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The dealmaking at the Sundance FIlm Festival
has heated up, with Miramax closing a $5 million deal for audience fave
"Tadpole" .
The festival's other major pact, which closed
late in the day Monday, was for "The Good Girl," a comedy starring
Jennifer Aniston. Fox Searchlight outbid Paramount Classics and other
suitors for domestic and various other rights to the picture.
Directed by Gary Winick, "Tadpole"
stars Sigourney Weaver, Bebe Neuwirth, John Ritter and Aaron Stanford,
who makes his feature film debut in the lead role as a precocious teenager
obsessed with older women. When a beautiful fortysomething friend of the
family takes notice of his infatuation, the comedic complications compound.
"I'm really excited to be working with
Miramax, a company whose track record speaks for itself," Winick
said.
The third deal
of the Sundance Film Festival was closed yesterday as Lions Gate Films
acquired worldwide rights to horror picture May written
and directed by Lucky McKee. A loose retelling of Roman Polanski's
Repulsion, May stars Angela Bettis as a girl who wants to
make friends but lacks the confidence to do so because of a perceived
imperfection that has kept her in a shell since childhood. But when she
learns to hide her physical flaw, her attempts to connect with other people
prove to be a disaster.
The deal, thought
to be in the $0.8m range, was closed by Cinetic Media on behalf of the
film's producers with Sergei Yershov, co-president of Lions Gate Films
International and Jason Constantine, director of acquisitions at Lions
Gate Films.
The film was produced
by Marius Balchunas and Scott Sturgeon and co-stars James Sisto, Anna
Faris and James Duval.
Twentieth Century Fox and James Cameron's
Lightstorm Entertainment have optioned "Last of the Amazons,"
an upcoming novel about female Amazon warriors who nearly overrun Greece.
More than four years after directing the biggest
hit in movie history, Cameron has yet to lock in a directorial follow-up
to "Titanic." But "Amazons" shares the female empowerment
themes prevalent in his films, including "Terminator 2," "True
Lies" and "The Abyss." All were subtle compared with the
Amazons, a clan of fierce female hunters who only seek out the company
of males when they need to repopulate.
Steven Pressfield's novel will be published
by Doubleday in June and is the first deal made by Hotchkiss and Associates,
which represents Pressfield, who might write the script.
Pressfield wrote the first draft adaptation
of his novel "The Legend of Bagger Vance," and he is also the
author of "Gates of Fire," the epic Spartan battle of Thermopylae
in 480 B.C., which will be directed by Michael Mann at Universal, with
script by David Self ("13 Days").
The WB Network has "Aces"
up its sleeve. The network has ordered a one-hour pilot presentation from
writer-producer Leonard Dick to star Daniel Baldwin.
The Regency Television/Warner Bros. Television
show, described by Dick as a light family drama, centers on the son of
a poker-playing rounder who attends an elite private school. Baldwin is
set to play the father in the project, which marks his first return to
a TV series since his starring role in NBC's "Homicide: Life on the
Street."
"He is an absolute Mickey Mantle home
run in the role," Dick said. Dick, who wrote "Aces" as
a spec script, will executive produce the pilot with Emmy-winning producer
Michael M. Robin (ABC's "NYPD Blue") and Greer Shephard (the
WB's "Popular").
"This is a valentine to my parents,"
Dick said about the show, based on his own life growing up in Canada.
Dick attended the country's most prestigious private school at a time
when his father was making a living as a card player, and his tuition
when he first started at the school was paid by his dad's poker money.
In "Aces," the son, Andy, lives
with his mother, who has been separated but not divorced from his father
for 11 years. The show will follow Andy's old and new school life as well
as his relationship with his father, who still comes over for family dinner
and takes care of his wife and son.
"It's a very loving family, much like
a family that I know quite well," Dick said.
Baldwin recently finished filming the indie
"Irish Eyes Are Crying." His credits also include "Silver
Man," "John Carpenter's Vampires" and "Silicon Towers."
He is managed by Dan Spilo at Evolution.
Dick was a producer on the WB's midseason
comedy "A Young Person's Guide to Becoming a Rock Star." His
writing credits include the WB's animated series "The Oblongs"
and "Baby Blues" and the syndicated action-drama "Relic
Hunter." He is repped by Vision Art Management's Scott Schwartz.
After portraying the villain in "The
Patriot" and menacing a group of soldiers as a ranger captain in
"Black Hawk Down," Jason Isaacs is ready to take on Harry Potter.
Isaacs is in talks to play villain Lucius
Malfoy in "Harry Potter and the Chamber of Secrets," the second
installment of the J.K. Rowling series at Warner Bros. The pic is lensing
in England, giving the British-born Isaacs a chance to be home when his
wife Emma gives birth to their first child in March. He will reprise the
role in the fourth "Harry Potter" in stallment.
Up
for grabs is the next film by director Milos Forman. The Phoenix
Pictures adaptation of the Donald
Westlake novel "Bad News" was originally set
at Warner Bros. Phoenix chairman Mike Medavoy is now in talks with several
studios. The film is a comic caper about a career crook who attempts an
underhanded takeover of an Indian gambling casino. Doug Wright ("Quills")
has already written a script, and the film is ready to go into production
in April.
While he awaits a studio for his "Bad
News," Donald Westlake received good news for his most famous fictional
creation, the character of Parker, the unredeemable but principled villain
played by Mel Gibson in "Payback" and Lee Marvin portrayed in
"Point Blank."
The Parker novel series, which Westlake wrote
under the pen name Richard Stark, has been acquired for series treatment
by FX net entertainment president Kevin Reilly, who commissioned a pilot
script.
Book Description: Dortmunder
doesn't like manual labor. So when Andy Kelp relays the offer of a grand
to help dig up a grave in a far-flung cemetery, he balks...until he begins
to wonder just why Fitzroy Guilderpost, criminal mastermind, wants to
pull a switcheroo of two 70-years-dead Indians. Central to the plan is
Little Feather Redcorn, the ex-Vegas showgirl and great-granddaughter
of the newly-switched stiff. She will pose as the last remaining member
of the Pottaknobbee tribe, one-third owners of the largest casino in the
east. When the remains of the last known Pottaknobbee are dug up, down
there in Queens, the DNA will prove that it's her ancestor. But when the
scam goes into play, it's Dortmunder and his band who must step in to
make sure everything runs smoothly.
The script will be written by Alexander Ignon
("Ransom"), who adapted the Westlake novel "The Green Eagle
Score" with Steve Norrington attached to direct. Westlake, whose
other novel adaptations include "The Grifters" and "The
Hot Rock," liked Ignos' work and blessed the series. It'll be an
original caper for Parker, and will be written in the vein of "The
Sopranos" and "Heat," with the idea that a massive heist
will be perpetrated over the course of a season, the setup building over
episodes until the actual crime is perpetrated.
Italian actress Monica Bellucci, who
appeared on the cover of the February 2001 Esquire wearing only Iranian
caviar, will star in "Lucretia Borgia," an English-language
movie about one of history's most deadly femmes fatales.
Lucretia Borgia was born in 1480, the illegitimate
daughter of Pope Alexander VI. According to lore, she killed three husbands
and countless lovers, poisoning many of them with deadly powdered foxglove
administered from a ring she wore on her finger.
No other actors have been cast. A 30-page
synopsis of French producer StudioCanal's $20 million-plus movie is currently
being turned into a script, producer Richard Grandpierre said, with a
view to shooting in spring 2003.
The picture is being written and will be shot
by a French director whose name has not been released.
Neil Jordan is developing a rival project
about the Borgias, but it takes place during an earlier period in the
family's history than the StudioCanal film.
Bellucci is currently in U.S. theaters with
the French-language action picture "The Brotherhood of the Wolf,"
which opened last Friday on 21 screens via Universal Pictures. Her other
credits include Italian writer/director Giuseppe Tornatore's wartime romance
"Malena" and the Gene Hackman thriller "Under Suspicion."
Robert Downey Jr. has got another shot
in Hollywood, this time through a life of crime: He is in negotiations
to star in "Six Bullets From Now," the story of the biggest
hotel heist in history.
Stephen T. Kay ("Get Carter")
will direct the film, which is inspired by the events of New Year's Day
1972, when five gunmen stole more than $10 million in cash and jewels
from the Pierre Hotel in New York City in broad daylight. The theft led
to a massive FBI manhunt.
The $20 million film is slated to begin shooting
this spring in Montreal and New York. Director Ridley Scott ("Black
Hawk Down") will serve as a producer via his Scott Free Prods. shingle.
DreamWorks has a competing project based on
Ira Berkow's 1988 book about the same event, "The Man Who Robbed
the Pierre."
Downey, last seen on the big screen in Curtis
Hanson's 2000 drama "Wonder Boys," was sentenced to three years
probation last year after pleading no contest to drug charges.
Miramax Films
has announced two new pictures - it has signed Marc Forster (Monster's
Ball) to direct Neverland, the film of Allan Knee's play The Man Who Was
Peter Pan and it has acquired the rights to Paul Watkins' novel The Forger
and hired Proof playwright David Auburn to adapt it for the screen.
Neverland was
adapted from the play by David Magee and will be produced by Richard Gladstein
through his company FilmColony. Gary Binkow will executive produce with
Nellie Bellflower of Key Light Entertainment. The film is the story of
how James M Barrie's play Peter Pan came to be staged.
Swiss-born Forster
made a big impression at the Sundance Film Festival two years ago with
his first film Everything Put Together and has won critical acclaim for
Monster's Ball which won a Golden Globe nomination for its lead actress
Halle Berry.
Laura Ziskin -
who is producing the Academy Awards show this year as well as the film
of Spiderman - will produce The Forger, a suspense story about a young
American art student in Paris in 1939 who gets caught up in a plot to
forge renowned paintings. David Auburn won a Tony and a Pulitzer Prize
for his play Proof which is being filmed by Hart Sharp Entertainment.
Paramount Pictures senior executives Robert
Friedman and John Goldwyn have extended their contracts for
four years and been given elevated titles at the Viacom Inc.-owned studio.
Both executives will continue to report to
studio Chairwoman Sherry Lansing and will retain their current duties.
Friedman, who left Warner Bros. to join Paramount
in January 1997 as vice chairman of the motion picture group, takes on
the newly created title of chief operating officer. He will continue to
oversee worldwide theatrical marketing, distribution and acquisition of
movies and worldwide marketing and distribution of home entertainment.
Friedman also oversees the studio's specialty film unit Paramount Classics.
Goldwyn, who has served as president of the motion picture group since
1991, will share the title with Friedman of vice chairman of the group
and will be president of Paramount Pictures. Goldwyn will continue to
oversee the studio's movie slate, with responsibility for development,
budgeting, casting, production and acquisition of literary materials.
The studio scored its second-best year at
the box office in 2001 with such hits as "Lara Croft: Tomb Raider,"
which took in more than $130 million, and "Save the Last Dance,"
a modestly budgeted teen favorite that was highly profitable after grossing
more than $90 million domestically.
Among the Hollywood studios, Paramount continues
to have one of the most stable management teams. Last spring, Lansing
and Viacom Entertainment Group Chairman Jonathan Dolgen signed new six-year
deals.
Dolgen said he was pleased to keep the management
team together, as Paramount "enjoys a level of consistency and stability
few other studios can match."
An apparently
escalating decline in local production has prompted the state of California
to propose a tax incentive to encourage film and TV producers to shoot
in the state.
California governor
Gray Davis has announced that, if instituted, the labour-based tax credit
would return $230m to the production community over three years. Although
by no means the first such tax credit - more than 30 states offer incentives
- it is the most generous.
However, the scheme
is unlikely to affect so-called runaway production of feature films. Projects
eligible for the tax break would have a budget ceiling of $10m. The average
studio-backed motion picture has a budget of $50m. Slated to take effect
in 2004 - legislation will be required to implement it - the system would
provide a 15% credit on the first $25,000 earned by a California worker.
According to a
government statement, the new credit would target California-based productions
that have been the most "negatively impacted" by runaway production:
low- or mid-size productions such as Movies of the Week, mini series and
cable productions. And yet, according to data compiled by the LA-based
Center for Entertainment Industry Data and Research, the biggest growth
area in Canadian-based production was in films with budgets in excess
of $50m, followed by productions in the $20m-$50m range.
The proposal comes
in the wake of the withdrawal of a petition before the US Commerce Department
by the labour-backed Film and Television Action Committee (FTAC). The
petition sought to bring about tariffs against Canadian exports in retaliation
for the productions lost to Canada.
The petition was
opposed from several quarters, especially the Motion Picture Association
which referred to the petition as "dangerous", adding "it
is a direct incentive to a trade war and goes against the trade policies
of the U.S. government." The petition was withdrawn because FTAC
could not prove it represented the US film industry and was opposed by
other unions and production companies.
Canadian observers
are bemused by the spectacle of their US neighbours demanding a level
playing field when US-based film distributors control 90% of the Canadian
theatrical box office and US-produced television programmes dominate Canadian
television.
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