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Billy Bob Thornton is set to
play the title role in "Bad Santa," a Dimension
Films comedy targeted for a Christmas 2003 release.
Production will begin July 8, with Terry
Zwigoff directing. The "Crumb" documentarian made
his dramatic debut on last year's "Ghost World."
"Bad Santa" follows two conmen
who go on a road trip to malls dressed as Santa and his elf. Rather
than spreading good cheer, the duo's motive is to rob each establishment,
a strategy that becomes complicated when they encounter an 8-year-old
who teaches them the true meaning of Christmas.
"Bad Santa" has been a priority
picture at Dimension, the genre arm of Miramax Films. According
to company co-chairman Bob Weinstein, the picture is shooting for
an R rating.
"It is very much in the spirit
of Terry Zwigoff and the Coen Brothers, with Santa as an alcoholic
womanizer," Weinstein said. "At the same time, its hard
edge is offset by its great heart, a combination which makes the
film all the more appealing."
Weinstein lauded Thornton as an actor
who can pull off the tone. Signing the Dimension deal brings the
thesp back to the Weinsteins, who made "Sling Blade,"
the film that brought him a writing Oscar and defined him as an
actor and filmmaker.
Aside from last year's Coens encounter,
Thornton most recently starred in "Bandits" and "Monster's
Ball." The thesp just wrapped the Ed Solomon-directed "Levity"
and has been touring with his band in Europe. The U.S. leg of Thornton's
musical foray starts May 17 at the El Rey Theater in Los Angeles.
Luke Wilson will star opposite
rocker Bob Dylan in Intermedia Films' "Masked
& Anonymous," the big-screen directorial debut of television
writer-director-producer Larry Charles. The project is aimed
to go into production in July.
Written by Rene Fontaine and
Sergy Petrov, "Masked" is based on the unpublished
short story "Los Vientos del Destino," written
by Enrique Morales. It follows the story of Jack Fate (Dylan), a
wandering troubadour brought out of prison by his former manager
for one last concert, a charity benefit. The film ends with Fate
playing a concert. Wilson is playing Bobby Cupid, a former roadie
of Fate's who tends bar. He drops everything to join Fate in the
charity concert.
When Dylan signed to the project in
February, it marked his first acting role in 15 years. He also agreed
to perform his music in the film. A strong soundtrack featuring
Dylan's music is expected to accompany "Masked," though
it is not yet known whether Dylan will write original material or
use existing songs.
Wilson, repped by CAA, most recently
starred onscreen in the Walt Disney Co.'s "The Royal Tenenbaums."
He next stars in DreamWorks' "Old School" with Vince Vaughn
and Will Ferrell.
"Sex and the City" creator Darren
Star is sticking to a familiar subject, but this time he's taking
it to the big screen.
Star will adapt and direct Tracy
Quan's book "Diary of a Manhattan Call Girl: A Nancy
Chan Novel" for Sony-based Revolution Studios.
The book is based on Quan's successful
Salon column. A high-heeled walk on the wild side, Tracy Quans
Diary of a Manhattan Call Girl is a nifty trick of a first
novel, combining sexual slapstick with luxury-goods, hotel-lobby
sociology, exposing female vanity and male self-delusion with equal
aplomb. Juggling cell-phone calls and quirky clients, Quans
Nancy Chan is like a Henry Miller heroine with the meter running,
bouncing from one trampoline event to another while always keeping
an eye on the bottom line. What will shock many is not the explicit
play-by-play action but the knockabout, offhand humorthats
what shocked people about Henry Miller, too. No artificial sweeteners
here: Quans adventures in the skin trade deliver a cocktail
kick.
Star, whose other credits include "Beverly
Hills, 90210" and "Melrose Place," created and worked
on "Sex and the City" for the show's first two seasons.
He subsequently created Fox's "The Street."
Ridley Scott is in negotiations
to direct the Warner Bros. drama "Matchstick Men."
Should a deal be reached, Scott likely would direct the project
in the summer before directing 20th Century Fox's historical drama
"Tripoli," which would go in the fall.
"Matchstick" would mark Scott's
second pairing with Warners, with which he collaborated 20 years
ago on "Blade Runner."
Based on the yet to be published novel
by Eric
Garcia, "Matchstick" is described as being in
the vein of "Paper Moon." It is the story of a con man
with an obsessive-compulsive disorder whose orderly life is threatened
by the reappearance of a daughter he never knew existed.
Ted Griffin ("Ocean's Eleven")
and his brother Nick adapted the project, which Warners optioned
for mid-six figures two years ago. Robert Zemeckis and Jack
Rapke are producing the project through their Warners-based
Imagemovers with Sean Bailey ("Best Laid Plans") and Griffin.
Warners executive vp production Kevin
McCormack is overseeing the project.
Scott most recently directed Revolution
Studios' "Black Hawk Down," which earned him his third
best directing Oscar nomination. He also was nominated for "Gladiator"
and "Thema & Louise."
Harrison Ford and Josh Hartnett
are in talks to star in an untitled cop drama that Ron Shelton
will start directing in the fall for Sony-based Revolution Studios.
The Hollywood-set project centers on
a pair of cops who become involved in a crime that revolves around
the music business as seen through the eyes of Shelton, who previously
put a unique spin on sports pics as the writer-director of "Bull
Durham" and "Tin Cup." He sold the unnamed project
as a pitch he has since written with writer Robert Souza.
Ford has been looking for a project
since completing the Kathryn Bigelow-directed submarine drama "K-19:
The Widowmaker," in which he plays Capt. Alexi Vostrikov, commander
of the nuclear missile. That drama will be released by Paramount
July 19. The Shelton script is the one he's sweetest on, and a deal
is likely to crystallize quickly.
Hartnett is coming off a strong performance
in the Ridley Scott-directed Revolution drama "Black Hawk Down."
James Woods in "North Fork
The Polish Brothers, Michael
and Mark, have landed James Woods to topline their
new indie film "North Fork," a drama they will
begin shooting this month in Montana.
The brothers are best known for "Twin
Falls Idaho," and Michael will direct the new film with Mark
portraying Woods' son in what the actor calls "a mystical story
of the death of a town and the resurrection of a soul."
The duo offered the role to Woods when
they wrote the script a year ago, but he was tied up and had to
pass. That changed when they met up at a recent party and Woods
asked when they were going to do the film he'd turned down. They
told him they would start whenever he was ready.
"North Fork" concerns a town
that is about to be covered by a manmade lake and the legends of
angels that once inhabited the area.
"This is one of the most metaphysically
beautiful scripts I've ever read," Woods said, "and I'm
sure it will also be one of the most physically beautiful films.
People will see this moving role as a departure for me, but it's
really a return to the kind of acting I had always found most rewarding,
a role about spiritual will rather than sheer physical will."
While Woods was surprised that the brothers
had waited for him, the pair told him that their decision to become
filmmakers came after their father brought home a video of the uncut
version of Sergio Leone's "Once Upon A Time in America,"
which Woods starred in with Robert De Niro.
Paramount Pictures and Lions
Gate Films have partnered for the first time on a domestic pickup,
the Sundance hit "Narc" starring Jason Patric
and Ray Liotta.
Lions Gate had acquired domestic rights
to the police thriller at script stage; Tom Cruise's Paramount-based
production company was enthused about the project upon its Sundance
debut, after which the two studios negotiated a deal to distribute
jointly in the United States.
Neither Paramount nor Lions Gate would
detail the revenue split, but Paramount will handle all marketing
and distribution for the picture, which is slated for release in
the fourth quarter. Paramount is also negotiating with the film's
financier Splendid Pictures to pickup distribution rights
in three international territories.
"Narc" is the story of a suspended
undercover narcotics officer (Patric) who is reluctantly drawn back
onto the force to find the truth behind the murder of a young cop
killed in the line of duty. He is teamed with the slain officer's
partner (Liotta), a rogue cop who will stop at nothing to avenge
his friend's death.
The director and producer of the 1973
horror picture "The Wicker Man" are distancing
themselves from a remake in development at Universal Pictures.
Hoping to capitalize on the original
picture's huge cult following, director Robin Hardy and producer
Peter Snell have reteamed with "Wicker" star Christopher
Lee to develop another horror picture, "Riding the Laddie."
Hardy says Vanessa Redgrave and
Sean Astin have committed to the project, about two American
evangelists who fall into the wrong hands when they travel to Glasgow
to preach door-to-door.
The original "Wicker" concerns
a Scottish policeman who travels to a remote Scottish island whose
inhabitants practice bizarre fertility rites.
Universal, which owns the title, is
remaking "Wicker" with writer/director Neil LaBute
("Nurse Betty"), and will set it in the United States.
Contrary to reports that "Laddie"
is a literal remake of "Wicker Man," Hardy said the two
pictures are "quite different." His new picture, like
"Wicker," will be steeped in Scottish mythology. But the
original "Wicker," he said, "is really about Christianity
and paganism. This is not. The story is different, and it's got
a different cast of characters."
Paramount Pictures is negotiating
with Taylor Hackford to direct "The Raindance,"
a drama that has been better known around town as "The Jailhouse
Lawyer Project." Will Rokos, who with Milo Addica
was Oscar nominated this year for scripting "Monster's Ball,"
is being brought aboard to rewrite Doug Richardson's script,
with Hackford supervising.
The drama was developed by producers
Dylan Sellers and Mark Gordon, and revolves around
a convicted murderer serving a life sentence. He tries to redeem
himself by earning his law degree and tests his courtroom mettle
when he defends another convict in the same prison.
Hackford last helmed "Proof of
Life" and his credits include "An Officer and A Gentleman"
and "Devil's Advocate."
Both Sellers and Gordon are currently
active on other high profile projects, with Sellers producing the
MGM film "Agent Cody Banks" with Frankie Muniz and the
D.J. Caruso-directed Warner Bros. film "The Expendables."
Gordon, along with Scott Free, is producing "Tripoli,"
the Fox-based historical drama that will be directed by Ridley Scott,
with Russell Crowe negotiating to star.
Manhattan socialites-turned-scribes Caroline
Doyle-Karasyov and Jill Kargman have sold their spec
script "Bittersweet 16" to Paramount Pictures
for a low-six-figure advance.
The teen comedy focuses on the brutal
competition of the absurdly lavish Manhattan private school sweet-16
party circuit. Paramount exec Brad Kessell, who brought the
spec into the studio, also tapped the duo to write an original screenplay
based on "Every Girl Should Be Married," a 1948
RKO picture that starred Cary Grant.
Doyle-Karasyov and Kargman recently
adapted the children's book "Auntie Claus" for Nickelodeon.
Their first script, "The Intern," spoofed New York's fashion
world. It premiered at the Sundance Film Festival in 1999.
The Walt Disney Co. has paid a mid-six-figure
advance to acquire the pitch "Midnight Sun" from
writer Richard Jefferies.
The Alaska-set project is the story
of a remote fishing camp operator who discovers one of his guests
is an international fugitive. The locals nab the criminal only to
learn the bad guy's private army is coming to extract their boss.
Disney recently greenlit "Cold
Creek Manor," to be directed by Mike Figgis, based on Jefferies'
pitch, which the studio bought last year. Jefferies will start the
screenplay for "Sun" after finishing a light polish with
Figgis on "Manor," which includes digital video as a story
element.
Europe's music companies need to do
more to wean music-lovers away from a "free-music mindset,"
a UK internet research company said on Thursday.
"The main blight on the industry
is "CD burning," where an individual buys a CD and then
makes several copies for friends," Mark Mulligan from Jupiter
MMXI told Reuters.
"But Europe's legitimate online
music market is also being left in the starting blocks by the unchecked
growth of illegal file sharing."
Music sales in Europe fell by around
one percent over the past year, partly due to the impact of CD-copying
and illicit online song-swapping services, the International Federation
of the Phonographic Industry said earlier this week.
The fall is still not as big as North
America's, which saw sales decline 4.7 percent to $14.1 billion,
but Mulligan said Europe is lagging the U.S., in particular, in
facing up to piracy.
"(Europe's) record industry needs
to crack down hard and fast on the software companies behind file
sharing networks," he said, adding the industry also needed
to sort out how it was going to work with legitimate song-swapping
sites who charge users for downloads.
"In the United States the record
companies are starting to license content, but that's not happening
in Europe."
Mulligan said Europe's music companies
not only have to work harder to stimulate their own online sales
but they also need to offer big incentives -- like better sound
quality, virus-free files and artist exclusives -- to get music-fans
paying again.
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