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In the first deal engineered
by Mark Canton since he assumed the reins of
Artists Production Group last month, the company
has partnered with MGM to option "Chasing
the Dime," the latest novel from bestselling
crime writer Michael Connelly.
The book is the story
of an L.A. computer researcher who becomes obsessed
with a missing woman whose former phone number is
randomly assigned to him. His private investigation
leads him through the murky world of online adult
entertainment. Connelly is a former L.A. Times crime
reporter and author of such books as "The Black
Echo" and "Concrete Blonde." MGM will
finance and distribute the picture worldwide.
"When I heard about
Michael Connelly's 'Chasing the Dime' early last week,
I immediately knew it was a film that I wanted APG
to produce," Canton said. "I firmly believe
that with the resources that both MGM and APG bring
to the table, the end result will be a compelling,
high-energy, audience-pleasing motion picture."
Production shingle RAW
Entertainment has paid low- against mid-six figures
to pick up Brandon Bodie Beaver's spec script
"Mr. Mysterious," with Simon West's
Wychwood Prods. attached to produce.
The gothic action/fantasy,
set in the 1880s, concerns a blind, rogueish magician
and his traveling troupe of carnival performers who
are forced to return to London to stop an evil sorcerer
from implementing an ancient alchemist's plan to plague
the world with black magic.
West most recently directed
"Lara Croft: Tomb Raider" for Paramount
Pictures. He also was one of the executive producers
on Ridley Scott's "Black Hawk Down."
L.A.-based RAW is in post-production
on the Newman/Tooley production "Diablo,"
starring Vin Diesel
Indie film and TV production
shingle Southpaw Media Group has partnered
with Bill Mechanic's Disney-based Pandemonium
to co-produce two projects -- "The Whole Wide
World" and "Across the Universe."
"World," penned
by Stewart Schill, is the story of an astronaut
and his wife who struggle to find meaning in their
everyday existence after a life-changing incident.
Script is out to directors.
"Across the Universe,"
an original story by Sam Egan based on an idea
from Mechanic, is a big-budget event pic about the
race against time to the edges of the known universe.
Egan is penning the script.
David Fincher has
come aboard to develop, with an eye to direct, Regency
Enterprises' supernatural thriller "Stay."
The project reteams the helmer and the 20th Century
Fox-based company, who worked together on "Fight
Club."
"Stay," written
by David Benioff, is about a psychologist at
an Ivy League university who tries to prevent one
of his students from committing suicide. "Stay"
was picked up by Regency in October for $1.8 million
after attracting the interest of at least a half-dozen
companies and becoming the object of a heated contest
before the deal was closed . Tom Lassally and
Michael Bay are attached to produce.
Regency production president
Sanford Panitch will oversee the project. Fincher,
repped by CAA, directs the upcoming Columbia Pictures
feature "The Panic Room," starring Jodie
Foster. His credits include "The Game"
"Seven" and "Alien3."
Bernardo Bertolucci
will direct "Paris '68," a feature film
detailing the real-life student uprising that took
place in France's capital during the late 1960s.
The project is aimed to
go into production later this year in Europe with
U.K. producer Jeremy Thomas ("Sexy Beast")
producing through his Recorded Pictures Co.
In May 1968, thousands
of university students began to protest their moribund
system, which led to a bloody battleground between
students and police. Appalled by the brutality, 10
million workers (about half of the French labor force)
joined the movement and essentially shut down the
country's economic machinery for several weeks, during
which there was no mail, banking, transportation,
etc. People demanded the resignation of the government,
including President Charles de Gaulle. The end result
saw French social reforms in such areas as education
and immigration.
The film is the latest
political exploration for Bertolucci, whose work has
dealt with fascism ("The Conformist"), socialism
("1900") and the Chinese monarchy ("The
Last Emperor"), among other themes. It was the
latter film -- which won nine Oscars including best
picture, director and adapted screenplay -- that began
the filmmaker's longtime association with Thomas.
Their relationship has spanned 15 years and includes
collaborations on such films as "The Sheltering
Sky," "Little Buddha" and "Stealing
Beauty."
"Paris" will
be financed independently, with U.S. distribution
likely being sought upon completion of the film. Bertolucci
is repped by ICM.
Sony
Pictures Classics will give Ashutosh Gowarikers
Indian epic Lagaan a new theatrical outing
in the US in the late spring amid buzz that the 223
minute-film received a rapturous reception at its
Academy Award foreign language film committee screening.
The Academy Award nominations are announced next Tuesday
(Feb 12).
The
film was released on the Hindi theatre circuit in
June last year through SET Pictures, the global distribution
arm of Sony Entertainment Television (SET), which
is the seven year-old Indian venture between Columbia
TriStar International Television and Sony Pictures
Entertainment, Los Angeles. It grossed an impressive
$0.835m.
SETs
sister company Sony Classics is obviously a natural
to release the film in English theatres, although
the Hindi video and DVD have already hit US video
shelves. However, the selection of the film as Indias
foreign language Oscar submission has led to a renewed
exposure among English-speaking critics and Academy
voters, who responded favourably to its official screening,
according to insider reports.
The
film first started getting international play at the
Locarno Film Festival last year where it won the Prix
Du Public Award and it went on to screen at the Toronto
International Film Festival. A romantic costume epic
set in a small farming village in central India in
1893 during British rule, Lagaan tells the
story of a cricket match staged between the British
overlords and a team of villagers. If the villagers
win, they will not have to pay tax (or lagaan) for
three years; if they lose, they will have to pay triple
tax.
Produced
by its star, Indian superstar Aamir Khan, Lagaan
shot on location for five and a half months and is
considered a classic example of a new Bollywood epic,
with sumptuous production values, an accomplished
song score and gripping dramatic storytelling.
It
is at the forefront of the international explosion
of Indian cinema which has seen Miramax Films pick
up rights to The Warrior, USA Films pick up
Mira Nairs Golden Lion-winner Monsoon Wedding
and First Look Pictures take Asoka.
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Tom Hanks
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What is it with Tom
Hanks? If he's not notching up another Oscar or
two, the comedian turned Serious Actor is being lavished
with some other kind of industry recognition. In a
year when he has no work to offer for the Academy's
delectation, Hanks has just reminded everyone of his
megastar status by tying for first place with Julia
Roberts and Tom Cruise as the most bankable
Hollywood performer in a poll published 02/05/2002
by THReporter.
Hanks's position merely
cements what we've all known for several years now
- that whether he's running around on a desert island
with a long beard and a basketball for company, playing
a moronic table tennis champ or dodging bullets in
Normandy, the man can do no wrong in the eyes of Hollywood's
prime movers.
While Hanks, who will
appear later this year as an avenging hitman in Sam
Mendes's The Road to Perdition, has been king of all
he surveys for some time, others are more recent arrivals
the kingdom. Three years ago Julia Roberts ranked
eighth in the same poll; now she is joint first and
is clearly a very valuable commodity since winning
the Oscar last year for Erin Brockovich. The Hollywood
Reporter's StarPower 2002 survey has her as the only
woman to feature among the top ten stars.
Cameron Diaz, Nicole Kidman
and Sandra Bullock followed for the women, but none
was able to match Roberts's 100 per cent 'Maximum
StarPower' rating. The magazine questioned more than
110 film executives and asked them to consider the
bankability of 1,000 actors. They were asked to consider
each star's ability to get films funded as well as
his or her box office draw.
Others to benefit from
Oscar glory were Russell Crowe, last year's Academy
Award winner for Gladiator, who saw his ranking jump
from mid-table mediocrity in 1999 to seventh this
year. Crowe scored 94.74 and clearly has a little
way to go before he can look Roberts, Hanks and Cruise
in the eye. Perhaps he'll join the club if he wins
a second Oscar next month for his acclaimed performance
as a schizophrenic maths genius in A Beautiful Mind.
In a blow to the films'
screenplay Oscar chances, the Writers Guild of
America (WGA) has ruled that kudos favorites "In
the Bedroom" and "Memento"
are ineligible for its honors. WGA nominations for
feature films will be announced Thursday.
At the time the films
were made, the writers weren't members of the WGA,
and the productions were not WGA signatories. As a
result, in accordance with longstanding WGA rules,
the two pictures were not on the list of films to
be considered.
Both pictures have won
notable early-round contests: "Bedroom"
took the National Board of Review and Golden Satellite
honors, while "Memento" has collected laurels
from the American Film Institute and the Los Angeles,
Toronto, Las Vegas and broadcast critics groups.
"Our objective is
to protect writers," said Victoria Riskin, president
of the Writers Guild of America West. "But it's
not easy when some wonderful screenwriting can't qualify.
It always stirs up debate among the members when something
like this happens. But the members' concerns are with
getting the writers their benefits and protecting
their rights."
Aaron Ryder, an executive
producer on "Memento" and an executive at
Newmarket Film Group, which released the low-budget
smash, was sanguine about the situation.
"Each of these guilds
and organizations have their own rules, and we have
to live with them," he said.
"It would've been
great to get a Writers Guild nomination, or to win,
but we're excited about the film's future, we're proud
of our Golden Globe nomination and so we're not angry."
None of the disqualified
writers could be reached for comment. Representatives
from Good Machine and Greenestreet Films, which produced
"In the Bedroom," and Miramax, which released
it, declined comment.
"In the Bedroom"
was SAG member Todd Field's first writing (and feature
directing) effort, and both it and "Memento"
were made on small budgets. At the time they were
made, it's reasonable to assume the producers were
more concerned about staying within tight budgets
than about taking the steps necessary to qualify the
films for awards.
The guilds have differing
rules for their awards, which explains why "Memento"
writer-helmer Christopher Nolan received a feature
film nomination from the Directors Guild of America,
and why "Bedroom's" Sissy Spacek and Tom
Wilkinson were nominated for the Screen Actors Guild's
awards, as was the film's ensemble cast.
"Our rule is pretty
much the same as the Academy's," DGA spokesman
Andy Levy explained. "A film has to screen for
one week in the qualifying year in L.A."
Levy noted that Nolan
joined the Directors Guild after "Memento"
was shot, and that DGA nominee -- and strong Oscar
contender -- Baz Luhrmann, director, co-writer and
co-producer of "Moulin Rouge" also is not
a DGA member.
"We're celebrating
the outstanding directorial achievements for the year,
period," Levy said. "We don't want to discriminate
against any film."
Munich-based
Film & Entertainment VIP Medienfonds (VIP)
is to back the first English-language project by Der
Tunnel director Roland Suso Richter.
VIP
is to supply just over half of the budget for The
I Inside which will go into production in March by
Rudy Cohens RCD Productions with a cast
understood to include Stephen Dorff, Christian
Slater and Lauren Bacall.
Richter,
whose previous feature credits included 14 Tage Lebenslaenglich
and After The Truth, also directed the SAT.1 TV two-parter
The Tunnel whose theatrical version was sold by BetaCinema
to US distributor Roxie Releasing last week.
VIP
raised Euros 10.4m for its first placement as planned
last year and is putting up 100% financing for another
two projects: 150 three-minute shorts under the banner
Wahr Oder Falsch (True Or False), which are already
in production by TVNTV and will be sold internationally
by the KirchGroups sales arm BetaFilm; And the
action thriller Global Effect, to be produced by Cinetelfilms
Inc. from March 2002.
A new online movie company
is renting blockbuster films for $1. "Shrek,"
"Legally Blonde," "Spy Kids,"
"The Tailor of Panama" -- those and hundreds
of other films are all available to be streamed a
limitless number of times for three days.
Is it legal? The Taiwanese
company Movie88 seems to think so. A notice on the
site reads: "All the materials, movies and films
in Movie88.com are lawful and free from copyright
infringement under the laws of the Republic of China."
The MPAA is much less
sure. A spokesman said that the MPAA was "looking
into it and was taking steps to deal with the site
appropriately."
He added that the MPAA
operates a program in Taiwan as part of its worldwide
anti-piracy operation and that it therefore had the
personnel and expertise to handle whatever the situation
may prove to be.
Legitimate sites for online
movies took a stronger position. "Clearly, we're
against it and believe it should be shut down,"
said Bruce Eisen, executive vp of CinemaNow.
"But it also shows that there is a public demand
for Internet video on demand that offers a legitimate
alternative to these pirate sites. CinemaNow has been
doing this for several years and is pleased to see
that Movielink and Movies.com are joining us in meeting
this demand."
The Web site address for
Movie88.com is registered as belonging to Daniel
Tan at an address in Taipei. Attempts to contact the
company were unsuccessful by press time.
Besides the American films,
Movie88 has many films in Chinese and other languages
along with popular American television series such
as "Friends."
The Movie88.com Web site
is very slow and somewhat awkward to use. Once a viewer
chooses a movie and starts playing it, the stream
frequently buffers and often drops completely. Many
titles are poorly encoded as well.
A RealNetworks spokeswoman
confirmed that although the webcasts use its Real
Player product, RealNetworks is not serving the stream
and therefore has no association with the site or
its operations.
The U.S. Department of
Labor has decided to investigate last year's Screen
Actors Guild national election. Last week, a group
of five SAG members filed a formal complaint with
the Department of Labor urging it to suspend the controversial
rerun of the SAG national election and conduct its
own investigation.
Although the DOL does
not have authority to halt the rerun, which will go
forward as scheduled, there are several possible actions
the DOL could take, ranging from allowing the results
of the rerun to stand to nullifying them to the most
unlikely -- stepping in and supervising a third election.
Before an investigation
could proceed, the DOL had to determine whether all
internal SAG remedies had been exhausted. That decision
was apparently made last week, according to sources
close to the filing.
Washington-based SAG board
member Nat Benchley confirmed that fellow Washington-based
board member Jane Beard will fly to Los Angeles to
be interviewed by the DOL as a lead complainant in
the investigation. In addition to Beard, the DOL complaint
was signed by SAG first vp Mike Farrell, Chicago branch
president Lisa Lewis and guild members John Fleming
and Paul Petersen.
The DOL investigation
will focus on numerous charges lodged in the filing,
including: the committee that decided to rerun the
election did not have authority to take such an action,
the committee's ruling was biased and politically
motivated, the factors mentioned in the committee's
decision to rerun the election had no effect on the
outcome of the election, and the committee attempted
to manipulate the election process "to its own
desired ends."
DOL district director
Jeffrey Gitomer declined comment, in accordance with
DOL policy, on whether a complaint had been filed.
He also declined comment on whether the DOL had accepted
the case.
"If this elections
committee was found to be invalid, then the whole
election would be invalidated," said Rick Barker,
one of the five members of the original committee.
Barker said he had served on a previous elections
committee that had been appointed in the same way.
Last week, SAG's national
board voted to go forward with the rerun and formed
a new election committee.
In the original election,
Melissa Gilbert defeated Valerie Harper for the SAG
presidency by 1,588 votes. Gilbert declined comment.
Harper was unavailable for comment.
The DOL will have to determine
whether the actions of the original elections committee
were reasonable and whether the original complaints
were legitimate. Gitomer had previously said that
it was unlikely an investigation could be completed
by March 8, the night the results of the rerun are
scheduled to be announced.
Ballots for the rerun
will be sent out Monday, with a March 8 return date.
On Jan. 7, the original
elections committee decided unanimously to rerun the
voting for the three national officer positions of
president, treasurer and recording secretary, citing
procedural foul-ups caused by SAG staffers and Sequoia
Voting Systems, the firm hired by SAG to conduct the
election.
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