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Actor
Edward Norton and director Spike Lee are teaming for the
first time on a big-screen adaptation of David Benioff's novel "The
25th Hour," which the Walt Disney Co. is coming aboard to finance
and distribute. Production begins in May in New York.
The low-budget project will be produced by
Nick Wechsler of Industry Entertainment, which manages Benioff, and Lee's
longtime associate Jon Kilick.
First-time author Benioff also adapted the
screenplay, which depicts the last day of freedom for a young man before
he begins serving a seven-year jail term for drug dealing. Prowling through
the city until dawn with his two close male friends and his girlfriend,
he is forced to re-examine his life and how he got himself into his predicament,
which leads to a shocking, disturbing finale.
Book Description: (buy
this book) An absorbing novel of crime, its terrifying consequences,
and a bond that redefines the friendship of three restless young men.
Wall Street speculators, the Manhattan downtown club scene, Russian gangsters,
immigrant neighborhoods - all the elements in the urban turf of this finely
crafted contemporary crime novel wed danger with excitement and possibility.
They're the rewards that Monty Brogan, who stands at the center of the
moral glare in this tale, has already lost, just as he's lost his Corvette,
and the "sway" that opened the doors of exclusive night spots
and guaranteed him courtside seats at Madison Square Garden. Tomorrow
Monty's travels by bus, to the federal prison in Otisville, for seven
years. He's afraid, and all he'd ever really wanted when he grew up was
to be a fireman. With the pulse of the city in its prose, this debut novel
follows Monty through the twenty-four hours of his last day out. At the
same time, it illuminates the worlds, and souls, of his two best friends:
Frank Slattery, an edgy bond trader who gambles daily with financial ruin,
and Jakob Elinsky, an English teacher who clings to illusions as he compromises
his ideals. Friends since their high school days, the three of them nostalgically
share a past, but warily they confront a future that can no longer accommodate
their adolescent dreams. They meet. They drink, and talk, go clubbing,
dance, drink, and remember. What neither Slattery nor Jakob know, however,
is that Monty has a plan. It's a shocker.
About the Author :David Benioff
has written articles and stories for GQ, Seventeen, and
Zoetrope, and anthologies that include The Ex-Files and
Best New American Voices 2000
Norton is repped by Endeavor. Lee and Benioff
are repped by WMA. Benioff recently sold the supernatural thriller "Stay"
to Regency Enterprises for more than $1 million.
Kilick's association with Lee began with 1989's
"Do the Right Thing" and was renewed most recently with 2000's
"Bamboozled." Wechsler and Industry most recently produced "15
Minutes."
Michael Clarke Duncan has joined Ben
Affleck, Colin Farrell and Jennifer Garner in 20th Century
Fox/Regency Enterprises' live-action adaptation of the Marvel comic book
"Daredevil" for writer-director Mark Steven Johnson.
Shooting starts March 25.
"Daredevil" centers on attorney
Matt Murdock, who was blinded in a freak accident involving a radioactive
transport truck. At the same time, his other senses were enhanced, giving
him a secret edge and allowing the blind superhero to battle crime using
his heightened awareness and special powers. In the project, Duncan plays
one of the most powerful men in New York, a criminal mastermind named
Wilson Fisk who cloaks his illegal activities under the guise of a legitimate
business.
Garner stars as Elektra, while Farrell plays
the role of Bullseye, the villain. The last lead role of Foggy is expected
to be filled soon.
Producing "Daredevil" are Gary
Foster ("The Score"), Marvel's Avi Arad and executive
producer Stan Lee. Regency is fully financing "Daredevil,"
with Fox handling distribution. Johnson wrote the screenplay.
Duncan is in front of the cameras on the independent
feature "George and the Dragon." He next stars in Universal
Pictures' "The Scorpion King." He is repped by the Gersh Agency,
Dolores Robinson and attorney Nina Shaw of Del, Shaw, Moonves, Tanaka
& Finkelstein.
MGM is closing a deal to pick up the pitch
"Toy Men" from actor-producer Vince Vaughn that
"Clay Pigeons" helmer David Dobkin will direct.
The pitch, which Vaughn delivered to MGM executives
last week based on his original idea, is an ensemble project about four
hard-driving reps on the road who compete in the no-holds-barred arena
of toy sales. When they zero in on a housewife who has come up with what
could be a new best seller, one of the reps -- to be played by Vaughn
-- brings his 11-year-old daughter to improve his chances to land the
account.
"High Fidelity" scribe Steve Pink
is attached to write the screenplay, but there is no deal yet, sources
said.
Vaughn developed the pitch with Dobkin, who
directed him in 1998's "Pigeons." Vaughn will produce with Mosaic
Media Group, which has a first-look deal at the studio. Mosaic principal
Eric Gold brought the project in with vp production Garby Leon.
Vaughn, repped by UTA and attorney Debbie
Klein at Barnes, Morris, Klein, Mark & Yorn, most recently has produced
and starred in Artisan Entertainment's "Made" and starred in
Paramount Pictures' "Domestic Disturbance." He is before the
cameras on the DreamWorks/Montecito Pictures production "Old School,"
directed by Todd Phillips.
Dobkin is repped by UTA and manager Daniel
Rappaport at 3 Arts Entertainment. He next directs "Shanghai Knights,"
follow-up to the Jackie Chan-Owen Wilson starrer "Shanghai Noon."
Pink is repped by WMA. His other credits include
scripting "Grosse Pointe Blank."
Joel
and Ethan Coen are negotiating a seven-figure deal to write an update
of the 1966 British caper comedy "Gambit," which will be fashioned
as a potential starring vehicle for Hugh Grant.
"Gambit" revolves around a British
thief who conspires with a beautiful woman to rob a rich guy of his expensive
statue; heist is imperiled by a series of double-crosses. The original
starred Michael Caine and Shirley MacLaine.
Producer Michael Lobell has been trying to
get the remake off the ground for four years. The Universal Pictures project
attracted strong writers, whose careers took off before they could get
the script done. One was Aaron Sorkin, who signed a deal contingent on
pickups of his two pilots. One was "Sports Night," the other
was "The West Wing," and he never wrote a word of "Gambit."
The Coens sparked to the original film and,
though a deal is still being finalized by their reps at the United Talent
Agency, they will likely begin writing immediately.
They are set to direct their rewrite of "Intolerable
Cruelty" at Universal with George Clooney and Catherine Zeta-Jones
but must wait for Clooney to complete his directorial debut, Miramax comedy
"Confessions of a Dangerous Mind." The brothers are currently
in theaters with "The Man Who Wasn't There." There is no deal
with Grant, who is waiting to see the script.
Jude Law is negotiating to star in
"Diary of a Young London Physician," writer/director
David Mamet's take on the classic Dr. Jekyll and Mr. Hyde story.
Law, who'll play the doc and his alter ego
in the period drama, is near a deal that will pay him an advance of about
$7 million against a share of gross revenues. Penelope Cruz is
also in early talks to play the female lead. The Warner Bros. film is
expected to begin production in late spring.
Law will next be seen starring with Tom Hanks
and Paul Newman in the Sam Mendes-directed "The Road to Perdition,"
which will be released July 19. Cruz most recently starred with Tom Cruise
in Cameron Crowe's "Vanilla Sky."
Dimension Films is getting into the
Christmas spirit early this year. The studio moved swiftly Tuesday to
pick up the seasonal comedy "Bad Santa" after it was
put on the backburner by Working Title Films.
"Santa" centers around a pair of
con men who masquerade as Santa and an elf, traveling to different malls
each Christmas to rob them, until they meet an introverted 8-year-old
who reminds them of the true meaning of Christmas.
It will be directed by Terry Zwigoff
of "Ghost World" fame. Casting is expected to begin immediately
ahead of a spring production start and a Christmas release. Joel and Ethan
Coen will serve as executive producers.
Buena Vista Motion
Pictures Group (BVMPG) has bought the remake rights to Spanish thriller
Intacto following its successful screening at the Sundance Film Festival
where Lions Gate Films bought worldwide distribution rights.
The film, which
marks the feature directorial debut of Juan Carlos Fresnadillo, follows
a series of characters who test their luck in a series of high-risk games
of chance. Max Von Sydow plays a Holocaust survivor whose protégé Eusebio
Poncela abandons him. When Poncela discovers a plane crash survivor (Leonardo
Sbaraglia), he thinks he will be his instrument of revenge but his plan
is hindered by a dogged police investigator (Monica Lopez), herself the
survivor of a car crash. Fresnadillo was Oscar nominated for his breakthrough
short film Link in 1996.
Intacto was brought
into Disney by Alicia Keyes, the director of worldwide acquisitions
at Buena Vista International, who negotiated remake rights from producer
Fernando Bovaira, executive producer Enrique Lopez-Lavigne
and Sunmin Park on behalf of Sogepaq.
Keyes will be
production executive on the project with junior production executive Jill
Morris and under the aegis of BVMPG president Nina Jacobson.
A federal judge Tuesday barred Metro-Goldwyn-Mayer
Inc. from running ads that say its upcoming movie "Rollerball"
is from the same filmmakers behind rival studio Universal Picture's street-racing
hit "The Fast and the Furious."
Universal, a unit of Vivendi Universal, sued
MGM for false advertising and unfair competition on Monday, seeking to
halt the ads. Universal claimed its efforts to develop "Fast and
Furious" sequels could suffer from association with "Rollerball,"
which has gained a reputation as a troubled picture.
MGM reportedly postponed its release date
for "Rollerball," a remake of a 1975 drama about a futuristic
roller derby, from last August to February of this year after a rough
cut of the film was panned by online film critic Harry Knowles.
In recent broadcast spots, "Rollerball"
was touted as being "from the filmmakers that brought you 'The Fast
and the Furious."'
Universal officials argue the promotional
link to its "F&F" was misleading because neither the director
nor the producers for "Rollerball" had director or producer
credits on "F&F."
The closest connection between the films in
terms of their creative pedigree is that John Pogue, one of two screenwriters
for the "Rollerball" update, also was one of several producers
credited for "Fast and Furious."
U.S. District Judge Howard Matz sided with
Universal and issued a temporary restraining order.
MGM CONCEDED DEFEAT
MGM later insisted its ads were fair but conceded
defeat in court.
"We believe our ad was 100-percent accurate
and appropriate," an MGM spokeswoman said. "However, since the
injunction only involves a couple of TV and radio spots that were scheduled
to end on Friday anyway, we are not going to contest the court's ruling
and of course will abide by it."
Insiders at the studio said the disputed spots
represented less than 10 percent of the advertising campaign for "Rollerball."
In an unrelated movie-marketing dispute, MGM
has cried foul over New Line Cinema's title for its upcoming third installment
of the spy spoof franchise starring Mike Myers, "Austin Powers in
Goldmember."
In response to MGM's complaint that "Goldmember"
infringed on its James Bond franchise, an industry arbitration panel ruled
last week that "Goldmember" was inadmissible, forcing New Line
to withdraw movie trailers, posters and online promotions for the latest
Austin Powers film. New Line, a unit of AOL Time Warner Inc., has said
it would appeal the ruling.
"Goldmember" plays on the title
of the third in the series of Bond films, the 1964 classic "Goldfinger"
starring Sean Connery.
The weather is looking decidedly blustery
in Hundred Aker Wood. Lawyers representing the family that owns the merchandising
rights to Winnie the Pooh are stepping up their fight with Walt Disney,
the entertainment group which has turned the English children's books
into a huge multi-media franchise.
The Hollywood attorneys of New York literary
agent Stephen Slesinger, which bought the rights from author AA Milne
in 1929, have filed a suit to terminate Disney's licence and to claim
damages for "hundreds of millions" of dollars.
The filing is an escalation of a decade-long
battle between Mr Slesinger's family and Disney, which had previously
focused on the payment of royalties. In what has become an acrimonious
dispute, the Slesinger family has alleged that Disney has been withholding
royalty checks since 1983.
In an earlier trial, the Florida-based family
claimed it was owed $35m (£24m) from video, DVD and software sales. Walt
Disney rejected the claim, insisting that the products in question were
not covered by its agreement with the firm, Stephen Slesinger. The judgment
from that case has not yet been made public.
Bert Fields, a lawyer representing Stephen
Slesinger, said: "We are seeking damages in the hundreds of millions
and we feel very confident."
The attorneys for the heirs said that Winnie
the Pooh is now more valuable to Disney than Mickey Mouse. They claim
the character drives about $4.5bn of Disney's $25bn annual revenues.
Actors' awards tip Crowe and
Spacek for Oscars
Nominations for the Screen Actors' Guild award
appeared to confirm Russell Crowe and Sissy Spacek as narrow favorites
for this year's Best Actor and Best Actress Oscars when they were announced
last night.
Crowe is nominated for his role in A Beautiful
Mind, with Spacek up for her turn in the acclaimed In the Bedroom. In
the past, the SAG awards have established themselves as a reliable form
guide for Academy glory.
This may prove to be bad news for some. The
most notable omission from the SAG shortlist was Nicole Kidman, who was
previously believed to be a strong contender after star performances in
both The Others and Moulin Rouge last year.
Elsewhere, there were some surprise inclusions,
most notably those of Kevin Kline and Sean Penn in the Best Actor category,
and Renee Zellweger in the Best Actress nominations. None of these stars
had been seriously considered as a possible Oscar winner this year. Until
now, that is.
The SAG awards honors acting performances
only. Its most prestigious award is therefore that of Best Ensemble Cast,
SAG's equivalent of the Best Film Oscar. This year's nominees are The
Lord of the Rings, Gosford Park, A Beautiful Mind, Moulin Rouge and In
the Bedroom. The Best Actor nominees are Russell Crowe, Sean Penn (who
plays a mentally disabled man in I am Sam), Denzel Washington (Training
Day), Kevin Kline (for the generally ignored Life as a House) and Tom
Wilkinson (In the Bedroom). The Best Actress award is between Spacek,
Zellweger (for Bridget Jones's Diary), Halle Berry (Monster's Ball), Jennifer
Connelly (A Beautiful Mind) and Judi Dench (Iris).
Now in their eighth year, the SAG awards have
already shown an eerie accuracy in picking the Oscar winners. In the previous
seven outings, the winner of SAG's Best Actress gong has gone on to claim
the Academy Award on five occasions. In the Best Actor category the strike
rate is still more impressive, with the SAG winner being later anointed
Oscar winner six times. The one exception was last year, when Benicio
Del Toro won an SAG for Traffic, but missed out on the Best Actor Oscar.
Even this could hardly qualify as a slap in the face. In the event Del
Toro took the Best Supporting Actor award instead.
The SAG awards are announced on March 10,
with the Academy Awards ceremony following exactly two weeks later.
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