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Sophie Ellis Bextor, Salma Hayek
and Saffron Burrows have all reportedly taken screen tests for
the new James Bond movie.
The MI6 website claims actor Colin Salmon
played 007 in a mock love scene to help audition the prospective Bond
girls. Pierce Brosnan is said to have been unavailable at the time.
Salmon told: "I really enjoyed the audition
with Saffron Burrows and Salma Hayek was great. "Sophie Ellis Bextor
came along too but I can't tell you any more, it would be more than my
job's worth." Filming is due to start sometime this month.
Rapper Eve will star alongside Vin
Diesel, Samuel L. Jackson and Asia Argento in Revolution Studios'
spy thriller "XXX" for director Rob Cohen and
producer Neal Moritz.
Production began last month in Los Angeles
and has moved to Prague with an eye for an August release.
Eve will play Diesel's friend and business
partner in the story of a tough extreme-sports player (Diesel) co-opted
by the government to infiltrate a crime ring. Cohen said Eve also is likely
to perform the title song for the film.
Additionally, famed East German rock group
Rammstein and seminal English electronica act Orbital will be featured
on camera in pivotal scenes. Orbital will perform an original song titled
"Technologisky Park" during a rave scene, Cohen said.
Of choosing Rammstein and Orbital -- two acts
with huge European acclaim -- to be part of film, Cohen said, "To
get the true stranger in a strange land, you don't want the track riddled
with hip-hop and American rock; you want to get the flavor as Vin's character
gets the flavor of this new world."
Written by Rich Wilkes ("Airheads"),
the project is being executive produced by Revolution co-partner Todd
Garner along with Diesel's producing partner George Zakk. Creative executive
Derek Dauchy is overseeing. Kathy Nelson is the film's music supervisor.
"XXX" marks Eve's second acting
gig, following a deal for her to star in the MGM comedy "Barbershop"
for director Tim Story and George Tillman and Robert Teitel's State Street
Pictures. She is repped by WMA and Untitled Entertainment's Jason Weinberg.
The original creators of The Blair Witch Project
have finally committed to write a script for a third film, following 2000's
disastrous sequel.
Artisan, the studio behind the original movie,
boldly announced that the writing and directing team of Daniel Myrick
and Eduardo Sanchez would be back for BWP part three over a year ago.
But it took until the end of 2001 for the two sides to meet and agree
to go ahead with the project.
After the phenomenal success of the first
film, which made over $200m worldwide, Artisan went into overdrive to
get a sequel out in record time. The result was the ill-received Book
of Shadows: Blair Witch 2 which, despite being directed by respected documentary
maker Joe Berlinger, made only $26m.
The studio say they want to "take more
time" on this film. In the interim, Myrick and Sanchez have written
a romantic comedy, Heart of Love.
There is no official word as to the plot of
Blair Witch 3, but it has long been rumoured that it will be a prequel,
and will elaborate on the mythology that was created for the first film,
dealing with the story of the original 'witch', with that of the child-killer
Rustin Parr, or perhaps both.
Pop star and one-time soap opera actress Natalie
Imbruglia might be making a return to acting as part of a Hollywood
remake of the 1937 film, Dead End.
The Australian artist, best known for her
1997 hit single, "Torn," is reportedly on the verge of signing
on for the project, joining a marquee cast that includes Edward Norton,
Sarah Jessica Parker, and Matt LeBlanc, according
to Aussie news outlet Undercover. The film is about a gangster
who returns home to his East Side New York neighborhood. The original
version starred Humphrey Bogart.
Through much of the mid-'90s, Imbruglia appeared
in the Australian soap opera Neighbours. If Imbruglia takes the
part, 2002 will likely be a busy year for her--her second album, White
Lilies Island, is slated for American release on March 5 from
RCA Records.
A web poll has chosen Irish actor Colin
Farrell is the Hottest Irish Star of 2001, with Amanda Byram
close at his heels.
Dubliner, Farrell has gone from obscurity
to the Hottest property in Hollywood following his highly acclaimed role
in Joel Schumacher's Tigerland. He subsequently landed a
number of top roles alongside Bruce Willis (Hart's War),
Tom Cruise (Minority Report), and now Al Pacino in
The Farm.
Another talented Dubliner Amanda Byram nearly
beat Farrell to the top slot proving a hit with fans of her wit, charisma,
and beauty on the ill fated Big Breakfast show.
Samantha Mumba and Enya both
figured high in the poll, both having a very high profile year in the
charts and in movie theatres.
Mumba hit the US charts and also starred in
the soon to be released The Time Machine alongside her brother
Omero and Guy Pearce.
Enya's music featured on the soundtrack of
what may be one of the biggest movies ever (The Lord of the Rings:
The Fellowship of the Ring), aswell as releasing a new album, A
Day Without Rain.
Irish
singer Enya has been nominated for a Hollywood Golden Globe award for
Best Original Song for "May It Be" recorded for the film The
Lord Of The Rings.
The Enya team were asked to write two songs
for The Fellowship Of The Rings, Aniron (Theme from Aragorn and Arwen)
& May It Be.
The Fellowship Of The Ring is the first in
a trilogy of films based on JRR Tolkien's Lord Of The Rings. The Golden
Globe Awards take place on January 20th 2002.
Enya's album A
Day Without Rain has sold 11 million copies worldwide, 6 million
in America alone, making Enya the Biggest Selling Irish Artist In the
World.
The album is still riding high in the American
Billboard Charts at No. 7, and is currently 55 weeks on the American Billboard
200 Chart and peaked at No. 2.
Total album sales worldwide is 54 million.
In Japan Enya has 3 albums in The Top 30 Chart, A Day Without Rain (currently
triple platinum), Paint The Sky With Stars and Calmi Cuori Appassionapie.
It was a muddy picture at Intermedia parent International
Media in the New Year as news, some authorized, some not, trickled out
of the independent giant - in one of its most tumultuous periods of growth
since floating on Frankfurt's Neuer Markt in May 1999.
Co-chairman Moritz
Bormann traveled between Los Angeles and Germany closing a deal to
buy 100% of Graham King's Initial Entertainment Group (IEG) while speculation
about negotiations to acquire Gary Barber and Roger Birnbaum's Spyglass
Entertainment surfaced in the Hollywood press.
Eiol reported in the closing days of 2001 that Bormann's co-chairmen
Guy East and Nigel Sinclair were stepping down from their
positions, the latter believed to be negotiating a production deal with
Intermedia. Should the two veterans choose to sell their shares - around
25% of the company - they could bag up to $60m each before any deductions.
Meanwhile, the
company made its first deal announcement of the New Year this week - the
sale of most international rights to its epic sci-fi actioner Terminator
3: Rise Of The Machines to Columbia TriStar Film Distributors
International (CTFDI).
What will emerge
from such frenzied activity is as yet unclear and a company spokesperson
wasn't returning calls at press time, although the IEG and Spyglass deals
will clearly boost the value of the company on the Neuer Markt, bringing
library titles such as The Sixth Sense and Traffic
and a wealth of talent relationships into the company.
The new moves
also complete the shift of the company from a European/US axis to a Hollywood
powerbase. With Jon Gumpert - formerly executive vice president
of Universal Pictures, now vice chairman and former BVI executive Jere
Hausfater, president of worldwide distributions and acquisitions,
in charge of worldwide distribution, having moved the sales operation
from London to LA, the arrival of Birnbaum and Barber as well as LA-based
Brit King creates a pool of seasoned and well-connected LA executives
and producers. That's not to mention the arrival of additional international
financing expertise in the shape of Barber and King.
IEG will operate
as an autonomous label within the InternationalMedia fold alongside Intermedia
and possibly Spyglass. Spyglass cut a five-year co-financing deal with
The Walt Disney Studios in August 1998 and has a concurrent arrangement
with Kirch Media for continental European rights. How distribution of
its films will be handled after these expire is unclear, but Intermedia
could offer an alternative - the Disney deal was struck with Joe Roth
before he left the studio and the Kirch deal has been hampered by changes
within Kirch's film financing arm.
Through all this
news and speculation, Intermedia's share price has shown remarkable resilience
on the Neuer Markt. Since early November the stock has traded in a tight
Euros 23- Euros 25 range and closed earlier this week at Euros 23.43
A primer on moviemaking for the Hollywood outsider, AMC special ``Hello,
He Lied'' (Tues. (8), 10-11 p.m. EST, AMC) adapts Lynda Obst's intelligent
memoir into a stylish hour that attempts to find the elusive answer to
the question, what exactly does a producer do? Documentary essay provides
a whirlwind tour of the producing process, from finding material to the
opening weekend, which means it's inevitably vague and not especially
insightful. But this is an energetic, slick and solid special, combining
pop-up video wisecracks with plenty of interviews with top producers.
Whereas Obst's book employed stories from her own career to make the
necessary points, here other producers do much of the talking, with Obst
delivering the commentary that provides the how-to throughline, picking
out the essential kernels of wisdom from the interviews. For example,
when longtime producer David Brown declares, ``Relationships without a
script will get you nowhere,'' Obst deems the point important enough to
be worth rewinding the videotape to hear it a second time.
Of course, one thing relationships will get you is some well-credentialed
people to appear in your doc. In this case, veteran producers such as
Brown and Barbara Boyle, recent hitmakers Gary Foster (Obst's partner
on ``Sleepless in Seattle''), Dan Jinks (``American Beauty'') and John
H. Williams (``Shrek'') and studio execs-cum-producers like Mark Canton
and Tom Pollock all chime in or allow cameras to follow them to pitches
or lunches, none of which is especially revealing.
The piece doesn't provide the same sophisticated view of Hollywood culture
that the book offered (the title, for example, is never discussed), but
in just an hour, how could it? There's no time for the personal stories
that make the pithy advice come off as more than obvious and superficial.
But ``Hello, He Lied'' remains entertaining throughout and packs in plenty
of info for the uninitiated.
Directors Shari Springer Berman and Robert Pulcini enliven some dull
moments with the pop-up comments (``Is he irritated?,'' reads one, superimposed
on a writer getting notes from a gaggle of young execs at a boring development
meeting); the entire documentary has a sassiness that's appealing.
Edited by Tom Donahue, the documentary moves rapidly from point to point,
with Leigh Roberts' pulsing music setting the beat. The pacing cleverly
communicates something about the producer's frenetic life, sometimes more
effectively than the commentary.
Host: Lynda Obst.
Shot in Los Angeles by Tailslate Pictures in association with American
Movie Classics. Executive producers, Lynda Obst, Marc Juris, Jessica Falcon;
producer, Alicia Sams; co-producers, Julia King. Directors, Shari Springer
Berman, Robert Pulcini; based on Obst's book ``Hello, He Lied -- and Other
Truths From the Hollywood Trenches''; editor, Tom Donahue; camera, Sandra
Chandler, Nelson Hume; music, Leigh Roberts; sound, Stacy Hruby, Gregory
McKean, Scott Harber, Dennis Baxter.
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