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dick clark productions, inc. (NASDAQ:
DCPI) today announced that it has entered into a definitive merger
agreement, pursuant to which a group of investors led by Mosaic
Media Group, Inc., Capital Communications CDPQ Inc. (which does
business as CDP Capital Communications), and Jules Haimovitz, a
senior television executive, will acquire all of the outstanding
shares of dick clark productions. The agreement provides that stockholders
other than Dick Clark will receive $14.50 per share in cash. Mr.
Clark will receive $12.50 per share in cash for a portion of his
shares. Henry Winterstern, co-founder and managing partner of CDP
Capital Entertainment, will also invest in the acquiring entity.
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After rewriting "Snow Dogs,"
screenwriters Mark Gibson and Philip Halprin are negotiating
to write the sequel to that sleeper Disney hit and have made a lucrative
deal on "Chuckers," a fish-out-of-water film they've set
with Universal and Casey Silver Prods.
The story centers on Lezlie Hiner, a
prominent and wealthy Philadelphian who became the unlikely organizer
of a polo squad made up of inner-city kids who battled upper-crust
adversaries to make it all the way to the Interscholastic National
Championships. The scribes' deal could be worth seven figures if
the film is produced.
Gibson and Halprin, who shared screen
credit on "Snow Dogs" with earlier writers Tommy Swerdlow
and Michael Goldberg, did the rewrite that got the picture
greenlit and are now in discussions to script the sequel to the
$33 million film, which has grossed $62 million. They are also completing
for Sony and Neal Moritz "The Greek Girls' Guide to War,"
a comedy about warring sororities.
Author-screenwriter
Ryne Douglas Pearson has made a deal to adapt the Ken Follett novel "Code for
Zero" for Columbia and Red Wagon's Doug Wick
and Lucy Fisher, while at the same time closing a mid-six-figure
deal with producer Scott Rudin to write an original film
script.
The novel's a drama set in January,
1958: America's best hope in the space race-the Explorer I satellite-sits
on the launch pad at Cape Canaveral. And when a man wakes that morning
only to discover his memory erased and his life in danger, the only
way he can reclaim his own identity-and find those responsible-is
to remember the terrible secret that they forced him to forget.
A secret that could destroy the Explorer I-and America's future.
Pearson originally got noticed in Hollywood
by selling screen rights to his own novels, "Simple Simon"
(which was adapted into the Imagine film "Mercury Rising")
and "Top 10," which was bought for $1 million by producer
Mark Canton.
His recent surge in screenwriting activity
resulted from his dramatic script "Knowing," a star vehicle
being put together by Escape Artists and Sony. The film concerns
the premature discovery of a time capsule compiled by a student
who predicted numerous cataclysmic events and sees another one coming.
Ken Follett first thrilled readers
with the classic suspense novel Eye of the Needle. In the next twenty
years he topped bestseller lists again and again with his unique
blend of powerful storytelling, well-drawn characters, and authentic
detail in such books as The Third Twin and the worldwide bestseller
Edward Burns is in negotiations
to topline Lions Gate Films' suspense drama "Confidence"
for director James Foley. The project begins shooting at
the beginning of April is expected to wrap by the end of May.
Written by Doug Jung, "Confidence"
is about master con man Jake Vig, who swindles a few thousand dollars
from an unsuspecting victim who turns out to be an accountant for
a major crime kingpin. Unable to return the money, Jake and his
crew offer to pull off a big con to repay their debt. Even though
the con looks to be going awry, the con men prove to be one step
ahead.
Ignite Entertainment will produce the
project, which Lions Gate picked up in turnaround from Fine Line
Features last year.
Burns is repped by WMA, Artists Management
Group and attorneys Karl Austen and Barry Hirsch. He next stars
opposite Angelina Jolie in 20th Century Fox/Regency Enterprises'
"Life, or Something Like It." He is in postproduction
on the indie feature "Ash Wednesday," which he directed,
wrote, produced and stars in alongside a cast that includes Elijah
Wood, Oliver Platt and Rosario Dawson.
Meg Ryan, famed for her string
of romantic comedies, is in negotiations to star in an erotic thriller
to be directed by Jane Campion ("The Piano").
"In the Cut," budgeted at
about $12 million, tells the story of a New York writing teacher
who lives to take chances by night. When her neighborhood is rocked
by a series of brutal murders, she becomes sexually involved with
a detective on the case. Shooting is scheduled to start in New York
in July.
Campion wrote the script with Susanna
Moore, on whose novel the film is based. Sony's Screen Gems will
distribute domestically.
Nicole Kidman, who at one time was eyeing
the project to star in after she optioned the book out of her own
pocket in 1996 and funded its initial development, will now take
an executive producing credit on the picture.
Ryan most recently starred in Miramax's
romantic comedy "Kate & Leopold," which picked up
an Oscar nod on Tuesday for original song. She also will star in
Paramount Pictures' "Against the Ropes," a biopic about
female boxing manager Jackie Kallen, which is slated to go into
production in mid-November.
Ashley Judd is in negotiations
to star in Paramount Pictures and Intertainment AG's
"Blackout" for Kopelson Entertainment to
produce, sources have confirmed. The project is aimed to go into
production in the summer.
The project will reunite Judd with Paramount,
for whom the actress has starred in such films as "Double Jeopardy"
and "Kiss the Girls."
Written by Sarah Throp, the project's
story line has been closely guarded and is described only as a female-driven
gritty thriller.
Kopelson senior vp production Sherryl
Clark brought the script to the company. Oscar-winning producers
and Kopelson toppers Arnold and Anne Kopelson will produce with
Barry Baeres and Linne Radmin. Stephen Brown and Robyn Meisinger
will executive produce.
Paramount and Intertainment -- which
has a production financing agreement with Kopelson -- jointly plunked
down $1 million to acquire the spec last week in a pre-emptive bid
(HR 2/8).
Judd, repped by WMA, next stars in 20th
Century Fox/New Regency Pictures' "High Crimes," Warner
Bros.' "The Divine Secrets of the Ya-Ya Sisterhood" and
Miramax Films' "Frida."
Newly established Singer Jensen Entertainment
has bought the pitch "Crime Wave," a comic thriller by
Pierce Gardner ("Lost Souls") and former MGM veep Kim
Zubick, about a picture-perfect town turned upside down by its first
crime wave. The deal was worth mid-six against seven figures.
Singer and Jensen also bought the pitch
"The Wrong Target" from writer-director Matthew Ross,
about a single father's attempt to rescue his kidnapped son. The
man must go it alone, because authorities don't want the kidnappers
to realize they missed the actual target, the son of a prominent
man.
Also, SJE has tapped Dan Teebor VP production.
Teebor, who joins Singer Jensen from Marc Platt Prods., hit the
ground running by bringing in the project in a low-six against mid-six
figure deal.
Teebor was actively involved in developing
such Platt projects as "Legally Blonde," "Natural
Man" and "The Diary of Anne Frank," which Alfred
Uhry is scripting.
Producer Joe Singer linked up with financier
Janet Jensen to form the new company, which will finance its own
development and overhead and then set up projects for production
at studios. They began the venture by optioning rights to the Nicholas
Sparks novel "A Bend in the Road" as well as the comic
book "Mephisto," the latter to be scripted by Michael
Browning.
"Dan is the smartest executive
with material I've met, and writers truly love working with him,"
Singer said. "In addition to extremely strong writer relationships,
agents really trust him. We look forward to taking advantage of
his talent and relationships."
Hot off the surprise hit "Snow
Dogs," Cuba Gooding Jr. is negotiating to star in the Paramount
Pictures comedy "Fighting Temptations."
The story follows a young hip-hop artist
from L.A. who returns to his Southern hometown to attend the funeral
of an aunt. While there, he learns he's in for a large inheritance
that will come his way only if he starts a gospel choir and makes
peace with his roots.
Gooding won an Oscar for his supporting
role in "Jerry Maguire" and is expected to begin negotiations
to reprise his role in "Snow Dogs 2," a sequel to the
Disney film that is coming together quickly. "Snow Dogs,"
which cost $33 million to make, has grossed more than $60 million
at the box office after four weekends of release.
Michael Cuesta, whose debut film "L.I.E."
is up for six Independent Spirit Awards, has been hired to direct
"The Miracle Life of Edgar Mint," which is being produced
by R.E.M. singer Michael Stipe.
The United Artists project concerns
a half-Apache youth who gets run over by a mail truck and, after
hospitalization, finds a new life in a Mormon foster family. It
is based on a Brady Udall novel that Cuesta will adapt with his
brother, Gerald.
After a strong career as a commercials
director and photographer, Cuesta teamed with his brother and Stephen
Ryder to write "L.I.E.," a film that was a favorite at
the 2000 Sundance Film Festival, despite its bleak subject matter.
"L.I.E." concerns a troubled
young Long Islander who robs houses and who finds an unlikely father
figure in an unrepentant pedophile (Brian Cox). It is up for best
picture, director and first screenplay prizes at the Spirit Awards,
the arthouse world's equivalent of the Oscars which will be handed
out in Santa Monica on March 23.
Stipe is producing "Edgar Mint"
with his Single Cell Pictures partner Sandy Stern. Their banner
is best known for producing "Being John Malkovich."
Joseph "McG" McGinty
the "Charlie's Angels" director has closed a deal to shoot
the next installment of Warner Bros. Pictures' "Superman"
franchise, with "Felicity" and "Alias" creator
J.J. Abrams on board to write the script.
WB production chief Lorenzo di Bonaventura
has long vowed to revive the "Superman" saga as part of
the studio's push to capitalize on its DC Comics characters. Not
only does "Superman" represent yet another potentially
lucrative franchise, but the studio has already sunk millions into
the project and has yet to see a dime in return.
Between 1996-98, Warners was dead set
on getting the "Superman" franchise out of the phone booth
and into the air, spending millions on scripts by Kevin Smith,
Dan Gilroy and Bill Wisher.
But with the budget spiraling toward
$140 million and a script that still wasn't quite right, di Bonaventura
pulled the plug on pre-production for "Superman Lives"
in April 1998.
While the move reflected fiscal prudence
for a studio that had been walloped by ill-conceived films with
bloated budgets, some damage had already been done. "Superman
Lives" helmer Tim Burton and its star, Nicolas Cage,
both had pay-or-play deals -- meaning they get paid even if the
project goes ahead without them -- and neither is involved with
the McG/Abrams incarnation of "Superman"; the new team
plans to start from scratch conceptually.
Jon Peters, whose latest effort was
Sony's very expensive "Ali," will produce the mega-budget
picture.
"Superman" will likely be
McG's next film after "Charlie's Angels 2: Halo," which
will begin production this spring. That film is a summer tentpole
for Columbia Pictures, which has scheduled a June 20, 2003 release.
McG is also executive producing the
Fox TV action series "Fast Lane" with co-creator John
McNamara. McG will shoot the pilot. He had also been attached to
direct the Navy thriller "Dreadnaught" at Columbia, but
that picture is taking on water after the events of Sept. 11 made
it undesirable to make movies about exploding jetliners.
"Cromwell and Fairfax," a
British period drama starring Tim Roth, Dougray Scott
and Rupert Everett, was forced to suspend production this
week because of money woes. The $21 million production, which started
principal photography on Jan. 20, officially went into "hiatus"
on Monday. But filming will resume on Friday following intense negotiations
with several potential backers, executive producer Bradley Adams
told the media.
The failure of the producers to secure
a U.S. distribution deal prior to the shoot meant that they were
unable to close their bank deal and could not continue funding production.
Fox Searchlight is in negotiations
to bale out the project by signing up for North American rights,
although a number of other financing options are also being explored
by producer Natural Nylon Entertainment and sales company
IAC Films.
The picture, directed by Michael
Barker, is a 17th century political drama set against the backdrop
of England's civil war. Scott is also a producer on the project.
"I have to say that Dougray Scott
and Tim Roth have been fabulously supportive throughout this, and
so have all the people working on the movie," said Adams. "It's
not an ideal situation, but we will get through it."
The crisis has been exacerbated by the
serious illness of IAC chief executive Guy Collins, who collapsed
and was rushed to hospital a few days ago for a life-saving operation.
He is now recovering.
Early footage of "Cromwell and
Fairfax" has been screened privately to U.S. and international
distributors attending the Berlin Film Festival. One U.S. executive
described it to the media as "terrific."
Such stumbles seem to be becoming increasingly
common in U.K. film production, as the move toward bigger budgets
has coincided with a worsening of the climate for indie financing.
Half a dozen projects were halted during
pre-production last year. Even Robert Altman's multi-Oscar-nominated
"Gosford Park" teetered on the brink of financial collapse
until it secured its U.S. pre-sale and bank financing several weeks
into shooting.
Natural Nylon and IAC had originally
been hoping that Fine Line Features would take North American rights
to "Cromwell and Fairfax." But Fine Line president Mark
Ordesky told the media that the company never entered any negotiations
for the project and formally passed in early December.
Nonetheless, and despite the evidence
to the contrary, the producers persisted in the belief right up
to the start of shooting that Fine Line would be persuaded to come
aboard, thus making all the other financing fall into place. They
proved to be mistaken.
What's old is new again as albums of
remixes, greatest hits and live recordings debut in the top 10.
Singer-actress Jennifer Lopez made the biggest splash with
"J to tha L-O! The Remixes" bowing at No. 1.
Crooner Barry Manilow's hits collection
"Ultimate Manilow" (Arista) debuts at No. 3 on 113,375
units sold, while Sade's "Lovers Live," recorded while
she was on tour supporting her Grammy-nominated album "Lovers
Rock" (Epic), debuts at No. 10 on 66,250 units scanned.
"J to Tha L-O!" (Epic) sold
156,050 units in its first week of release, pushing country superstar
Alan Jackson's Arista Nashville release "Drive" down to
No. 2. "Drive," which spent three straight weeks at No.
1, added 149,775 units, according to SoundScan figures obtained
from industry sources for the week ending Feb. 10.
Creed's smash hit "Weathered"
(Wind-up/BMG) falls two spots to No. 4 on 109,725 copies added,
while alt-rock group Linkin Park's multiplatinum "Hybrid Theory"
(Warner Bros.) slips two spots to No. 5 on 95,050 units scanned.
Def Jam artist Ludacris' "Word
of Mouf" falls two spots to No. 6, adding 92,525 units, while
Nickelback's "Silver Side Up" (Island Def Jam/Roadrunner)
lands at No. 7 on 88,175 copies sold.
Ja Rule's "Pain Is Love" (Def
Jam) moves down two notches to No. 8 on 70,050 units sold, while
Pink's "Missundaztood" (Arista) holds strong at No. 9,
adding 66,450 copies.
Veteran
sales executive Lisa Wilson has joined newly formed Splendid
Pictures as its president of distribution, heading up sales
at the company which was created on the merger of Splendid Medien
and Cutting Edge Entertainment. Wilson comes from Franchise Pictures
where she was president of international distribution.
Wilson has
spent over 30 years in the international distribution business working
at companies including World Film Services, ITC Entertainment, her
own buyers representative outfit Film Liaison International,
Scotti Brothers Pictures, Nova Entertainment, Vision International
and Nu Image. She left Nu Image to head up distribution at Phoenician
Entertainment and upon Phoenicians amalgamation with Franchise
Pictures, she assumed the title of president of international distribution
at Franchise, working on the sales of everything from The Whole
Nine Yards, 3000 Miles To Graceland, The Art Of War, The Pledge,
Angel Eyes and Battlefield Earth to smaller titles such as Green
Dragon, Animal Factory and The Third Miracle.
Splendid,
which plans to produce feature and TV projects including two $40m
pictures a year, has a slate including The Courier, to be directed
by Jan de Bont; Dolans Cadillac, a thriller based on a Stephen
King short story with Stacey Title directing; Bounty Killer, written
and to be directed by Jonathan Hensleigh and to be produced by Gale
Anne Hurd; and the Tony Kaye helmed Redliners.
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