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Former
"X-Files" star David Duchovny will portray acclaimed
hard-boiled crime novelist James Ellroy in the upcoming adaptation
of Ellroy's memoir "My Dark Places." "Dark
Places" details Ellroy's quest to resolve the unsolved murder
of his mother in 1958. The book began as a story that first appeared
as an article in GQ magazine.
Adapted by Jan Oxenberg, the
film will be directed by Robert Greenwald ("Steal This
Movie"), who produces, with Francis Ford Coppola sharing
executive producer credits.
"Places" is financed through
the five-picture partnership between Coppola's production company,
American Zoetrope, and Myriad Pictures.
Shooting is scheduled to start in June
in Los Angeles. United Artists will distribute in North America
as part of its output deal with American Zoetrope.
Greenwald, who met Ellroy through the
writer's agent, optioned the rights to the manuscript when he heard
the story even before Ellroy began writing it. Screenwriter Oxenberg
also worked closely with Ellroy and Greenwald on the script.
Ellroy is perhaps best known for the
novel "L.A. Confidential," which was adapted into the
Oscar-winning film by Curtis Hanson and Brian Helgeland.
He has penned a string of film noir-tinged novels that also include
"White Jazz," "Black Dahlia," "American
Tabloid, " "The Big Nowhere" and "Brown's Requiem."
"I was 46 when I reinvestigated
my mother's murder," Ellroy told DV, "and it's odd to
see someone who doesn't resemble me physically in the least playing
me. But I met David (Duchovny) for the first time ... on Saturday,
and he impressed me as a sharp and alert guy. I've no doubt he can
pull it off."
Ellroy added that there was a reference
to his book "The Black Dahlia" in the film "Kalifornia,"
in which Duchovny starred, and he considered that "a good omen."
Greenwald said: "This is as close
to an autobiography as James is going to write, and I felt a moral
as well as a professional obligation because of his incredible talent
to have him as deeply involved as possible throughout the making
of the film. He's been extremely helpful and came up with wonderful
suggestions, and he has been part of the casting process as well."
Ellroy's top choice to portray his mother
is former "China Beach" star Dana Delany because, he said,
"She's a fine actress and she bears the closest physical resemblance."
Duchovny next will be seen in Steven
Soderbergh's upcoming "Full Frontal." The former star
of Fox's "The X-Files" will return in the show's final
episode as the series ends its long run in May.
Clare Kilner has come aboard
to direct Mandy Moore in New Line Cinema's teen romance "How
to Deal."
The British director, who made her debut
with 1999's "Janice Beard: 45 Words Per Minute," turns
her attention to a project based on a pair of young-adult novels
by Sarah Dessen. "Deal" stars Moore as a teenager who,
surrounded by examples of love gone wrong, decides that love doesn't
exist -- until she is proved wrong.
"Clare has a really wonderful visual
style and a quirky insight, which is exactly what this movie needs,"
said New Line production exec Stephanie Striegel, who is overseeing
the project with director of development Michelle Weiss.
"Deal" is being produced by
Radar Pictures principals Scott Kroopf and Erica Huggins along with
Chris Van Allsburg and Bill Teitler. Good Machine International
is handling foreign rights. The script was penned by Neena Beber.
Kilner is repped by the Gersh Agency
and London-based agent Tracy Hyde at Casarotto & Co
Universal Pictures is living up to its
name, inking a low-six- against high-six-figure deal to pick up
Robert Franke's intergalactic thriller "Razors."
Universal-based "Mummy" director
Stephen Sommers and producing partner Bob Ducsay will
produce.
Project is described as a "Dirty
Dozen" in outer space. Set 600 years in the future, it follows
man's expansion from curious flotsam to malicious empire builder.
"We've always had two schools of
thought about alien life," Franke told Variety: "Either
they cute like 'E.T.' and benign, or they're vicious predators who'll
mow us down. And so I started thinking, 'What if we were the worst
thing in space? What if we overran several galaxies with our greed
and love of weaponry?"'
"Razors" follows mankind's
terrifying expansion outward to fringe galaxies, and in particular,
one where a band of genetically altered, conscienceless superhumans
have taken residence. Despite having been banned from -- and forgotten
by -- most civilized solar systems, these uberhumans make a dramatic
and aggressive comeback that threatens stability everywhere. A penal
colony team of Earth's 12 worst criminal scum are dispatched to
confront them.
Ducsay said he was drawn to the material
because "it's ultimately a redemptive tale ... these aren't
nice guys, but some of them do eventually do right."
Franke most recently penned "Two
Clocks Running" for Bel-Air and also wrote 1999's "Made
Men" for HBO.
Regency Enterprises and 20th Century Fox are in negotiations to
co-finance a big-screen adaptation of the Donald Westlake
novel "Bad News," with Milos Forman to direct.
Forman also is writing the script for
"Bad News" with Doug Wright ("Quills"). Phoenix
Pictures will produce along with Michael Hausman, Forman's longtime
producing partner. Fox will handle distribution.
The project is based on a comic caper
in which a career crook signs on for an underhanded takeover of
an Indian casino but soon realizes he's set himself up to be ripped
off -- unless he can rip off his partner first.
Forman previously worked with Phoenix
chairman-CEO Mike Medavoy on films such as "One Flew Over the
Cuckoo's Nest," "Amadeus," "Hair," "Valmont"
and "The People vs. Larry Flynt."
Academy Award winner Kevin Costner
is returning to the director's chair for the first time in five
years and, thematically, will explore some of the wide open spaces
where he has enjoyed his greatest success.
The multihyphenate will direct, produce
and star in the Western feature "Open Range" and
is finalizing a deal to set it up at the Walt Disney Co.
Co-starring with Costner for the first
time will be Robert Duvall. The project begins production
in June in Calgary, Alberta.
Written by Craig Storper, "Range"
is about the day-to-day travails of four men -- two of whom will
be played by Costner and Duvall -- living in the West.
Costner and David Valdes are
producing the project through their Tig Prods. Storper also
is producing.
"It's a piece about a way of life
coming to an end and the violence that accompanied it, which was
the hallmark of settling the West," Costner said in an interview.
"It is also a poetic piece that deals with a code of friendship
and people who were willing to die abiding by that code."
Costner said he has long been drawn
to the Western genre as evidenced by such projects of his as "Silverado,"
"Wyatt Earp" and "Dances With Wolves," which
earned him best director and best picture Oscar wins.
"I enjoy the genre, the legacy
and the history of it," he said. "And as a form of entertainment,
I really respond to it."
Additionally, Costner said he was excited
about doing business with Disney for the first time and in particular
looks forward to working with Dick Cook, the newly named chairman
of Walt Disney Studios.
"I've had a personal relationship
with Dick Cook, and now it's evolved to a professional one,
which is great," Costner said. Costner is repped by CAA. Duvall
is repped by his manager Rob Carliner.
Oscar-winning actor Russell Crowe
has emerged as the leading candidate to star in the historical drama
"Tripoli" for 20th Century Fox. The film would reteam
Crowe with director Ridley Scott in another big-budget period
epic. The actor won the Academy Award for his role as a Roman general-turned-warrior
slave in "Gladiator," last year's Oscar winner for best
picture. Scott received an Oscar nomination for his direction of
the movie.
Scott committed last month to direct
"Tripoli" in what will be his first helming assignment
since his production company, Scott Free, signed an overall deal
at 20th Century Fox.
"Tripoli" will be written
by William Monahan and produced by Mark Gordon with Scott Free,
the partnership between Ridley Scott and his brother, Tony. Both
Fox and Crowe's agents declined comment.
Crowe has become the go-to actor for
period dramas in the wake of his standout box office successes "Gladiator"
and "A Beautiful Mind." His next project is as the lead
in the 18th-century seafaring adventure "Master and Commander,"
also for Fox, due to start shooting in June in Baja, California.
"Tripoli" tells the true story
of William Eaton, an American who helped the heir to the throne
of Tripoli lead an overthrow of a corrupt ruler in the early 1800s.
The film could start production as early as this fall.
Crowe's schedule following "Master
and Commander" has not been set, but attachments include making
his directorial debut on and starring in Intermedia's World War
II tale "The Long Green Shore" and starring as boxing
legend Jim Braddock in "Cinderella Man" with Universal
and Miramax co-financing.
Steven Jay Rubin, exec producer of Showtime's
"Bleacher Bums," has acquired rights to "Deadly
Deception," Jack Engelhard's thriller set in the
world of high-stakes casino crap shooters.
"Deadly Deception," published
in 1997, is about a high-stakes gambler motivated by spiritualism
who finds himself confronted by evil, leading to a dice shootout
to determine life and death. Julian Rothschild, the novel's main
character, is a guy who can't lose because he thinks he's received
a special blessing from above. The casinos think he's a mechanic
-- a cheat.
But he's a genuine hero who gives his
winnings to charity. He's a Robin Hood type, or, to mix the metaphor,
he's King David at the craps table. He's David and the rest of the
world -- represented by the casinos -- is Goliath.
Rubin, who has a first-look deal at
Showtime for his Fast Carrier Pictures, believes the lead role of
Julian Rothschild can attract major young talent. In addition to
executive-producing "Bleacher Bums," which aired Sunday
on Showtime, he has been developing patriotic and World War II projects
as features, including "American Mythic," "The Himmler
Strategem," "Cut Off," "A Silent Night"
and remakes of "The Steel Helmet" and "A Walk in
the Sun."
About the Author Engelhard, Jack Engelhard's
novel Indecent Proposal spawned one of the hottest movies in recent
times. Starring Robert Redford and Demi Moore, the Paramount movie,
based on Engelhard's novel, broke box office records here and abroad
and has to date taken in some $300 million worldwide.
The novel Indecent Proposal has become
an international sensation. Published by Pocket Books in the U.S.
(audio by Simon & Schuster), the book has been translated into
20 languages and is a bestseller throughout the world. The million-dollar
moral dilemma posed by the novel has sparked an international debate
on ethics.
Throughout his career, Engelhard has
been an avid follower of James Jones, Crane, Hemingway, Fitzgerald,
Salinger, Andre Schwartz Bart, Camus, Lardner, Dostoevsky, the plays
of Ionesco, the films of Truffaut, and, above all, Scrpitures.
Engelhard, though not conventionally
religious, admits to being inspired by Scriptures for both style
and substance, as evidenced in his writings, wherein he puts his
characters to the test; placing the spotlight on men and women to
see how they behave and perform under pressure.
His personal experiences, beginning
with his escape from the Nazis to earnings a place as a world-class
novelist, may explain his search for nobility in a world of chaos.
Thus the central character in his latest novel, Deadly Deception,
is a genuine hero... a man of high integrity.
Engelhard was born in Toulouse, France
and escaped to America with his family during the Nazi Occupation.
He spent his formative years in Cincinnati, Ohio. Engelhard is a
ranking belt in Israeli martial arts. He served in the Israeli Navy
as an American volunteer. He resides in South Jersey with his wife
and two children
The collapse of Leo Kirch's empire became
official Monday as his core business filed for bankruptcy and the
75-year-old television tycoon, a pivotal player in the global media
industry for nearly half a century, offered to step down.
After weeks of negotiations, creditor
banks and minority shareholders failed to reach agreement on a rescue
plan for Kirch Media, the Kirch Group's flagship division that controls
a vast film library, sports rights and commercial broadcaster ProSiebenSat
1.
The company's insolvency will go down
as the biggest in the Germany's post-World War II history. However,
creditor banks are nonetheless prepared to inject "massive"
capital to keep Kirch Media afloat.
Kirch Media has outstanding debt of
1.4 billion euros ($1.23 billion) to creditor banks and owes a further
$440 million to Hollywood studios stemming from output deals, said
Wolfgang van Betteray, a Kirch-appointed corporate troubleshooter
who has become interim chief executive of the company's new management.
Van Betteray will continue the inhouse restructuring begun earlier
this year.
A thorough restructuring of Kirch Media
could take up to six months due to the unit's complex structure.
The entire Kirch Group was crushed by
a $6 billion debt burden and hemorrhaging costs. It remains unclear
how many of Kirch's 10,000 employees will now lose their jobs; some
have put the number as high as 3,000 to 4,000.
At a news conference Monday, Van Betteray
said he was in contact with the Hollywood studios, adding that he
was optimistic existing contracts could be renegotiated and brought
down to current market prices.
Van Betteray said Kirch Media would
seek to continue purchasing films from Hollywood partners under
better conditions. With bankruptcy, company could choose to drop
existing contracts or renegotiate them, he pointed out.
Further bankruptcies are expected soon
of the group's money-losing KirchPayTV and TaurusHolding, the umbrella
company that contains the three main divisions (Kirch Media, KirchPayTV
and KirchBeteiligung).
INSOLVENCY FILING STOPPED
An insolvency filing by KirchPayTV was
halted at the last minute Monday afternoon after an unnamed shareholder
intervened.
A bankruptcy of TaurusHolding or KirchPayTV
would be a severe body blow to News Corp. chief Rupert Murdoch since
it would nullify a hefty $1.4 billion put option the global mogul
has on his 22 percent stake in the pay TV division.
With losses of around $2 million a day,
given its inability to attract enough subscribers to cover pricey
film and sports rights, the pay TV arm has largely contributed to
Kirch's collapse.
As part of its restructuring efforts,
the new management has severed ties between Kirch Media and KirchPayTV
and said any new deals with Hollywood would be for free TV rights
only, with KirchPayTV now forced to fend for itself.
In addition to providing short-term
capital, creditor banks -- also including BayernLB, DZ Bank and
HypoVereinsbank -- are seeking participation from German publishing
groups Axel Springer and WAZ. Axel Springer may swap its $675 million
claim against Kirch for a stake in the new outfit.
The group's control of Formula One motor
racing and its 40 percent stake in Axel Springer are held by the
KirchBeteiligung division, which has not filed for insolvency.
RESCUE ATTEMPT DROPPED
A rescue attempt of Kirch Media by creditors
and minority shareholders, including Murdoch and Italian Prime Minister/media
baron Silvio Berlusconi, was abandoned after weeks of wrangling
failed to produce a mutually acceptable agreement.
While creditors and Bavarian state politicians
were said to be striving for a "national solution" to
keep Kirch Media together, Wolfgang Hartmann, chairman of Commerzbank,
said banks would be open to foreign investors who wanted to support
the company -- but only "if they are prepared to work together
and not against each other."
Speaking at the news conference, Hartmann
blasted Berlusconi's Mediaset and News Corp. for blocking each other
and keeping a rescue plan from being formulated. He described Mediaset's
behavior as totally unprofessional.
Kirch Media confirmed it had transferred
its rights to the 2002 and 2006 World Cup soccer championships to
Switzerland-based KirchSport, saving the rights from possible loss
through insolvency.
With the event starting this summer,
the move was greenlit by banks and international soccer association
FIFA to avoid the complications of reselling the rights and, contrary
to some reports, does not provide Leo Kirch or his deputy CEO Dieter
Hahn with profits from the World Cup deals.
Subsidiaries most at risk include Kirch
Media's money-losing sports broadcaster DSF and broadcast service
provider Plazamedia as well as KirchBeteiligung's regional weblets
TV Munchen, TV Berlin and TV Hamburg.
ProSiebenSat 1, which is 53 percent
owned by Kirch Media, said Sunday it would not be affected by a
Kirch Media bankruptcy as it is financed independently from the
Kirch Group.
German Chancellor Gerhard Schroeder
quickly made use of Kirch's collapse to attack Bavarian Premier
Edmund Stoiber, who is running against Schroeder for the nation's
top job in elections later this year.
Schroeder said Stoiber was partially
responsible for Kirch's plight, adding that the state-run bank BayernLB
helped finance Kirch's money-losing pay TV venture.
BayernLB provided Kirch with nearly
$1.75 billion in loans. Stoiber rejected the criticism, but political
experts expect the premier to get pummeled by fallout from Kirch's
crash.
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