sign of the vertically integrated times
in primetime, nine of the 11 projects come from ABC's sibling studio Touchstone
Television, one hails from Studios USA, and the other is from 20th Century
Fox TV and Industry Entertainment.
The Touchstone-heavy slate raised eyebrows
around town, with rival networks suggesting that ABC would do well to
cast a wide net at a time when the network desperately needs new hits.
But in fact, Touchstone has been on a roll, particularly in comedy with
ABC's "My Wife & Kids" and "According to Jim"
and NBC's "Scrubs."
"It's a long process between now and
May" when the new shows will be selected, Touchstone president Stephen
McPherson said. "We're just thrilled to have all these opportunities.
Development is always a tricky game -- a lot of it is betting on the right
people."
In sifting through the development projects
she inherited from former ABC Entertainment co-chairman Stu Bloomberg,
who exited the network earlier this month, Lyne said she didn't even look
at the name of the producing studio when reading the scripts.
"I was looking for the pilots that to
me seemed to have the best chance of taking off," Lyne said. "Touchstone
has had a great development year, so they do end up with the lion's share
of our drama development, but for all the right reasons."
In the drama arena, writer-producer Gelbart,
of "M*A*S*H" fame, has penned and will executive produce an
untitled soap pilot for Touchstone TV that centers on a sprawling family.
Other dramas receiving pilot orders:
- An untitled project from director Bryan Spicer ("24")
and "Lara Croft: Tomb Raider" writers Patrick Massett and
John Zinman. Massett and Zinman wrote and Spicer will direct the two-hour
pilot about a father-son archeology team a la the "Indiana Jones"
film series. The trio will executive produce with Emmy-winning producers
Zadan and Meron.
- "Paranormal Girl" from writer-producer Pam Brady
("South Park") and writer-director Andrew Fleming ("The
Craft"). It focuses on a 15-year-old girl, played by Sasha Barrese
(MTV's "Undressed"), with paranormal abilities who is recruited
by the FBI to help solve crimes.
- "The Oath," written by Gary Tieche ("Speaking
of Sex"), who will executive produce with Platt, centers on two
doctors fighting the system at an HMO hospital.
- "EIS," from writer Darren Lemke ("Paradise Falls"),
centers on investigators at the Centers for Disease Control and Prevention.
Lemke wrote the script and will executive produce with Nena Rodrigue,
Nina Wass and Gene Stein. Fox Broadcasting Co. also has a CDC-themed
drama in development this season with director Mimi Leder.
- "Homeward Bound," from Studios USA, is about a young
woman forced to move home after her life falls apart. Jeff Judah and
Gabe Sachs ("Freaks and Geeks") will executive produce with
Danielle Stokdyk and Jennifer Gwartz.
- "Astronauts," from 20th and Industry, revolves around
NASA astronauts competing for a chance to go on a mission to Mars. It
was written by Todd Robinson ("White Squall"), who will executive
produce with Ian Sander and Kim Moses.
ABC had previously ordered the drama pilots
"That Was Then," about a man who goes back in time to high school;
DreamWorks TV/Touchstone's Rod Lurie project; Spyglass/Touchstone's "Miracles";
and an untitled John Ridley project from Touchstone. The network also
is poised to give a cast-contingent pilot order to an untitled Touchstone
drama project about a big-city mayor from writer/executive producer Charles
Randolph, pending deals with co-producers Brad Grey TV and Miramax TV.
While it is unlikely that the network will
order more dramas, ABC will order at least as many comedies, Lyne said,
adding that she is looking for "family comedies with a very distinct
voice." ABC greenlit Touchstone TV projects from Ridley ("Three
Kings"), David Litt ("The King of Queens"), Jay Scherick
and David Ronn ("I Spy") and Tracy Gamble ("Home Improvement").
Ridley's untitled comedy project is an interracial
love story, which he wrote and will executive produce with Wass and Stein,
while the Scherick and Ronn comedy, which the two wrote and will executive
produce with Rodrigue, centers on three couples in their 30s. Scherick
and Ronn also have another private detective comedy starring Danny Comden
in contention for the fall.
Litt wrote and will executive produce with
Wass and Stein "Regular Joe," a family comedy about a happy
"empty nester" and his wife whose life changes when their daughter
returns home with a baby.
"8 Simple Rules," based on
W. Bruce Cameron's book "8 Simple Rules for Dating My Teenage Daughter,"
centers on a protective dad raising his teenage daughters. Gamble wrote
the script and will executive produce with Flody Suarez and Shadyac.
Also in contention for the fall are Brad Grey
TV/Touchstone's comedy "Dexter Prep" and Jersey TV/Touchstone's
"Funkhausers," which were initially developed for midseason.
An extra who worked on the set of "Planet
of the Apes" is suing Fox Entertainment Group and Entertainment
Partner Service Group Inc., charging the companies with fraud and
deceit, battery, conspiracy, intentional infliction of emotional distress,
negligent infliction of emotional distress and unlawful business practice.
The suit was filed by Jeffrey Clark
in Los Angeles Superior Court on Tuesday on behalf of all the extras who
participated in the special-effects dust scenes on the set of the picture.
The suit alleges that the extras were not
supplied with respiratory protection masks and were exposed to hazardous
materials for extended periods of time while filming dust storm scenes.
The allegedly hazardous material was described in the suit as Fuller's
Earth, also known as pyrolite. The suit alleges that pyrolite contains
a carcinogen, crystalline silica, which was kicked up into the air by
at least 10 wind machines, and subsequently inhaled by the extras.
"Defendants knew or should have known
that the product they used can cause silicosis, which is very similar
in effect to asbestosis and can take literally years to appear in individuals
who have been exposed," the suit alleges. The suit continues: "Defendants'
conduct has caused plaintiffs physical injuries in the form of irritation,
both acute and chronic, to the lungs and respiratory system and the introduction
of a carcinogen into the lungs, which may have already caused or has the
potential to cause prospectively lung cancer in the said plaintiffs."
Plaintiffs are seeking unspecified damages
and an injunction that each of the plaintiffs that meet the criteria of
the class of extras be identified and provided with medical care and respiratory
monitoring.
According to the suit, the scenes in question
took place at the site of Trona Pinnacles in California between Jan. 28-March
23, 2001.
A Fox spokeswoman had not yet seen the suit
and declined comment. No representative of Entertainment Partner Service
Group could be reached for comment. Clark is being represented in the
case by Neal Fialkow.
The British Film Institute has appointed Adrian
Wootton, formerly the director of the Regus London Film Festival,
as its new deputy director.
Wootton will be responsible for overseeing
the management of the BFI's educational and cultural operations. The new
post will also provide artistic direction for the BFI's key departments
of Collections, Education and Exhibition.
Wootton was previously head of BFI Exhibition,
which includes the National Film Theatre and provides support for regional
cinemas across the UK. He descrubed the appointment as "a fantastic
opportunity to be given the responsibility for leading the cultural operations
of the Institute, to strengthen and develop our activities for the general
public and our partners throughout the UK and around the world."
Wootton has been director of the Regus London
Film Festival for the last five years and will now become executive director.
His deputy Sandra Hebron will take up the newly-created post of acting
artistic director of the RLFF.
Wootton still has plans for the festival.
"I'd love to see the festival's international status grow and for
it to become even more meaningful for Londoners. I want it to have the
infrastructure and the facilities to help that growth be sustained in
a very real way."
Miramax Films
has taken a minority share in Stewart Till's Signpost Films as part of
a deal to handle US distribution for the would-be studio.
Miramax will have
the first option on US rights to Signpost titles and has agreed to release
a minimum number of films. The Weinsteins' powerhouse is understood to
have a stake in Signpost of just under 10%, although it is to pay for
the holding over a period of time out of the pre-agreed amounts it stumps
up for Signpost films rather than hand over any cash up front.
MGM was also circling
Signpost, but appears to have hesitated over Christmas as it emerged that
the studio might be sold. Signpost has a production deal with Charles
Rovens Atlas Entertainment, which has a first-look deal with MGM
that will continue for the time being. Canada's CDP, which is Signpost's
main backer, has a small stake in MGM.
"In the US
our strategy has always been to put our product through an existing distributor,"
said Till. "After discussions with several studios, I could not be
more delighted that we have come to this agreement with Miramax. Its reputation
for aggressive, creative and effective distribution is second to none."
Till plans to
distribute his own films in major international territories, setting up
distribution on a territory-by-territory basis. Sales to the remaining
international territories will be handled in-house.
The former PolyGram
Filmed Entertainment international chief aims to make four to six films
in its first year, expanding its output to up to forty films in the first
five years with an estimated production and distribution spend of over
$2 billion. The venture is encompass to films ranging from big budget
event movies to lower budget niche-driven fare.
"We anticipate
great things from Signpost," said Harvey Weinstein, co-chairman of
Miramax.
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