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Complete
List of Oscar Nominees
Epic fantasy The Lord of the Rings led
this year's Oscar nominations Tuesday by winning 13 nods, including
best picture, the seventh film in the history of the awards to do
so.
The other frontrunners for the nominations,
psychological drama A Beautiful Mind and Paris-based song and dance
extravaganza Moulin Rouge came in next with eight nominations each,
including best films and best actors.
Also showing heavily in the race for
Hollywood's most coveted awards, to be bestowed here on March 24,
were satirical 1930s murder mystery Gosford Park which came in with
seven nods and family drama In the Bedroom with five.
The pre-dawn ceremony went off here
without a hitch, endings weeks of behind the scenes maneuvering,
studio lobbying and nail biting as Tinseltown's frenzied awards
season moved into its final straight.
Australians Russell Crowe and Nicole
Kidman were nominated in the best actor and actress categories for
their respective performances as a schizophrenic maths genius in
Mind and as a Paris courtesan in Moulin Rouge.
The nomination was Crowe's third consecutive
Oscar nod and puts him in the running for the rare honour of winning
two back-to-back Oscars in March.
Also in the best actor category were
former Hollywood bad boy Sean Penn for I am Sam and Will Smith in
the role of Mohammad Ali in Ali, Tom Wilkinson for in In the Bedroom,
Denzel Washington for his role as a crooked cop in Training Day.
Running for best actress against Kidman
were Sissy Spacek for her portrayal of a distraught housewife in
In the Bedroom, Halle Berry for the southern US drama Monster's
Ball, Judi Dench for her role as novelist Iris Murdoch in Iris and
US actress Renee Zellweger for Bridget Jones' Diary.
Former child star Ron Howard won his
first Oscar nomination as best director for A Beautiful Mind, along
with Ridley Scott for Black Hawk Down, Robert Altman for Gosford
Park, Peter Jackson for Lord of the Rings and David Lynch for his
twisted drama Mulholland Drive.
Among the best foreign language film
nominees, France's subtle comedy Amelie, did particularly well,
winning a total of five nominations.
Directed by Jean-Pierre Jeunet, it picked
up best sound, art direction, cinematography, and original screenplay.
Also vying for best foreign language
picture were India's tale of the trials of locals under British
colonial rule Lagaan, Bosnia's dark war comedy No Man's Land, Norway's
Elling and Argentina's Son of The Bride.
But is was Lord of the Rings, A Beautiful
Mind, old-style musical revival Moulin Rouge and In the Bedroom
that had been the favorites in the race for the sacred Academy Award
nominations, and they did not disappoint.
Rings, the first of Jackson's $270 million
trilogy of films, won nominations for best director, best supporting
actor for McKellen's characterisation of the wizard Gandalf and
best cinematography.
It also got nods for best costume design,
best director, best film editing, best make-up, best original score,
original song, sound, visual effects and adapted screenplay.
Only seven films have won as many Oscar
nominations in the awards 74-year history while only two have managed
14, including 1997's blockbuster "Titanic" and 1950's
"All about Eve."
Mind also won nods for Jennifer Connelly
as best supporting actress for her role as mathematician John Nash's
wife, best director, original score, adapted screenplay, make-up
and film editing.
Moulin Rouge picked up nominations for
best art direction, cinematography, costume design, editing, make-up
as well as best picture, actress and sound.
But, surprisingly, it missed out on
a best director nod for Australian Baz Luhrmann who won a Golden
Globe last month.
Gosford Park, which had a mixed reception
from critics and audiences was the dark horse in the race for the
nominations but performed extremely well, winning nods for best
picture, director, two best supporting actress nods for Britons
Maggie Smith and Helen Mirren, best screenplay, costume and art
direction.
Somali-based combat flick Black Hawk
Down was an outside runner, picking up four nominations including
Scott's best director nod, best sound, cinematography and film editing.
Warner Bros. has paid $200,000 to option the rights to Dick's semi-autobiographical novel,
"A Scanner Darkly" for WB-based Section 8 -- the
production shingle of Steven Soderbergh and George Clooney.
If the film is produced, the value of the deal could rise to $2
million.
A disturbing tale of addiction, "Scanner"
lives up to its modifier: The book follows Bob Arctor, a man so
in the grip of drug dementia his brain can't even recognize himself.
Gripped by delusions, Arctor can't discern between his day job as
a narcotics officer and his paranoid alter-ego, Fred, who's submersed
in the addict's lifestyle.
The project had most recently been set
up at Muse Prods., where producer Chris Hanley had attached Leonardo
DiCaprio and for a time courted music video helmer Chris Cunningham
to develop the project as his first feature. Those people are no
longer involved in the picture, which will start afresh at Section
8.
With the option near expiration, Muse
Prods.' Hanley brought the project to Warner Bros.-based Gaylord
Films arthouse subsidiary, Pandora Films, in July, but did not get
the picture financed. Pandora did bring the project to Section 8,
for whom Warners later scooped up the book rights at the time of
Muse's option expiration, which ended officially in October.
It's not yet clear who'll helm the project,
but it is believed to be a possible candidate for either a CGI or
traditional animation treatment, according to sources familiar with
the deal.
The project has had at least one draft
done by someone who knows about multiple personality disorders --
"Being John Malkovich" scribe Charlie Kaufman --
but that version has since been abandoned, dating back to the time
when the project was set up at Universal, where rights resided previous
to Muse.
Fox Broadcasting Co. has added more
heft to its fall 2002 drama development slate now that David
E. Kelley has committed to develop a series for the network
and 20th Century Fox Television.
The project is still in the embryonic
stage but is said to revolve around the lives of three female lawyers
who live together in San Francisco. Fox has given the project a
13-episode commitment, per the terms of its wide-ranging development
deal with Kelley.
Kelley already fields the two dramas
that comprise Fox's Monday night lineup: "Boston Public,"
now in its sophomore season, and the Emmy-winning "Ally McBeal,"
which just passed the 100-episode mark in its fifth season.
Kelley, repped by Endeavor and attorney
Michael Gendler, also is attached as executive producer to
another Fox drama project in development for the fall, "The
Understudy," created by "Ally McBeal" showrunner
Bill D'Elia and writer-producer Ivan Menchell.
In other Fox programming news, sources
said the Matt Groening animated series "Futurama" may
be winding down its run by the end of next season. Most of the writing
staff of the 20th-produced comedy has been let go, but sources stressed
that the show has not been canceled.
Because of the long lead time needed
for animation, the scripts for the series' upcoming season have
already been completed. Rather than retain the staff for a show
that might not get picked up again, sources said Fox and 20th opted
to cut costs and disband the current production team.
"Futurama," which bowed in
March 1999, has never been a standout performer, but it has developed
a loyal cult following in the Sunday 7 p.m. slot. Fox's 20th Television
syndication arm is currently shopping the off-network rights to
the show to cable outlets.
Terry Gilliam is hoping to resurrect
The Man Who Killed Don Quixote, an abandoned project of his.
The director spent many years finding financing for the film, only
to see it fall apart mere weeks into shooting when the lead actor,
Jean Rochefort, fell ill.
Gilliam was at the Berlin film festival
to suppport a documentary, Lost in La Mancha, about the disastrous
events surrounding the film. But although he says it took him "a
week to recover" after seeing the documentary, there is a positive
aspect to it, as he is now going to make another attempt to complete
the film.
He intends to use the same cast, which
also includes Johnny Depp and Vanessa Paradis. Gilliam
is now trying to get the rights back, after a $12m insurance payout
which followed the failure of the first attempt. He said, "If
I play it right I can continue making this film for the rest of
my life."
The first details of plans for films
based on last September's attacks on New York and Washington have
begun to emerge.
Perhaps the highest profile of these
is a project by Susan Sarandon and Tim Robbins to
film the real life story of Rick and Susan Rescorla.
Rescorla was head of security at Morgan Stanley Dean Witter in the
World Trade Centre, and died in the attacks whilst evacuating employees
from the building. According to Variety, Sarandon is keen to play
his partner Susan whilst Robbins will write and direct the project,
tentatively titled The Real Heros are Dead.
Meanwhile, MGM has made a deal
with New Yorker journalist Lawrence Wright to adapt his article
The Counter-Terrorist into a screenplay. The article told the story
of John O'Neill, a former FBI officer who had worked on tracking
down the al-Qaida network for most of his career. In a fateful twist,
O'Neill became its victim after he left the Bureau to become head
of security at the World Trade Centre in September. MGM president
Michael Nathanson told Variety that O'Neill's story was one that
had to be told. "It is just so hard to find real stories that
are truly compelling, and if you started from scratch you'd be hard
pressed to create a guy as dramatic and compelling as this one,"
he said.
"This is an epic story with incredibly
intimate and flawed characters... It's not a story about the World
Trade Centre or the horror of September 11 as much as it is about
a guy who lived his dream, and was a combination of John Wayne and
James Bond. September 11 is just a small facet of this." If
the two deals go ahead, both films could go into production this
year.
Don Johnson,
Deborah Harry, Rossy De Palma, Nick Moran, Victoria Abril, Franke
Potente and Isabella Rossellini give a starry gloss to Peter
Greenaways most ambitious project to date, The Tulse Luper
Suitcases, which has secured a raft of international sales.
The trilogy
of 120-minute films, being sold by Fortissimo Film Sales,
gets underway on March 25 with K-19 and Last Orders star JJ Feild
in the title role as Luper. Suitcases. The project will include
three feature films, a TV series, CD-ROMs and DVDs. The CD-ROMs
will enable the viewer to examine the contents of each of the 92
suitcases at their own leisure. The various contents of the suitcases
include items such as 92 bars of Nazi gold, 92 shoes, cork frogs,
burnt dog burns, Vatican pornography and female underwear belonging
to famous American film stars..
Greenaway
aims to deliver the first feature element at next year's Berlinale
with the two subsequent episodes unveiling at Cannes and Venice.
As we reported in December, the first film, "The Early
Years", will be released in September 2002. The second film,
"Vaux to the Sea", will be released in the Spring of 2003,
and the third film, "From Sark to Finish", will be available
sometime in 2004.
The films
trace the story of the 20th century until the fall of the Berlin
Wall, told through the life of a "professional prisoner"
and his search for 92 suitcases scattered around the world.
At a press
call on Feb 11 in Berlin, Greenaway said: "This is the most
ambitious project Ive ever attempted." Kees Kasanders
Kasander Production Ltd, will act as UK co-producer.
UK distribution
will be arranged by former Metrodome head, Rupert Preston
as representative of Matrix Securities. In a first for the company,
the tax finance firm acquired UK rights as part of the films
sales and lease-back arrangements.
Other co-producers on the $9m picture
are Delux Productions of Luxembourg, TS Productions of Spain, Russias
12-A, Italys GAM Film, and Hungarys Focus Film.
Bollywood going global is nothing new.
Indian films have wooed fans worldwide. Shah Rukh's class act, Aamir's
perfectionist act, Hrithik's dance numbers, have wooed the international
audiences.
From London, to Paris to Cape town,
to Malaysia, there is no virgin territory untouched by Indian films.
And taking into account the growing popularity of Indian films,
countries like England, US and Switzerland have been vying with
each other to lure Bollywood biggies to shoot in their country.
Now a new country has joined the rat race to lure Indian producers.
Germany has decided to open its landscapes
for our heroes and heroines to romance in the rugged mountains of
Saxony, and the black forest to the lakes of Mecklenburg. Achtung,
Bollywood!
There have been a number of commercial movies about Internet hackers
and computer viruses, but not one filmed on the web -- until now.
"On_Line," an independent movie by Jed Weintrob,
is just that. Shown at the Sundance Film Festival last month, it
had its European premiere before appreciative audiences in Berlin
last week.
"I've been playing with this technology since 1993, pretty
much at the outset. I had an idea for a movie and I've been working
on it the past three years," Weintrob, 32, said in an interview
with Reuters.
"On_Line" tells the story of six characters bound by
an erotic Web site, Intercon-X, run by flatmates John and Moe.
John and others have taken up a life on the Internet verging on
the obsessive and the film shows how web-gazing and anonymous online
sex without contact can take over, at the expense of "normal"
relationships.
"I've had some Internet addiction problems of my own,"
Weintrob confesses. "A day and night can go by without you
going out. At the extreme it's unhealthy. People cut themselves
off. Some of these intense sexual experiences can be very addictive."
What's more, as the film shows, the reality of face-to-face meetings
can be a let-down.
The movie, featuring established TV stars and beginners, is a mixture
of scenes shot with webcams over the Internet and more conventional
sections filmed with digital cameras. The Internet dialogues presented
logistical headaches with one actor in one room, and at least one
other elsewhere playing out their online relationships.
"It was a technical nightmare, I don't think anyone has shot
a film online like that," Weintrob said.
The film's release comes well after the bursting of the dot-com
bubble, but Weintrob's movie focuses on what he considers the resilient
leftovers -- dating and Internet porn.
"I call them the cockroaches as they are the only things still
left after the apocalypse of the Internet," he said.
As well as Intercon-X, the film shows "Exit.com,"
a suicide site, and "Angel cam," a 24-hour open invitation
for voyeurs to view a woman's daily routine in her flat, the titillation
of her undressing and the monotony of her sleeping. The actress,
who had a similar occupation in real life, was found and auditioned
on the web.
Weintrob admits to heavy surfing to develop the plot and also went
on 10-15 dates via online agencies as part of his research.
"My writing partner had a flirtation for six months on the
net. They finally met and found they lived only two blocks apart,"
he says.
"A friend of mine and his wife used to put their lives up
on their personal web pages. She had an affair and he only found
out by reading her online diary," Weintrob said.
As Weintrob and his film show, it's not all bad and online romance
is steadily becoming part of normal life. "Everyone knows a
couple these days who got married after getting to know each other
on the Internet," Weintrob said.
The movie, which naturally has its own highly developed Web site,
has attracted the interest of U.S. distributors. Weintrob, whose
next two projects both have a technology theme, is also thinking
of developing a TV show based on "On_Line."
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