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In the first-ever acquisition of an Asian-American
film from Sundance, MTV Films has ponied up just under $1 million for
North American distribution rights to the controversial drama ``Better
Luck Tomorrow.''
The picture sparked heated debate among viewers
at its packed Jan. 16 screening in Park City due to its depiction of Asian-Americans
as frustrated high school kids in a world that seems to force an overachiever
identity upon them.
``Tomorrow'' uses crime film techniques to
explore modern identity and cultural issues among some upper-middle-class
kids. Directed by Justion Lin, it stars Parry Shen, Jason Tobin, Sung
Kang, Roger Fan and Karin Anna Cheung.
Paramount-based MTV Films is currently in
theaters with ''Orange County,'' a college comedy starring Jack Black
and Colin Hanks. Upcoming is next month's release of the Britney Spears
feature ``Crossroads.''
TV psychic John Edward is looking to cross
over into yet another dimension through a deal with Studios USA Programming
to develop a primetime drama series.
Edward, hot off the success of his syndicated/Sci
Fi Channel series "Crossing Over With John Edward," will play
a man who wrestles with the ramifications of his psychic gift, leaving
a career in medicine to examine his spirituality and how it intersects
with the law.
Edward is co-creator of the untitled project,
produced through his JECO Prods. banner and Studios USA, also home to
"Crossing Over." Edwards' manager/producing partner Gina Rugolo
will be a co-executive producer. Studios USA has yet to shop the project
to network buyers, nor has a showrunner been attached.
Edward has gained fame as a medium during
the past few years on the strength of his television series and best-selling
books "One Last Time" and "What If God Were the Sun?"
"Crossing Over" was a hit for Sci Fi from its debut in July
2000, and it ranks as the top new strip of the 2001-02 season since it
premiered in syndication in August.
The Long Island, N.Y. native maintains that
he became aware of his psychic abilities while in his teens. Edward's
TV show revolves around his efforts to reunite guests with deceased loved
ones who have "crossed over."
Edward and Rugolo were repped in the deal
by Endeavor and attorneys Joel McKuin and Marc Chamlin.
Two-time Academy Award-winning actor Kevin
Spacey is going back to his indie roots, taking on a supporting role
in his Trigger Street Prods.' "United States of Leland,"
which first-time helmer Matthew Ryan Hoge is directing from his
own script.
MDP Worldwide and Thousand Worlds are co-financing
the project, which begins shooting Feb. 4 in Los Angeles.
Additionally, Martin Donovan, Sherilyn
Fenn and Ann Magnuson also have signed on to the join the cast,
which includes previously announced cast members Don Cheadle, Ryan Gosling,
Chris Klein, Jena Malone and Michelle Williams.
"Leland" stars Gosling as 15-year-old
Leland, who murders an autistic child and claims that he committed the
act out of sadness. Leland is sent to a juvenile facility, where a male
teacher named Pearl must unravel the mystery behind his murderous act
and sadness while dealing with how the tragic killing affects the families
of both the victim and the perpetrator.
Trigger Street's Spacey and Bernie Morris
are producing the project with Thousand Words' Palmer West and Jonah Smith.
The most recent Trigger Street production that also featured Spacey onscreen
was Franchise Films' 1999 feature "The Big Kahuna."
MDP's Mark Damon is executive producing
the film, with MDP holding international distribution rights to the piece
and Thousand Words taking domestic rights.
Spacey, repped by WMA, manager Joanne Horowitz
and attorney Doug Stone, stars onscreen in Miramax's "The Shipping
News." He next stars in Universal Pictures' "The Life of David
Gale." The actor, who recently appeared onscreen in "K-PAX"
has won Oscars for his performances in "American Beauty" and
"The Usual Suspects."
Australian
John Polson, who recently helmed ``Swimfan,'' will co-write and
direct ``The Up and Comer'' for Michael Douglas' USA Films-based
Furthur Films.
He and Howard Roughan will adapt the screenplay
from Roughan's
eponymous debut novel, published in June.
``Up and Comer'' is a dark comedy about a
cutthroat attorney who's enjoying all of the fruits that Gotham has to
offer the rich and hip. That changes, however, when a penniless prep-school
buddy blows into town and proceeds to blackmail him.
Polson is finishing up ``Swimfan'' (working
title) for Furthur and GreeneStreet Films (''In the Bedroom'').
Polson also directed ``Siam Sunset,'' a comedy
that premiered in the Official Selection at the 1999 Cannes Film Festival
and won the audience award in Critics' Week. He began as an actor and
was most recently featured in ``Mission: Impossible 2.''
The British HMS Bounty is embarking on another
voyage to the screen with "Pitcairn Island," a telefilm
in development at HBO.
The film, which Oscar-nominated writer-director
Bruce Beresford is set to direct, focuses on the lives of the Bounty mutineers
after the uprising, when they found safe haven on the isolated volcanic
island of Pitcairn. The movie will be produced by Gavin Polone's production
company Pariah, which also has another project about historic events in
the hopper at HBO, a telefilm about the ill-fated 1840s Donner party trek
to be directed by John Rubin.
There have been several movies about the Bounty
-- starring such Hollywood bigwigs as Clark Gable, Marlon Brando, Mel
Gibson and Anthony Hopkins -- all of which have centered on its 1788 trip
to Tahiti, where first mate Fletcher Christian and others found companions,
and on the famous onboard mutiny on the way back, led by Christian.
"Pitcairn" picks up the story where
most of the other movies ended, with Christian and other sailors returning
to Tahiti, taking their Tahitian women and a few Tahitian men and landing
on Pitcairn Island in 1790.
During the next 18 years, until an American
whaler discovered the island in 1808, envy and animal instincts overtook
the tropic island, causing the men to turn against one another. "Pitcairn"
will be based on historic books, which describe the "Lord of the
Flies"-like events that left eight of the nine mutineers who settled
on the island dead, victims of murder or suicide.
Polone, who will executive produce the film,
said that today's violent society is what drew him to "Pitcairn,"
which he said is like a case study that can help us understand the roots
of why people become violent toward one another.
In addition, "two of my favorite movies
are ' "Breaker" Morant' and 'Black Robe,' so it's like an honor
to be able to work with Bruce Beresford," Polone said.
Beresford was nominated for an Oscar for writing
"Morant" and directing "Tender Mercies." His directorial
credits also include "Double Jeopardy" and "Driving Miss
Daisy."
Polone executive produces HBO's comedy "Curb
Your Enthusiasm" and executive produced the World War II movie "When
Trumpets Fade" for the cable network.
Paramount Pictures and producers
Gale Anne Hurd and Jesse Beaton have tapped Sid Quashie
to adapt Susan Kelly's 1995 book ``The
Boston Stranglers,'' with Carl Franklin attached to direct.
The book put forward the notion that the Boston
Strangler's infamous crimes were actually committed by multiple killers
rather than just the confessed murderer, Albert DeSalvo. Paramount execs
hope to have a shooting script by the summer.
Franklin, who recently helmed ``High Crimes,''
also directed ``One True Thing'' and ``Devil in a Blue Dress.''
Quashie has also been hired by HBO and DePasse
Entertainment to write ``A Taste of Power,'' based on the 1992 autobiography
of former Black Panther leader Elaine Brown.
In a high-six-figure deal, Intermedia Films
has bought the rights for an English-language remake of ``The Mission,''
the 1999 Hong Kong action film originally directed by Johnny To.
Oscar-winning screenwriter Christopher McQuarrie
(''The Usual Suspects'') will write the script for what is expected to
be a star-driven, big-budget drama.
Pic is about five elite bodyguards who form
a tight bond while protecting a key Triad mob boss after an attempted
assassination.
America's teen-age boys may have been a little
lonely this weekend. That's because young girls were busy flocking to
``A Walk to Remember,'' a Warner Bros. romance marking the feature
debut for pop singer Mandy Moore.
With an estimated three-day haul of $13.6
million since its Friday bow, the adaptation of Nicholas Sparks' bestselling
1999 rite-of-passage yarn attracted an audience that was 84% female, with
53% of patrons under age 18.
``We're calling it the little movie that could,''
said the film's producer, Denise Di Novi.
Studio marketers hope to expand the film's
audience based on favorable notices in exit interviews among older women.
``I've never had exit polls like this in 20
movies,'' Di Novi said.
The marketing campaign has also targeted Christian
groups based on the picture's message of love and understanding.
``There's definitely a market for spiritually
oriented movies,'' observed David Davis, box office analyst at Houlihan,
Lokey, Howard and Zukin. ``And in this the main female character is the
daughter of a minister.''
He added that the picture's success bolsters
prospects for the upcoming Britney Spears starrer ``Crossroads.'' Paramount
will launch the drama Feb. 15 for the long Presidents Day weekend.
Warner Bros. and its co-production partner
Pandora evenly split the $10 million production budget for ``Walk,'' and
also will divide domestic grosses evenly. Warners also holds distribution
rights in some foreign territories.
The solid bow represents a second consecutive
January success for director Adam Shankman, following last year's ``The
Wedding Planner,'' starring Jennifer Lopez. The romantic comedy opened
Jan. 26, 2001, to $13.5 million and ended up with $60.4 million domestically
for Sony.
The title of the upcoming third installment
of the hit comedy franchise ``Austin Powers in Goldmember,'' has been
ruled ''inadmissable'' by the Motion Picture Assn. of America (MPAA),
following a protest by MGM/UA, home of the Bond films.
MGM and Bond producer Danjaq Prods. had claimed
that New Line Cinema's Austin Powers title was an unauthorized parody
of 1964's ``Goldmember,'' the third film in the Bond franchise.
New Line quietly took down its online promotional
sites and began rescinding marketing materials on Friday, a day after
the edict was handed down by the MPAA's three-member title administration
arbitration panel, but has vowed to appeal.
Until the issue is resolved, New Line said
in a statement it would refer to the film as ``the third installment of
'Austin Powers.''' It is scheduled for a July 26 release.
New Line added that ``the issue currently
in dispute does not pertain to the title or content of the film. Indeed,
in 1997, New Line's use of the title 'The Spy Who Shagged Me' was cleared
by the MPAA. Thursday's hearing was solely about a procedural infraction,
and nothing more, between New Line and the MPAA, which we are in the process
of resolving privately. We find it unproductive and will not tolerate
any deliberate attempts to manipulate the facts in the press to further
aggravate this matter.''
In case anyone missed the joke, ``Austin Powers:
The Spy Who Shagged Me'' echoes the title of the 1977 Bond film ``The
Spy Who Loved Me.''
Despite using titles such as ``Octopussy''
themselves, Metro-Goldwyn-Mayer, its United Artists unit and Danjaq have
always been notoriously humor-impaired when it comes to the Bond franchise:
they have been known to sic hard-hitting Hollywood litigator Pierce O'Donnell
on auto companies that had the temerity to use a well-dressed spy as the
subject of a TV ad.
Similarly, MGM and UA would have loved to
put a stop to the use of ``The Spy Who Shagged Me,'' but when they registered
a protest with the MPAA in 1997, New Line countered the suit and won.
This time, New Line apparently failed to go through the proper channels
in its counter and, for now at least, does not have the right to use the
``Goldmember'' title.
``MGM/UA and Danjaq have a zero-tolerance
policy towards anyone who tries to trade in on the James Bond franchise
without authorization,'' an MGM spokesman said Friday.
Given MGM's attitude toward its sacred Bond
cow, it's hard to believe that it would see fit to abandon its advantage
at this point. New Line could conceivably fight the ruling under fair
use in copyright law.
Rappers 2 Live Crew, for example, took their
use of the Roy Orbison song ``Pretty Woman'' all the way to the Supreme
Court, which then reached the explicit conclusion that a parody falls
within the scope of the fair-use defense. It would, however, be impossible
to market the film as ``Goldmember'' during that process.
A new title, then? New Line marketing president
Russell Schwartz is certainly up to the task, but it would be a brain
teaser: ``Goldmember'' is the name of one of four characters that ''Powers''
star Mike Myers portrays in the film.
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