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"Banks try to tear
out the fillet pieces to themselves",
however, also media Mogul Murdoch stands ready to
take!
The drama unfolds around
Leo Kirch and his(its) with five to six billion Euros
high if heavily indebted media group (premiere, SAT.1,
per Seven, cables 1) does not head for a decision.
" These days we see many sources on the road
who would like to bring the elephant to its knees
", says an insider.
One is of them, the Australian
media Mogul Rupert Murdoch to whom already a fifth
of Kirch's Pay TV broadcasting station premiere belongs.
Murdoch would gladly put his fingers between Kirch's
other broadcasting stations to take control. Rupert
Murdoch's BSkyB said on Wednesday that Kirch Managing
Director Dieter Hahn had resigned from its board,
in a sign of increasingly sour relations between the
two media companies. (Read
Full Story
)
"The
Shipping News" director Lasse Hallstrom
is committing to shoot a Miramax adaptation
of the David Liss novel "A Conspiracy
of Paper" this fall
That means he will drop
out of "Cinderella Man," the Universal/Miramax
drama about Depression-era heavyweight boxing champ
Jim Braddock, starring Russell Crowe and Renee Zellweger.
"A Conspiracy of
Paper" is a thriller set in London in the early
18th century, framed around the inception of the stock
exchange. Benjamin Weaver is an outsider in eighteenth-century
London: a Jew among Christians; a ruffian among aristocrats;
a retired pugilist who, hired by London's gentry,
travels through the criminal underworld in pursuit
of debtors and thieves.
In A Conspiracy of
Paper, Weaver investigates a crime of the most
personal sort: the mysterious death of his estranged
father, a notorious stockjobber. To find the answers,
Weaver must contend with a desperate prostitute who
knows too much about his past, relatives who remind
him of his alienation from the Jewish faith, and a
cabal of powerful men in the world of British finance
who have hidden their business dealings behind an
intricate web of deception and violence. Relying on
brains and brawn, Weaver uncovers the beginnings of
a strange new economic order based on stock speculation--a
way of life that poses great risk for investors but
real danger for Weaver and his family.
In the tradition of The
Alienist and written with scholarly attention
to period detail, A Conspiracy of Paper is
one of the wittiest and most suspenseful historical
novels in recent memory, as well as a perceptive and
beguiling depiction of the origin of today's financial
markets. In Benjamin Weaver, author David Liss has
created an irresistibly appealing protagonist, one
who parlays his knowledge of the emerging stock market
into a new kind of detective work. It will reunite
Hallstrom with Oscar-nominated "Chocolat"
scribe Robert Nelson Jacobs, who adapted the
novel.
About the Author;
David Liss was born in 1966 and grew up in
south Florida. He is currently a doctoral candidate
in the department of English at Columbia University,
where he is completing his dissertation on how the
mid-eighteenth-century novel reflects and shapes the
emergence of the modern idea of personal finance.
He has given numerous conference papers on his research
and has also published on Henry James. He has received
several awards for his work, including the Columbia
President's Fellowship, an A. W. Mellon Research Fellowship,
and the Whiting Dissertation Fellowship. He holds
an M.A. degree from Georgia State University and a
B.S. degree from Syracuse University. Liss lives in
New York City with his wife and can be reached via
his website, www.davidliss.com
Kirkus Reviews wrote
" A well-researched and highly entertaining historical
mystery debut that compares favorably with An Instance
of the Fingerpost. Liss's fiendishly intricate tale
of financial skulduggery and multiple murder, set
in a solidly realized early-eighteenth-century London,
has as its redoubtable protagonist and narrator one
Benjamin Weaver. The very model of a modern historical
mystery."
Hallstrom signed on for
"Paper" after "Cinderella Man"
was pushed back by about 14 months as a result of
Crowe's decision to star first for "Witness"
director Peter Weir in "Far Side of the World,"
a $135 million maritime epic that will begin shooting
this summer.
In
a high-six-figure deal, Warner Bros. Pictures
has acquired feature rights to "The Informant:
A True Story," a tale of conspiracy that
Steven Soderbergh is developing at his Section
Eight shingle with an eye to direct.
Scott Burns will
adapt the book, which was penned by New York Times
investigative reporter Kurt Eichenwald.
From an award-winning
New York Times investigative reporter comes an outrageous
story of greed, corruption, and conspiracywhich
left the FBI and Justice Department counting on the
cooperation of one man .
It was one of the FBI's
biggest secrets: a senior executive with America's
most politically powerful corporation, Archer Daniels
Midland, had become a confidential government witness,
secretly recording a vast criminal conspiracy spanning
five continents. Mark Whitacre, the promising golden
boy of ADM, had put his career and family at risk
to wear a wire and deceive his friends and colleagues.
Using Whitacre and a small team of agents to tap into
the secrets at ADM, the FBI discovered the company's
scheme to steal millions of dollars from its own customers.
But as the FBI and federal
prosecutors closed in on ADM, using stakeouts, wiretaps,
and secret recordings of illegal meetings around the
world, they suddenly found that everything was not
all that it appeared. At the same time Whitacre was
cooperating with the Feds while playing the role of
loyal company man, he had his own agenda he kept hidden
from everyone around himhis wife, his lawyer,
even the FBI agents who had come to trust him with
the case they had put their careers on the line for.
Whitacre became sucked into his own world of James
Bond antics, imperiling the criminal case and creating
a web of deceit that left the FBI and prosecutors
uncertain where the lies stopped and the truth began.
In this gripping account
unfolds one of the most captivating and bizarre tales
in the history of the FBI and corporate America. Meticulously
researched and richly told by New York Times senior
writer Kurt Eichenwald, The Informant re-creates
the drama of the story, beginning with the secret
recordings, stakeouts, and interviews with suspects
and witnesses to the power struggles within ADM and
its boardincluding the high-profile chairman
Dwayne Andreas, F. Ross Johnson, and Brian Mulroneyto
the big-gun Washington lawyers hired by ADM and on
up through the ranks of the Justice Department to
FBI Director Louis Freeh and Attorney General Janet
Reno.
A page-turning real-life
thriller that features deadpan FBI agents, crooked
executives, idealistic lawyers, and shady witnesses
with an addiction to intrigue, The Informant
tells an important and compelling story of power and
betrayal in America Burns identified the property
after hearing about it on Ira Glass' weekly Public
Radio Intl. program "This American Life."
He then discovered that it had been first optioned
by Michael Jaffe of Jaffe/Braunstein Films
with the intent of turning it into a television movie.
Burns convinced Jaffe to give him a shot at setting
it up as a feature and brought it to Section Eight,
which Soderbergh runs with George Clooney. Broadway
Books published the book last July.
About the Author;
Kurt Eichenwald who also wrote "Serpent on the
Rock: Crime, Betrayal and the Terrible Secrets of
Prudential Bache," has written about white-collar
crime and corporate corruption for the New York Times
for more than a decade. A two-time winner of the prestigious
George Polk award for excellence in journalism and
a finalist for the 2000 Pulitzer Prize, he has been
repeatedly selected by TJFR Business News Reporter
as one of the nation's most influential financial
journalists. For the Times, he has covered some of
the highest-profile news stories emanating from the
business world, including the Archer Daniels Midland
story,. is currently covering the Enron scandal
for the Times. Eichenwald lives in Westchester County,
outside New York City, with his wife and three children.
Burns is currently developing
three projects at Working Title Films: "P239,"
"California Fire and Life" and an untitled
project based on the life of a crime scene cleaner.
John Cusack, Ray Liotta
and Amanda Peet are in final negotiations to
star in Columbia Pictures' ensemble feature
"I.D." for director James Mangold
and studio-based Konrad Pictures. The project
begins shooting next month in Los Angeles.
The film is described
as a modern psychological thriller in the vein of
"And Then There Were None" and "Ten
Little Indians." It follows 10 people marooned
at a roadside motel during a fierce desert storm who
discover that they are being killed off one by one.
"I.D." reunites
Liotta with Mangold, both of whom worked on 1997's
"Cop Land." Columbia production president
Peter Schlessel and executive vp Doug Belgrad
are overseeing the project, picked up in November
as a spec script from British playwright-screenwriter
Michael Cooney in a mid-six figure deal.
Cusack, repped by WMA,
next stars in Alliance Atlantis Communications' "Hoffman."
Liotta, repped by Endeavor,
next stars in New Line Cinema's "John Q,"
Cutting Edge Entertainment's "Narc," Fox
2000's "Phone Booth" and HBO's "Point
of Origin."
Peet, repped by the Gersh
Agency and Industry Entertainment's Eric Kranzler,
stars in several upcoming projects, including 20th
Century Fox/New Regency Pictures' "High Crimes,"
Paramount Pictures' "Changing Lanes," MGM's
"Igby Goes Down," Warner Bros.' "Date
Squad" and Myriad Pictures' "Rain Falls."
MGM and Hyde
Park Entertainment have teamed to develop a remake
of the 1973 actioner "Walking
Tall" and are negotiating with writer
David Klass to adapt the project.
"Tall" centers
on a Southern sheriff's one-man mission to remove
corruption in his county. The original film was directed
by Phil Karlson and starred Joe Don Baker, Elizabeth
Hartman and Leif Garrett, among others.
The project also spawned
two sequels: 1975's "Walking Tall Part II"
and 1977's "Final Chapter -- Walking Tall."
Hyde Park co-chairman
and co-CEO David Hoberman told The Hollywood Reporter
that the project will be modernized and updated but
kept simple.
"It seemed time for
a movie about someone who takes the law into his own
hands and rights the wrongs of a corrupt community,"
Hoberman said.
Hoberman will produce
with Hyde Park co-chairman and co-CEO Ashok Amritraj
as well as Lucas Foster and Keith Samples. MGM vp
production Eric Paquette is overseeing for the studio.
The project isn't the
first remake for MGM, following such previous remakes
as "The Thomas Crown Affair" and the upcoming
"Rollerball," both directed by John McTiernan.
The studio also is developing a remake of "The
Pink Panther."
Klass, repped by UTA,
wrote the recent Showtime feature "In the Time
of the Butterflies," starring Salma Hayek. He
also penned "Desperate Measures" and "Kiss
the Girls." Hyde Park has a first-look deal with
MGM and a second-look deal with the Walt Disney Co.
Ed Harris has joined
the cast of Miramax Films/Lakeshore Entertainment's
"The
Human Stain" opposite Nicole Kidman
and Anthony Hopkins. The project will begin
shooting March 25 on the East Coast.
Directed by Robbie
Benton, "Stain" is based on Pulitzer
Prize winner Philip Roth's novel of the same name
and revolves around an unfairly disgraced light-skinned
black college professor, Coleman Silk (Hopkins), who
has spent his life passing himself off as Jewish.
He also has had an affair with Faunia Farley (Kidman),
a troubled yet fiercely independent young woman. The
story is told by novelist Nathan Zuckerman (Gary Sinise),
who investigates Silk's life and death and discovers
that the man has led a life of dark secrets. Harris
will play Lester Farley, the ex-husband of Kidman's
character.
Nicholas Meyer adapted
the novel, which is being produced by Lakeshore chairman
Tom Rosenberg and president Gary Lucchesi. Scott Steindorff
of Village Stone Prods., who brought the book to Lakeshore,
also is producing.
Harris, repped by CAA
and his manager Neil Koenigsberg, stars onscreen in
"A Beautiful Mind." He next stars in Paramount
Pictures' "The Hours" and "Buffalo
Soldiers," which Miramax acquired for distribution
at last year's Toronto International Film Festival.
Multihyphenate Harris directed, produced and starred
in 2000's Sony Pictures Classics feature "Pollock,"
which earned him his third Oscar nomination for best
actor.
"Free Willy"
director Simon Wincer has joined a pair of
contributors to the original 1979 "The Black
Stallion" film to bring a "Stallion"
prequel to large-format theaters for the Walt Disney
Co.
Wincer is no stranger
to equine pics, having directed the 1983 feature "Phar
Lap," about a champion New Zealand racehorse.
Titled "Young Black
Stallion," the prequel explores the origin of
the legendary horse in a tale of a young girl and
a black stallion who come into each others' lives
and rescue one another from dangerous situations.
While Wincer is new to
the "Stallion" franchise, a pair of the
original film's contributors -- producer Fred Roos
and writer Jeanne Rosenberg -- are involved in the
prequel.
"Stallion" also
is being produced by the Kennedy/Marshall Co. and
will be overseen by vp production Karen Glass for
the studio.
For Rosenberg, "Stallion"
is her latest large-format credit, following "China:
The Panda Adventure" and "T-Rex: Back to
the Cretaceous." Production on "Stallion"
is scheduled to begin March 4 in Africa.
Wim
Wenders has teamed with Martin Scorsese and a host of acclaimed
filmmakers to create an epic documentary series on
the subject of the blues.
"The
Blues", the project sees Wenders and Scorsese
joined by such directors as the UK's Mike Figgis,
a musician who has composed some of his own film scores,
and Marc Levin, the New York-based cinema verite documentarian
whose first feature Slam won the Sundance Festival
and Cannes Camera dOr.
Also
thought to be negotiating to direct a seventh segment
in the series - although his prospective involvement
has not been made public yet - is Clint Eastwood,
a well-known jazz afficionado who won acclaim in 1988
for Bird his biopic on bebop legend Charlie Parker.
Scorsese
will executive produce with Ulrich Felsberg, Wenders
partner in German production outfit Road Movies, and
with Jody Patton, president of Clear Blue Sky Productions.
Clear Blue is the US film financier founded by Microsoft
founder Paul Allen.
The
series, a long-standing ambition of Scorsese's, begins
with a journey from Africa to the Mississippi Delta,
where the music originated - from field hollers, work
songs and church choirs. Scorsese, whose credits include
his 1978 documentary on The Band's farewell concert
The Last Waltz, is directing that first element himself,
entitled From Mali To Mississippi.
Wenders
- whose long cinematic association with music includes
his box office hit Buena Vista Social Club - is now
due to follow three of his favorite blues artists
in a segment called Devil Got My Woman.
Levin
takes a more contemporary look at musicians such as
Howlin Wolf and Muddy Waters, while Figgis examines
the influence of the blues on UK artists such as Eric
Clapton and Mick Jagger.
Also
directing segments are Charles Burnett, best known
for To Sleep With Anger, and Richard Pearce, who has
directed films such as Country, No Mercy and Leap
Of Faith. Alex Gibney and Margaret Bodde are producing,
with Road Sales handling international sales.
FX and Artisan
Television are in development on a made-for-television
movie about the Enron scandal of which award-winning
producer Lowell Bergman will serve as a consultant,
announced FX President of Entertainment Kevin Reilly
and Artisan Pictures CEO Robert Cooper. In
addition, the companies anticipate making other deals
for an inside look at Enron. The movie may be two
or four hours in length pending development.
"We are committed
to making a credible and compelling movie out of this
pretty incredible and complex story,'' said Kevin
Reilly President of Entertainment at FX. "Lowell
Bergman has made his mark getting to the bottom of
complicated stories and that's why we are in the best
possible hands as we strive to get the facts straight
and distill the issues. However, the dramatic guts
of the story -- cronyism, dishonesty, ambition and
capitalism gone awry -- are taking shape with each
passing day.''
Bob Cooper, who will be
Executive Producer of the project, has produced numerous
acclaimed feature and made for television films. As
President of HBO Pictures, Cooper oversaw and approved
the production of some of the best ever made for television
movies including "Barbarians at the Gate,'' "And
the Band Played On'' and "The Josephine Baker
Story.'' Recently, Cooper Executive Produced "Sins
of the Father'' for FX and Artisan Television, which
garnered extensive critical acclaim and outstanding
ratings.
"We want to create
a story that echoes powerful ideas and images in the
same vein as such seminal productions as 'Barbarians
At the Gate,' 'And The Band Played On' and 'All The
President's Men,''' said Cooper. "Having the
esteemed journalist Lowell Bergman involved in this
project will be invaluable in helping us tell this
story and cast a mirror on our world and ourselves.''
Lowell Bergman graduated
from U.C. Santa Barbara and was one of the founding
members of the Center for Investigative Reporting.
He spent 16 years as a producer with CBS's "60
Minutes,'' where he was honored with several Emmys
and a Peabody Award. More recently he has been a frequent
contributor to the New York Times and served as both
producer and correspondent for numerous PBS Frontline
documentaries. The story of his investigation of the
tobacco industry for "60 Minutes'' was chronicled
in the feature film "The Insider.''
"I am very excited
to be involved with Bob Cooper to tell a very complex
and important story and make it accessible to the
general public,'' added Bergman. "This is a story
of men versus women and how it was the women who stood
up to the electric cowboys of Houston.''
FX's most recent original
movie, the critically acclaimed "Sins of the
Father'' (1/6/02), starred Tom Sizemore, Richard Jenkins,
and Ving Rhames. It was based on the relationship
between Bobby Frank Cherry and his son Tom Cherry,
and the role Tom played in helping the government
bring an indictment against his father. The elder
Cherry was indicted for his role in the 1963 bombing
of Birmingham's Sixteenth Street Baptist Church --
an event that resulted in the death of four girls
and changed the course of the Civil Rights movement.
FX and Artisan Television
are currently in pre-production on a film about Bobby
Kennedy titled, "RFK,'' which will be directed
by Emmy Award nominated Robert Dornhelm.
FX's next original movie
"Big Shot: Confessions of a Campus Bookie,''
from Fox Television Studios, stars David Krumholtz
in the lead role and is directed by Ernest Dickerson.
"Big Shot'' is the true story of Benny Silman,
whose flirtation with sports gambling while a student
at Arizona State University spiraled out of control
and was the catalyst for one of the most significant
sports bribery conspiracies in the history of college
athletics.
Artisan Entertainment
Inc. is a leading independent producer and distributor
of theatrical, television and home entertainment product.
The Company coordinates its business activities through
two wholly owned operating divisions, Artisan Pictures
and Artisan Home Entertainment.
Hollywood froze with the
rest of the world on Sept. 11. Terrorism-themed movies
vanished from the schedule, and studios grappled with
the notion that the reality of the terrorist attacks
might sap viewers' tastes for film violence of any
sort.
It was a short freeze.
The industry generally is back to business as usual,
relieved that Sept. 11 seems to have left moviegoers
unaffected in the types of films they want to see.
Problematic films postponed
after Sept. 11, including Arnold Schwarzenegger's
"Collateral Damage," Tim Allen's "Big
Trouble," and Anthony Hopkins and Chris Rock's
"Bad Company," were quickly put back in
the lineup for this year. Releases of two major war
movies scheduled for 2002, "Behind Enemy Lines"
and "Black Hawk Down," were moved up to
last fall. (Read
Full Story
..)
The tastes of record buyers
didn't change much over a week's time the top
nine albums remained the same for the week ending
Sunday, with Alan Jackson's "Drive" at No.
1.
"Drive,"
which has been at the top of the charts for three
weeks, sold 189,000 copies. Creed's "Weathered"
remained at No. 2, with 109,000 copies sold, followed
by Linkin Park's "Hybrid Theory," 91,000
copies; Ludacris' "Word of Mouf," 86,000
copies; and Nickelback's "Silver Side Up,"
78,000 copies.
There was one big jump,
however: Mary J. Blige's "No More Drama"
rose from No. 28 to No. 10 on the charts, selling
about 62,000 copies, according to figures released
Wednesday. That's twice as many albums as she sold
the previous week.
Blige got a boost because
she re-released the disc, which debuted last August
and had already sold more than 1.7 million copies.
The album has a new cover, two new songs and two remixed
tracks.
Spin magazine Editor in
Chief Alan Light said Wednesday that it's unusual
for a record company to rerelease a hit album after
just five months.
"I can't think of
anybody who's gone in and torn up a relatively new
album this much," he said. "If it works,
it will be interesting to see if other people pick
up on that as a way to revive interest."
The two biggest debuts
of the week came from vastly different genres; the
soundtrack to the Beanie Sigel-Jay Z flop movie "State
Property" sold 52,000 copies to place at No.
14, while a notch below was Barbra Streisand, with
51,000 copies sold of "Essential Barbra Streisand."
The week's top selling
discs:
- "Drive,"
Alan Jackson, 189,000
- "Weathered," Creed, 109,000
- "Hybrid Theory," Linkin Park 91,000
- "Word of Mouf," Ludacris, 86,000
- "Silver Side Up," Nickelback, 78,000
- "Pain Is Love," Ja Rule, 68,000
- "Stillmatic," Nas, 66,000
- "8701," Usher, 63,000
- "M!ssundaztood," Pink, 62,137
- "No
More Drama," Mary J. Blige, 61,602
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