|
Wes Craven To Direct A Gothic Horror Version Of
"Alice In Wonderland
Jon and Erich
Hoeber will write "Alice," a gothic
horror version of "Alice in Wonderland"
to be directed for Dimension Films by Wes Craven.
The story, based on the
Electronic Arts video game "American McGee's
Alice," takes place after Alice is put in
a mental institution by her wicked aunt.
"I can't wait to
follow Alice down the rabbit hole for a completely
new and nightmarish journey," Craven told Daily
Variety. He previously directed the "Scream"
trilogy for Dimension.
The Hoeber brothers recently
wrote "White Out," to be produced by Gail
Katz and Wolfgang Petersen, as well as a television
show for the WB network called "Ringo and McCann,"
to be produced by Joel Silver. Their first film, "Montana,"
starring Philip Seymour Hoffman, Stanley
Tucci and Kyra Sedgwick, played at the
2001 Sundance Film Festival
Jeff Daniels has
joined the cast of Warner Bros.' "Bloodwork"
for director Clint Eastwood, who stars in the
film as well as produces through his Malpaso Prods.
The project sees Eastwood
playing Terrell McCaleb, one of the most effective
serial killer investigators in the history of the
FBI. After being sidelined by a heart-transplant operation,
he decides to turn his badge in to spend more time
restoring his boat, but an incident pulls him back
in. Daniels plays Buddy Noone, an aging professional
boat bum who appears to be Terrell's friend.
Additionally, Tina Lifford
("Joe Somebody") has been added to the cast,
playing an LAPD officer. Dylan Walsh also stars as
a police officer.
Daniels, repped by ICM,
next stars in "Gods and Generals," which
Warner Bros. is releasing. He wrote, directed and
stars in the indie feature "Super Sucker,"
which will premiere this month at the U.S. Comedy
Arts Festival in Aspen, Colo.
Lifford is repped by Stone/Manners
and Sanders/Armstrong. Walsh is repped by UTA and
McGowan/Levine Management.
Charlie Hunnam
is in final negotiations to star in the title role
of United Artists' big-screen adaptation of Charles
Dickens' novel "Nicholas Nickleby"
for writer-director Douglas McGrath and Hart
Sharp Entertainment Inc.
Jamie Bell, Nathan Lane
and Christopher Plummer also will star in the project,
which will shoot in April in London and Liverpool.
The book, adapted by McGrath,
follows Nicholas, a young boy whose father dies and
leaves him destitute. In order to make money to support
his family, Nicholas' greedy uncle (Plummer) finds
him a job teaching at a Yorkshire school, but the
boy flees the place along with his friend Smike (Bell),
and the two join a troupe of actors, headed by Lane.
Nicholas becomes responsible
for many people, including Smike, his sister Kate,
who is subjected to unwanted attentions by her uncle's
friend, and Nicholas' new sweetheart, Madeleine.
Jim Broadbent, Miranda
Richardson and Anne Hathaway are being eyed to join
the project as Nicholas' parents and girlfriend, respectively.
John Hart and Jeff Sharp,
who produced "Boys Don't Cry," are producing
"Nickleby" with Simon Channing Williams
("Topsy-Turvy"). Cinematographer Dick Pope
and production designer Eve Stuart, both of whom worked
on "Topsy-Turvy," also have signed to work
on the project.
Hunnam, repped by ICM
and Handprint Entertainment, next stars in Paramount
Pictures' "Abandon" for writer-director
Stephen Gaghan. He stars on the Fox comedy "Undeclared."
Plummer also is repped
by ICM. Lane is repped by UTA. Bell is repped by Artists
Independent Network in the United Kingdom. McGrath,
also repped by ICM, directed "Company Man"
and "Emma."
Monster's Ball's Swiss
director defended an unusually long and explicit sex
scene in his new film on Saturday, while star Halle
Berry described the movie as an "out-of-body
experience."
Already considered a possible
Academy Award candidate, "Monster's Ball"
had its world premiere in Berlin this week.
Director Marc Forster
and Berry, who co-stars with Billy Bob Thornton,
faced a barrage of questions about its sexual content
at a news conference on Saturday. "I saw it last
night and forgot how long it was," Forster said.
"You forgot?" Berry retorted.
Forster said the graphic
nature of the scene had required a spot of sharp cutting
to see the film past the film board in the United
States.
"I had to cut a minute
to get the rating. I tried to convince them the scene
was vital. It seems you can't have too much thrusting.
We cut some out," Forster explained.
Berry said she had seen
herself on screen in the film like an "out-of-body
experience." "I thought, wow, look at her.
It was the first time. I thought look at that person,"
she said.
The film tells the story
of racist Death Row prison guard Hank, acted by Thornton,
who falls in love with a black woman, Leticia, played
by Berry.
The two leads and the
supporting characters all live in an emotionally bleak
world mostly devoid of love. Hank tells his son he
always hated him, feels the same about his father,
and spews out racist epithets.
But the deaths of Leticia's
husband in the electric chair, Hank's son after a
violent confrontation and Leticia's daughter set the
stage for Hank and Leticia's unlikely relationship.
Deep loneliness and sex
bind them. Berry, who stars in the forthcoming Bond
film before also taking on a part in the sequel to
the X-Men, said Monster's Ball had given her the chance
to move away from her typecasting as a beauty.
"I could leave my
physical self in Los Angeles. We filmed in New Orleans.
She cared little about herself. I didn't work out.
I lost weight. I was rather waif-like. I didn't care
about my body," she said.
Monster's Ball was released
nationwide in the United States last week in more
than 400 movie theaters after a restricted early showing.
Nathan Fillion,
the former "Two Guys and Girl" star has
been cast as the lead in Joss Whedon's upcoming
space Western for Fox Broadcasting Co. from
20th Century Fox TV.
Fillion will play Captain
Malcolm (Mal) Reynolds in the show that has a 13-episode
commitment from the network. Set 400-500 years in
the future in a newly established Union of Planets,
"Firefly" centers on Reynolds, the owner
and the captain of a small transport spaceship of
class Firefly named Serenity, who takes any job --
legal or not --to stay afloat and put bread on the
table for his crew.
The time period in the
series is a version of the Reconstruction era and
Reynolds is a disillusioned war veteran of the big
battle to unite the planets who fought on the side
that sought independence and lost bitterly. "He's
a very dark-driven guy," Whedon said. Whedon
said he is "psyched" about the casting of
Fillion in the role.
"The great thing
about Nathan is that he has that presence, that gravity
and that coolness that you believe he's been through
stuff and he's lived," Whedon said. "At
the same time, he can turn on a dime from drop-dead
bad-ass to complete goof -- he's deeply, deeply funny
and that's another important part of Mal's character."
Though it is set in space,
"Firefly" will have a distinctive Western
flavor since the spaceship, in order to stay below
the radar, will ride mostly to the frontier planets
that are barely inhabited.
The combination makes
it a dream come true for Fillion. "The couple
of things I wanted to do since I ever stared acting
was be in a Western, be in a space show and this is
kind of like both, so I'm really excited," he
said.
The actor also acknowledged
20th TV, the producer of "Two Guys," which,
following the cancellation of the comedy by ABC, signed
him in a talent holding deal that resulted in the
"Firefly" casting.
"20th has been very
kind to me, and now the whole thing came full circle,
it's nice little happy ending to that chapter,"
he said.
The spaceship for "Firefly"
is currently being built on the Fox lot where the
series is scheduled to begin production in early March.
"Firefly" is set to premiere in the fall
with a two-hour pilot written and directed by Whedon
whose Mutant Enemy Prods. is producing the show with
20th TV.
Ever since the series
was announced in December, there has been speculation
the show might get "The X-Files' " Sunday
9 p.m. slot that got a boost by Chris Carter's announcement
last month that "The X-Files" will bow out
at the end of the season.
Fillion first joined "Two
Guys" in its second season, guest starring as
Johnny, the rugged and handsome boyfriend of Sharon
(Traylor Howard). The guest spot turned into a recurring
role, which soon led to Fillion's joining the cast
as regular.
Before that, he did a
three-year stint on "One Life to Live,"
which earned him a Daytime Emmy nomination in 1996.
His film credits include "Saving Private Ryan,"
"Dracula 2000" and "Blast From the
Past." Fillion is repped by 3 Arts Entertainment
and the Gersh Agency.
In the first casting for
the NBC/NBC Studios L.A.-based ensemble cop drama
from writer/executive producer Graham Yost, Wahlberg
has signed on to play one of the leads -- a bright,
shyly charming and soulful detective, who seemingly
has it all -- a perfect job and a perfect family --
but is falling apart on the inside. The pilot will
be directed by Jon Avnet.
"I think that the
writing-directing team of Graham Yost and Jon Avnet
and now the casting of Donnie Wahlberg show
that this is a very high-profile project that's going
to attract other actors of similar quality,"
said NBC Studios president Ted Harbert.
Meanwhile, Kevin Kilner
("Earth: Final Conflict"), Stacey Travis
("Bandits"), Terry Chen ("Romeo Must
Die"), Tyler Andrews and Eddie Jemison ("Ocean's
Eleven") have been added to the cast of ABC/Touchstone
drama pilot "Paranormal Girl," while Rachel
Skarsten ("Virginia's Run") has been cast
as one of the leads in the WB Network's drama pilot
"Birds of Prey" from Warner Bros. TV and
Tollin/Robbins Prods.
"Paranormal Girl"
centers on a 15-year-old girl (Sasha Barrese) with
paranormal abilities who is recruited by the FBI.
Kilner and Travis will play her parents, and Jemison
will play her liaison at the FBI.
In "Birds of Prey,"
based on the DC Comics' offshoot of the Batman comics,
Skarsten will play one of the three leads-- Black
Canary- Dinah Lance.
Wahlberg, repped by David
Lillard at the Ilene Feldman Agency and AMG, recently
signed to star in Castle Rock Entertainment's adaptation
of Stephen King's bestseller "The Dreamcatcher"
for filmmaker Lawrence Kasdan and the indie feature
"Leopold Bloom." His other credits include
"The Sixth Sense" and HBO's "Band of
Brothers." Skarsten is managed by Steve Lovett.
Intermedia, the biggest film concern listed on Germanys Neuer
Markt, is scaling back the UK base from which it first
launched as a small independent sales outfit.
As
the indie film giant becomes more of a Hollywood player,
it is understood to be leaving only the international
marketing department under Paul Davis based
in the UK. Since floating on the stockmarket in 2000,
Intermedia has increasingly shifted its focus from
edgy, low-budget fare such as UK Berlin competitor
Iris to big budget US films such as Terminator 3,
starring Arnold Schwarzenegger.
UK-based
collections and delivery activities are expected to
move to Los Angeles. Intermedias well-regarded
head of development Nick Drake is likely to be offered
a consultancy position. Up to 10 of Intermedias
existing London staff of around 15 are thought to
be affected.
The
restructuring continues the process started 15 months
ago when Intermedia moved activities such as business
affairs to Los Angeles.
Only
this week German commissioner for cultural and media
affairs Julian Nida-Ruemelin criticized the export
of 80% of the countrys film cash to Hollywood.
However,
Intermedia insists that it is committed to production
outside the US and that London-based Guy East will
continue to have a key role. Current projects include
a remake of Das Experiment, which is likely to transplant
the hit German thriller to the US.
Jean Prewitt, president
of AFMA, the trade organization for the independent
film and television industry worldwide, has been promoted
to Chief Executive Officer, it was announced today
by Kathy Morgan, chairman of the AFMA board of directors.
Prewitt, who joined the organization in April 2000,
will retain the title of president as well.
"Over the last two
years, Jean has exhibited exemplary leadership in
solidifying AFMA's role in representing the independent
film production and distribution community worldwide.
Additionally, she has succeeded in expanding AFMA
leadership in the public policy arena both in Washington
and overseas. For these reasons and others, it was
the unanimous decision of the board to grant Jean
the additional title of CEO, " said Morgan.
Before AFMA, Prewitt served
as a principal in Podesta Mattoon, a Washington D.C.-based
lobbying and public relations firm representing entertainment
and high-technology companies. Previously, she served
as an official with the U.S. Department of Commerce's
National Telecommunications & Information Administration
where she focused on representing the White House
on international communications and information policy
matters.
From 1982-89, Prewitt
was senior vice president and general counsel of United
International Pictures, the foreign distribution arm
of Paramount, Universal and MGM studios. She began
her career at Donavan Leisure Newton & Irvine
where she practiced intellectual property, anti-trust
and tax law, representing clients such as Disney and
Universal.
"My mandate from
the beginning has been to provide our member companies
with the resources they need to face the constantly
changing issues impacting the independent film community,
whether in the areas of new technologies, market access,
government policy, film finance or industry relations.
I am honored by the board's vote of confidence in
me and in the course that I have set for AFMA,"
said Prewitt.
|